NOTE IMDb
5,3/10
4,6 k
MA NOTE
Ajouter une intrigue dans votre langueA jilted ex-girlfriend plots revenge after her former beau comes back to their hometown with a new lover.A jilted ex-girlfriend plots revenge after her former beau comes back to their hometown with a new lover.A jilted ex-girlfriend plots revenge after her former beau comes back to their hometown with a new lover.
- Réalisation
- Scénario
- Casting principal
Mary Decaro
- Taylor
- (as Mary Griffin)
Philip Winters
- Doug Donaldson
- (as Phil Winters)
Avis à la une
Just got trired of hollywood recent times Woke-activist films. It's good to watch some actual "American" films without any of "Woke" sh*t in it. Well it had a box office success ; a little but good for $9M against a $1.5M investment.
The star quarterback returns to his hometown for the winter break with his new girlfriend. The problem is his old girlfriend ( Mischa Barton ) seems to have forgotten they split up. The ex claims everything's fine and even befriends the new girlfriend but after accidentally running the new girl down on the road and seriously injuring her things go bad. I was very impressed with the acting in this movie especially Mischa Barton to my surprise. She does a good line in menacing glares and some pretty creepy looks and as you find out just how deep her obsession goes with her ex boyfriend her acting helps to make the character believable. I love these bunny boiler movies and while this doesn't bring to many new ideas to the table, it is still a strong entry in this sub-genre of thriller. There are enough edge of the seat moments when you're willing the characters on and the tension is building to make this film a worthwhile watch. I enjoyed this movie.
When they arrive at his home town for a big celebration, a man's girlfriend is captured by his psychotic ex and tortured for stealing him away from her while he and his friends race to save her before it's too late.
This one here is a rather curious thriller rather than an out-and-out horror effort. One of the main issues with this one is the really bland pacing, which has the abduction placed oddly later in the film than it should because it deals with the useless extraneous moments in the film where she's dealing with outside issues that have nothing to do with the main torture scenes. The majority of the scenes consist of either her attempting to get away only to be stopped without any kind of true punishment offered only to repeat the process again or his friends telling him to get on with his life, and it manages to plod along lifelessly instead of generating any interest. Rather than doing any kind of physical, damaging torture, it features only knock-outs or drugging and carries on in a series of lame parts that give off a thriller feel more than a true horror film, and the painful, agonizing moments of her trying to win him back or pining over a rejection don't help this one much. The finale does have some pretty decent moments, including the clever discovery of the kidnapping, some brutal confrontations down in the basement and a rousing conclusion, but it's all too claustrophobic and confining to really get where it could've gone. This is just too flawed and has too little right about it to really be of any importance.
Rated R: Language and Violence.
This one here is a rather curious thriller rather than an out-and-out horror effort. One of the main issues with this one is the really bland pacing, which has the abduction placed oddly later in the film than it should because it deals with the useless extraneous moments in the film where she's dealing with outside issues that have nothing to do with the main torture scenes. The majority of the scenes consist of either her attempting to get away only to be stopped without any kind of true punishment offered only to repeat the process again or his friends telling him to get on with his life, and it manages to plod along lifelessly instead of generating any interest. Rather than doing any kind of physical, damaging torture, it features only knock-outs or drugging and carries on in a series of lame parts that give off a thriller feel more than a true horror film, and the painful, agonizing moments of her trying to win him back or pining over a rejection don't help this one much. The finale does have some pretty decent moments, including the clever discovery of the kidnapping, some brutal confrontations down in the basement and a rousing conclusion, but it's all too claustrophobic and confining to really get where it could've gone. This is just too flawed and has too little right about it to really be of any importance.
Rated R: Language and Violence.
I turned it off immediately. The acting was very weak, the story is very boring, you don't have to look at it. 1/10 *
We've seen it all before nicely sums up "Homecoming." Plot, characters, twists and turns (Such as they are) are all strictly out of the stock Hollywood thriller handbook.
The stock plot revolves around small town football star Michael (Matt Long) coming home to see his High School jersey retired with new girlfriend Elizabeth (A very cute Jessica Stroup) in tow ostensibly so she can get to know his old friends and meet his parents. Unfortunately for Mike and especially unfortunate for Elizabeth, Mike's old flame from his high school days, Shelby (Mischa Barton) is still in town and still believes he carries a torch for her as she so obviously does for him. When she discovers her old love has a new lover and is no longer interested in her she's devastated.
Shortly Elizabeth falls into Shelby's clutches and becomes her prisoner as Shelby hatches a plot to make her rival miserable while trying to win back her old boyfriend.
Virtually every cliché in the "desperate to escape" victim playbook is used and most are presented only half-heartedly at best. Eventually all the players come together for the clichéd ending and anyone who's surprised by how it all plays out has never seen a modern Hollywood thriller or has an IQ lower than Forrest Gump himself.
There are plot holes galore and the story requires otherwise intelligent characters to act stupid or at least do stupid things no one in such real life situations ever would. Elizabeth is presented with several obvious methods of escape or at least chances to alert other people to her predicament but passes up the most fundamental means at her disposal simply so the writers can extent her pain and suffering and make the movie last the requisite hour and half viewing time. (One obvious case is when a loan officer comes to visit Shelby at her house and when he leaves a supposedly desperate Elizabeth can only meekly tap at the window to try and gain his attention when she has over a dozen devices around her in the room she could easily use to smash the glass and alert him to her presence.) Certain plot points never add up and simply become distractions as the movie plods along. Although Elizabeth is supposed to be the love of Mike's life he and his policeman cousin Billy (Michael Landes) accept Elizabeth's disappearance fairly casually. At first Mike acts extremely upset at her apparent last minute ditching of him on the eve of her finally meeting his parents, yet never goes beyond a few vain attempts to call her for an explanation. Mike's parents never seem to upset at possibly never meeting the woman that might be their future daughter in-law and no one else in town ever seems to ask Mike about his girlfriend's absence.
