Après avoir été trahi par son maître, un assassin désabusé tire une dernière fois avec l'intention d'utiliser l'argent pour aider un musicien qu'il a accidentellement rendu aveugle à retrouv... Tout lireAprès avoir été trahi par son maître, un assassin désabusé tire une dernière fois avec l'intention d'utiliser l'argent pour aider un musicien qu'il a accidentellement rendu aveugle à retrouver la vue.Après avoir été trahi par son maître, un assassin désabusé tire une dernière fois avec l'intention d'utiliser l'argent pour aider un musicien qu'il a accidentellement rendu aveugle à retrouver la vue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 nominations au total
Avis à la une
I realise that John Woo is an iconic director, mainly because of his run of funky HK triad gunslinger movies, but whoever put this remake together skimped on the screenwriting, and the script. The direction is ok, but with the nagging feeling that the hourly rate there was also well shy of inspirational.
Every cliched character and trite line of dialogue feels disconnected, existing in isolation, awaiting their brief memetime on Tik Tok and Youtube.
Even the action felt kinda perfunctory, like a cheap sequel filmed in a hurry by an inferior production crew, with no sense of pride in their accomplishments. "Two more flash-cut car chases, an MMA ruck in a public space, a slow-mo bullet time shootout, and we're done, chaps".
What it resembles, more than anything, is a low-budget 80s Eurocrime actioner, with a mismatched Euro-cast, and a script straight out of Babelfish, tarted up in post to look vaguely modern. Unfortunately, it ends up looking like a badly animated storyboard.
Every cliched character and trite line of dialogue feels disconnected, existing in isolation, awaiting their brief memetime on Tik Tok and Youtube.
Even the action felt kinda perfunctory, like a cheap sequel filmed in a hurry by an inferior production crew, with no sense of pride in their accomplishments. "Two more flash-cut car chases, an MMA ruck in a public space, a slow-mo bullet time shootout, and we're done, chaps".
What it resembles, more than anything, is a low-budget 80s Eurocrime actioner, with a mismatched Euro-cast, and a script straight out of Babelfish, tarted up in post to look vaguely modern. Unfortunately, it ends up looking like a badly animated storyboard.
Let me beging by saying I love John Woo, Omar Sy, and Nathalie emmanuel, but this movie doesn't go anywhere, do anything, or offer up anything in the way of real entertainment aside from the good action sequences that stitch the diolgue sections together. In fact were it not for these three actors the movie would be immeasurably worse. I'll try to be conciese here.
The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.
The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.
Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.
Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.
There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10
Still, that said, watching it is a not much more than a waste of time.
The plot is simply ridiculous. Who decided to make a movie on a story so preposterous? Just imagine how good this movie might have been if the person creating and detailing the plot had an imagination, a lick of common sense, or a brain to create a proper conept. I'll not go into detail but suffice to say the story isn't worthy of any of the talent enlisted in the movie, nor does it conjure up the slightest modicum of interest, intrigue or investment in emotion.
The actors do a good job with the meterial... such as it is, but nothing can rescue this plot from the underhand vice of creativity that is lacking. Sam worthington is a very capable actor; I like him, and in spite of his relegation to mostly lower profile movie categories in the past few years, his talent nevertheless persists. Here he's cast as an Irishman, and I'm not even sure if he's supposed to be Northern or Southern but not only is his accent is terrible, but the requirement to have him play an Irish national at all is mind boggling. It has no relevance to the proceedings and only makes sense if confusing the audience with what he's actually saying is by design. In his first scene I wondered if he was speaking turkish, I kid you not! I could not understand a word he was saying.
Woo does a good job with the action sequences and to be fair, as an action flick and in dipicting excitement and intensity in general, especially the relevant places, it does well. The shots are great, the actors do well with the sequences, and movie comes alive considerably, but there isn't anything pinning this together except a stupid story that lulls atrociously outside these spaces where Woo's influence isn't primarily on display. "Between the panels" It's just rubbish.
Shame really as I had high hopes for this one. Yes they should have had a better plot, writers etc, but this is where we are and unfortunately as I've said, as an entertainment piece there is little on offer.
There are some good points though, Emmanuel is delectable in much of the attire she dons and indeed there are some nice shots in the movie which can be appreciated outside of the project as a whole, hence my 5/10
Still, that said, watching it is a not much more than a waste of time.
I had to stop after 50min where I couldn't take it anymore, I mean it might be for someone but not for me.
John Woo has a style and I respect that! However I'm not sure if I would still have stomach for that in 2024, nearly 30 years after Faceoff.
You might ask how about the story then? Enough to know that a Killer with misplaced conscious caused a lot of civilians to die to avoid one particular civilian to die because she was against killing civilians. I know it's stupid. But that's the main theme, at least up until I said enough is enough. The plot has so many wholes and it looks so fake that even popular faces couldn't save it for me.
Do not waste your precious life with this movie, Mr Woo, please grow up.
John Woo has a style and I respect that! However I'm not sure if I would still have stomach for that in 2024, nearly 30 years after Faceoff.
You might ask how about the story then? Enough to know that a Killer with misplaced conscious caused a lot of civilians to die to avoid one particular civilian to die because she was against killing civilians. I know it's stupid. But that's the main theme, at least up until I said enough is enough. The plot has so many wholes and it looks so fake that even popular faces couldn't save it for me.
Do not waste your precious life with this movie, Mr Woo, please grow up.
I enjoy a good straigh forward action movie but this was just complete nonsense. When you have a movie with such a dumb plot you need lots of good action to keep the audience from thinking about the stupid plot too much. This movie barely has any action and the action it has is mediocre at best. The acting is also mediocre at best. I liked the main actress, she had a good style to her and the black cop as well. The few scenes they had together where some of the best. This definitely had potential, there is some great camera work and stuns here and there but is just too little to keep your entretain.
Hard to believe this is John Woo movie. Perhaps he doesn't care much more about the script and it's all about style and filming and little else. Every cliche is pulled out of movie history, as our hardened killer has mercy on the innocent girl. It was put together to also present the battle of the non non binary lesbians. It's not meant to be a slight on lgbtq people, there was just no reason to have them in there and it is never explained. Some nonsense about the beating of Sam worthington's heart, in his attempt to do an Irish accent.
All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
All the good reviews here are fake. This is a shell of what good films used to be. You seen it all before and just much better done.
Le saviez-vous
- AnecdotesNicolas Cage wanted to star in the remake if John Woo directed it.
- GaffesA world class killer for hire regularly and repeatedly goes to the same food place.
- Versions alternativesIs a remake of "The Killer" (original title: "Dip huet seung hung," 1989), also directed by John Woo.
- ConnexionsReferenced in Film Junk Podcast: Episode 958: The Crow (1994) (2024)
- Bandes originalesLet's Live for Today
Written by Peter Warne (as Michael Julien), Mogol (as Giulio Rapetti Mogol), Norman David Shapiro (as Norman Shapiro)
Produced by Wendy Wang
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- How long is The Killer?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut mondial
- 318 618 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was The Killer (2024) officially released in Canada in French?
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