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The Killer

  • 2024
  • 12
  • 2h 6min
NOTE IMDb
5,7/10
14 k
MA NOTE
POPULARITÉ
1 432
195
Omar Sy and Nathalie Emmanuel in The Killer (2024)
An assassin tries to make amends in an effort to restore the sight of a beautiful young singer.
Lire trailer2:02
1 Video
90 photos
ActionThriller

Après avoir été trahi par son maître, un assassin désabusé tire une dernière fois avec l'intention d'utiliser l'argent pour aider un musicien qu'il a accidentellement rendu aveugle à retrouv... Tout lireAprès avoir été trahi par son maître, un assassin désabusé tire une dernière fois avec l'intention d'utiliser l'argent pour aider un musicien qu'il a accidentellement rendu aveugle à retrouver la vue.Après avoir été trahi par son maître, un assassin désabusé tire une dernière fois avec l'intention d'utiliser l'argent pour aider un musicien qu'il a accidentellement rendu aveugle à retrouver la vue.

  • Réalisation
    • John Woo
  • Scénario
    • John Woo
    • Brian Helgeland
    • Josh Campbell
  • Casting principal
    • Nathalie Emmanuel
    • Omar Sy
    • Sam Worthington
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    14 k
    MA NOTE
    POPULARITÉ
    1 432
    195
    • Réalisation
      • John Woo
    • Scénario
      • John Woo
      • Brian Helgeland
      • Josh Campbell
    • Casting principal
      • Nathalie Emmanuel
      • Omar Sy
      • Sam Worthington
    • 148avis d'utilisateurs
    • 53avis des critiques
    • 60Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 14 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:02
    Official Trailer

    Photos90

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 84
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    Rôles principaux76

    Modifier
    Nathalie Emmanuel
    Nathalie Emmanuel
    • Zee
    Omar Sy
    Omar Sy
    • Sey
    Sam Worthington
    Sam Worthington
    • Finn
    Diana Silvers
    Diana Silvers
    • Jenn
    Saïd Taghmaoui
    Saïd Taghmaoui
    • Prince Majeb Bin Faheem
    Angeles Woo
    • Chi Mai
    Éric Cantona
    Éric Cantona
    • Gobert
    Tchéky Karyo
    Tchéky Karyo
    • Tessier
    Grégory Montel
    Grégory Montel
    • Jax
    Hugo Diego Garcia
    Hugo Diego Garcia
    • Coco
    Michaël Erpelding
    • Serge
    Aurélia Agel
    Aurélia Agel
    • Juliet
    Guillaume Kerbusch
    Guillaume Kerbusch
    • Alves
    Fabrice Scott
    Fabrice Scott
    • Inspector General
    Kelian Maréchaux
    • The Breton
    Elie Haddad
    Elie Haddad
    • Avi
    Lydie Muller
    Lydie Muller
    • Jenn's Mother
    Etienne Guillou-Kervern
    Etienne Guillou-Kervern
    • Hallway Policeman
    • Réalisation
      • John Woo
    • Scénario
      • John Woo
      • Brian Helgeland
      • Josh Campbell
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs148

    5,714.2K
    1
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    10

    Avis à la une

    5jesse-greathouse

    John Woo Paint by numbers.

    It's not the worst thing you can watch. It has its moments. Every once in a while it wakes up and remembers it's an action movie. The rest of the time it's down wallowing in a rut of character moments that try too hard to convince us that we should care about these characters. Sam Worthington does a terrible Irish accent despite his character having no reason to be Irish.

    The action is fun, everything else is boring because despite the effort it's hard to care about these characters and what they're going through. It's Jon Woo without the charm. It can't shake off the wrapper of NBC TV production despite desperately trying.
    5fallyhag

    A lot of fake reviews covering for a bad film

    The main actress had a kick ass image. The camera simply loves her. But is she a killer?

