Birdsong

Just beautiful

Tugs at your heart from the opening scenes till the last, with some lovely performances from Posey, Madden & Croze amongst many

Led by a tortured Eddie Redmayne brilliantly supported by the under rated Joseph Mawle

First of all, BIRDSONG is beautifully filmed and acted. Joseph Mawle is especially memorable as Jack Firebrace--who I quote in my title here--a friend and sort of foil character to the protagonist (Stephen Wraysford) played by Eddie Redmayne. Agree: American audiences may find all the British brogues a bit hard to follow without the subtitles.

While there is a palpable storyline and a good surprise at the end, BIRDSONG appeals more to the heart than to the head. It's quite a sad story, of course, but it avoids going too far in the direction of melodrama. It successfully incorporates some really huge themes: Love, forgiveness, loyalty, and others. There is also a great deal of WWI battle footage: BIRDSONG will probably appeal to most war film aficionados. Warning: Some really graphic scenes of carnage at the Somme and various other battles.

Part I shifts every few minutes from Wraysford's illicit 1910 love affair with the wife of a French business partner to his service in the British army between 1916-18. The two time settings are extremely well-synchronized: The directors and producers did a fine job of making the two stories into one. Part II, though it follows the same general pattern, is a little more of a straightforward, solidified story.

I haven't read Sebastian Faulks's original novel, but I've heard nothing but good things about it. It's probably a hard book to cinematize, but Masterpiece Theater did about the best job possible here.

Though I haven't read the book yet and I also had no idea this was split into two TV-movies. It came out as one single very long movie on DVD in Germany, so I watched it like that. It did appeal to me, especially acting, though some choices seemed weird. For a TV movie it is surprising I reckon that there is nudity. For regular TV I guess, but then again, we're way past that already.

The structure does seem fitting for a novel and it makes more sense in the book form (or at least seems to). Even without having read it, you can do more in the head of a reader than in a film. Still this seems more than decent enough to stand on its own, especially if the viewer is unaware of its source material.

I rarely review unless I love a movie and feel something has been unfairly rated due to some anomaly. Here I suspect the anomaly is that it will only be fully felt by people who have known something of this these level of intensity of love and death. Our world has become somewhat numbed to these things. I am lucky and unlucky enough to have had a meeting just like theirs and the story and intensity of it touched me very deeply. It is not just a matter of being open enough for these things to happen, but open enough to recognize their significance. And even in the absence of a war, for such a spiritual heart, as in the Bhagavad Gita, life will always be trench warfare on some level.

It's fair to say that the book is an amazing read, it's almost unfair to deem it a page turner, but that's what it is, a book you don't want to put down.

This adaptation does the book justice, it's very much a film of two halves. The first, bright, full of hope and love, vibrant, the second harsh, grey and claustrophobic, full of loss.

The thread that runs the whole way through it, love, pure love, the power of friendship, camaraderie and the devastating feeling of loss.

The acting is first class, Eddie Redmayne of course steals it, he's one of those actors that has the ability to make you feel, without saying a word, it's a masterclass from him. Poessy and Mawle are amazing also.

Part one is great, the second is even better, it has some poignant scenes, including the men going out of the trenches.

One of those dramas that just envelopes you. 9/10.