Elizabeth discovers evidence Shelby poisoned her mother yet Shelby's motives for doing so are never explained. She seems to have only inherited a tremendous amount of debt from her mother's death as both the business and house she left behind are near foreclosure. At one point while trying to affect an escape, Elizabeth smashes Shelby in the face with a porcelain toilet tank lid only to have Shelby quickly cover up the damage in the next scene with a light touch of make up. No one even asks her about her head injury throughout the rest of the movie! And why a character so obviously demented as Shelby went unnoticed all her life in such a closed, rural small town, especially by her long time boyfriend, is beyond explanation.
The biggest plot hole of all is why Shelby keeps her rival alive at all especially when her homicidal tendencies become evident half-way through the film.
I could go on but you get the idea.
Mischa Barton, for all her off screen real life escapades, is turning in to a very competent actress. She's really the only reason to sit through this thing to the bitter, hackneyed end. She's obviously about 4 points better looking than anyone else in the film and another plot hole is why anyone so attractive would have such a hard time finding a decent replacement for an old high school boyfriend in the first place.
If you really want to see a good, tightly scripted thriller about an innocent victim held prisoner by a psychopath rent the much better "Misery." You'll get Kathy Bates instead of the fetching Mischa Barton but you won't regret the time you spent watching it either.
The stock plot revolves around small town football star Michael (Matt Long) coming home to see his High School jersey retired with new girlfriend Elizabeth (A very cute Jessica Stroup) in tow ostensibly so she can get to know his old friends and meet his parents. Unfortunately for Mike and especially unfortunate for Elizabeth, Mike's old flame from his high school days, Shelby (Mischa Barton) is still in town and still believes he carries a torch for her as she so obviously does for him. When she discovers her old love has a new lover and is no longer interested in her she's devastated.
Shortly Elizabeth falls into Shelby's clutches and becomes her prisoner as Shelby hatches a plot to make her rival miserable while trying to win back her old boyfriend.
Virtually every cliché in the "desperate to escape" victim playbook is used and most are presented only half-heartedly at best. Eventually all the players come together for the clichéd ending and anyone who's surprised by how it all plays out has never seen a modern Hollywood thriller or has an IQ lower than Forrest Gump himself.
There are plot holes galore and the story requires otherwise intelligent characters to act stupid or at least do stupid things no one in such real life situations ever would. Elizabeth is presented with several obvious methods of escape or at least chances to alert other people to her predicament but passes up the most fundamental means at her disposal simply so the writers can extent her pain and suffering and make the movie last the requisite hour and half viewing time. (One obvious case is when a loan officer comes to visit Shelby at her house and when he leaves a supposedly desperate Elizabeth can only meekly tap at the window to try and gain his attention when she has over a dozen devices around her in the room she could easily use to smash the glass and alert him to her presence.) Certain plot points never add up and simply become distractions as the movie plods along. Although Elizabeth is supposed to be the love of Mike's life he and his policeman cousin Billy (Michael Landes) accept Elizabeth's disappearance fairly casually. At first Mike acts extremely upset at her apparent last minute ditching of him on the eve of her finally meeting his parents, yet never goes beyond a few vain attempts to call her for an explanation. Mike's parents never seem to upset at possibly never meeting the woman that might be their future daughter in-law and no one else in town ever seems to ask Mike about his girlfriend's absence.
Elizabeth discovers evidence Shelby poisoned her mother yet Shelby's motives for doing so are never explained. She seems to have only inherited a tremendous amount of debt from her mother's death as both the business and house she left behind are near foreclosure. At one point while trying to affect an escape, Elizabeth smashes Shelby in the face with a porcelain toilet tank lid only to have Shelby quickly cover up the damage in the next scene with a light touch of make up. No one even asks her about her head injury throughout the rest of the movie! And why a character so obviously demented as Shelby went unnoticed all her life in such a closed, rural small town, especially by her long time boyfriend, is beyond explanation.
The biggest plot hole of all is why Shelby keeps her rival alive at all especially when her homicidal tendencies become evident half-way through the film.
I could go on but you get the idea.
Mischa Barton, for all her off screen real life escapades, is turning in to a very competent actress. She's really the only reason to sit through this thing to the bitter, hackneyed end. She's obviously about 4 points better looking than anyone else in the film and another plot hole is why anyone so attractive would have such a hard time finding a decent replacement for an old high school boyfriend in the first place.
If you really want to see a good, tightly scripted thriller about an innocent victim held prisoner by a psychopath rent the much better "Misery." You'll get Kathy Bates instead of the fetching Mischa Barton but you won't regret the time you spent watching it either.
Le saviez-vous
- GaffesWhen Mike and Shelby are alone in the bowling alley, she pours him an Iced Tea. As the conversation continues, his drink switches to his right and his left. When it's on his right, it's appears to be a Coke. When it's on his left, it's an iced tea again.
- Versions alternativesThe US DVD includes deleted scenes as a extra.
- ConnexionsEdited from Homecoming: Deleted Scenes (2009)
- Bandes originalesDo You Love Me?
Written by Jason Brewer
Performed by Explorer's Club
Courtesy of Dead Oceans
By Arrangement with Bank Robber Music
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 1 500 000 $US (estimé)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Sexe, Vengeance et Séduction (2009) officially released in India in English?
Répondre