    It just doesn't work. The film cliches start thick and fast and soon go into overdrive. By the end the film is dripping in old camera angles, dull fight scenes and amateur plot lines. It is desperate to be an action film. But it is just a parody of one.

    The acting talent is high. And the Director used to be known for blockbusters. But I can't help but feel they have all dropped in the rankings creating this 'straight to VHS' nothing burger.

    The story is ridiculous. It literally makes no sense. A whole killing empire brought down for no good reason. All the silent pro killing replaced with amateur battles that are disproportionate to the problem. The solutions just making it worse for no good reason.

    This film is bad. Comically bad. By the end you will be questioning whether it is the same John Woo. Or just budget retired one.

    Not recommended 💩
    6attilalengyel-78684

    So the pigeons are flying again...

    I don't know how many action clichés John Woo made and then piled up during his carrier, but I guess a lot. This picture is really like mocking himself. Probably, rather than maybe, he is. Well, it is a remake of his own film, once considered pioneer of modern action movies, but it does nothing original at all. Rather, it delivers basically the same but with much less intensity, commitment and flair. The soul of the original is absent. There is no fire in it, just ember - to say the least. The characters are good but apparently most of them are restricted, blocked even, to show raw emotions (with the exception of Cantona). It is a weak remake, as they usually are.
    4squelcho

    Sleepwalking to Hollywood

    I realise that John Woo is an iconic director, mainly because of his run of funky HK triad gunslinger movies, but whoever put this remake together skimped on the screenwriting, and the script. The direction is ok, but with the nagging feeling that the hourly rate there was also well shy of inspirational.

    Every cliched character and trite line of dialogue feels disconnected, existing in isolation, awaiting their brief memetime on Tik Tok and Youtube.

    Even the action felt kinda perfunctory, like a cheap sequel filmed in a hurry by an inferior production crew, with no sense of pride in their accomplishments. "Two more flash-cut car chases, an MMA ruck in a public space, a slow-mo bullet time shootout, and we're done, chaps".

    What it resembles, more than anything, is a low-budget 80s Eurocrime actioner, with a mismatched Euro-cast, and a script straight out of Babelfish, tarted up in post to look vaguely modern. Unfortunately, it ends up looking like a badly animated storyboard.
    5Jim_Screechy

    Fell asleep for 20 minutes and missed nothing.

    Let me beging by saying I love John Woo, Omar Sy, and Nathalie emmanuel, but this movie doesn't go anywhere, do anything, or offer up anything in the way of real entertainment aside from the good action sequences that stitch the diolgue sections together. In fact were it not for these three actors the movie would be immeasurably worse. I'll try to be conciese here.

    The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.

    The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.

    Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.

    Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.

    There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10

    Still, that said, watching it is a not much more than a waste of time.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Nicolas Cage wanted to star in the remake if John Woo directed it.
    • Gaffes
      A world class killer for hire regularly and repeatedly goes to the same food place.
    • Citations

      Zee: You're empty ... and I always have one left.

    • Versions alternatives
      Is a remake of "The Killer" (original title: "Dip huet seung hung," 1989), also directed by John Woo.
    • Connexions
      Referenced in Film Junk Podcast: Episode 958: The Crow (1994) (2024)
    • Bandes originales
      Let's Live for Today
      Written by Peter Warne (as Michael Julien), Mogol (as Giulio Rapetti Mogol), Norman David Shapiro (as Norman Shapiro)

      Produced by Wendy Wang

    Meilleurs choix

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    FAQ

    • How long is The Killer?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 octobre 2024 (France)
    • Pays d’origine
      • Corée du Sud
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Killers
    • Sociétés de production
      • A Better Tomorrow Films
      • Atlas Entertainment
      • Entertainment One
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 30 000 000 $US (estimé)
    • Montant brut mondial
      • 318 618 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 6 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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    Omar Sy and Nathalie Emmanuel in The Killer (2024)
    Lacune principale
    By what name was The Killer (2024) officially released in Canada in French?
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