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Sin nombre

  • 2009
  • Tous publics avec avertissement
  • 1h 36min
NOTE IMDb
7,5/10
35 k
MA NOTE
Sin nombre (2009)
Sayra, a Honduran teenager, and Willy, a new member of the Mara Salvatrucha gang, both dream of better lives for themselves, and a fateful event will find the two strangers united on a train bound for the U.S., where the hope for new lives await.
Lire trailer2:02
4 Videos
49 photos
AventureCriminalitéDrameThrillerLe passage à l'âge adulteVoyage en voiture

Une jeune fille du Honduras et un gangster mexicain s'unissent pour un périple le long de la frontière américaine.Une jeune fille du Honduras et un gangster mexicain s'unissent pour un périple le long de la frontière américaine.Une jeune fille du Honduras et un gangster mexicain s'unissent pour un périple le long de la frontière américaine.

  • Réalisation
    • Cary Joji Fukunaga
  • Scénario
    • Cary Joji Fukunaga
  • Casting principal
    • Paulina Gaitan
    • Marco Antonio Aguirre
    • Leonardo Alonso
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    35 k
    MA NOTE
    • Réalisation
      • Cary Joji Fukunaga
    • Scénario
      • Cary Joji Fukunaga
    • Casting principal
      • Paulina Gaitan
      • Marco Antonio Aguirre
      • Leonardo Alonso
    • 96avis d'utilisateurs
    • 151avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 14 victoires et 18 nominations au total

    Vidéos4

    Sin Nombre
    Trailer 2:02
    Sin Nombre
    A Guide to the Style of Cary Joji Fukunaga
    Clip 1:40
    A Guide to the Style of Cary Joji Fukunaga
    A Guide to the Style of Cary Joji Fukunaga
    Clip 1:40
    A Guide to the Style of Cary Joji Fukunaga
    Sin Nombre: "I'm Going with You"
    Clip 1:24
    Sin Nombre: "I'm Going with You"
    Sin Nombre: "Ever Been on One of Those?"
    Clip 1:27
    Sin Nombre: "Ever Been on One of Those?"

    Photos49

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    + 43
    Voir l'affiche

    Rôles principaux53

    Modifier
    Paulina Gaitan
    Paulina Gaitan
    • Sayra
    Marco Antonio Aguirre
    • Big Lips
    Leonardo Alonso
    Leonardo Alonso
    • Policía Judicial
    Karla Cecilia Alvarado
    • Marera
    Juan Pablo Arias Barrón
    • Niño #3
    Rosalba Belén Barrón
    • Niño #2
    Felipe Castro
    • Marero
    • (as Sixto Felipe Castro)
    Rosalba Quintana Cruz
    • Tierra Blanca Mujer
    Marcela Feregrino
    • Kimberly
    Kristyan Ferrer
    Kristyan Ferrer
    • El Smiley
    • (as Kristian Ferrer)
    Edgar Flores
    Edgar Flores
    • Willy 'El Casper'
    Giovani Florido
    Giovani Florido
    • El Sipe
    • (as Giovanni Florido)
    Ariel Galvan
    • Migrante #1
    Diana García
    Diana García
    • Martha Marlene
    Gabriela Garibaldi
    • Diana
    Ignacio Gonzalez
    • Marero
    Noé Hernández
    Noé Hernández
    • Resistol
    Lilibeth Flores
    • Yamila
    • Réalisation
      • Cary Joji Fukunaga
    • Scénario
      • Cary Joji Fukunaga
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs96

    7,534.6K
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    Avis à la une

    8hanagomolakova

    One of the best debut features of the year

    Directed by the young talent Cary Fukunaga, a winner of the Sundance Film Festival Directing award, the film focuses on a combination of issues in South America, from involvement of kids and teenagers in Mexican gangs to what it takes for those who decide to leave South and Central America and seek greener pastures in the U.S.

    The story follows two main characters, Casper and Sayra, played by lesser-known actors Edgar Flores and Paulina Gaitan. While Casper is the member of the feared gang Mara Salvatrucha, his faith connects him with Sayra, a Honduran emigrant that travels with her father and uncle together with the other emigrants on a freight train to the U.S.

    On this journey together, as Casper tries to escape his faith and Sayra to meet hers, the main characters are slowly blending together, complete each other through their diversity, while they have to face the rough side of life in today's Mexico.

    As a result, the film has a gripping, disturbing, moving sour-sweet blend to it, and is exactly the type of the film where it's unpredictability, natural change of pace, and lots of eye candy in the scenery, makes you part of the story until the credits role, making you beg for more inside.

    Fukunaga's film feels so real not only thanks to his time spent in Mexico and his first hand experience with both, emigrants and immigrants he met before and while shooting the film, his cast of actual members of the Mara gang, perfect editing and combination of locations and the effort he took while filming to get the best out of his actors ("apart from beating them", he joked at Vary), makes the film one of the best feature debuts I've ever seen.
    8loco_73

    Without a name indeed...

    Let's be clear from the outset, this is a dark, bleak and violent movie. The episodes in-between the on-screen savagery, consist of a lot of regret, anxiety and a deep, deep sadness.

    Having said that, I also think that this is one of the most important movies I have seen in quite awhile, buried unfortunately amidst the clutter of beginning-of-the-year garbage releases and the upcoming summer blockbusters. I wish this movie had a much higher profile, in fact I think that this movie should be required viewing in high-schools all across the US and Canada.

    It should also be seen by all those people who think about immigrants as a pest and as parasites who come to take away their jobs and be a drain on their resources, abusing the social system or whatever. The same people who watch Lou Dobbs and his "one man crusade" to save America from the invading plague of illegals. The minute-men who gleefully think that the wall now separating the US from Mexico is the greatest thing since the pyramids. The same people that after having spewed their vitriol, hatred and bile against immigrants have no problem with Juan mowing their lawn and Consuela looking after their snot-nosed mortally obese children, and Miguel picking-up all the s*it they leave in the streets, malls and every other place one can throw garbage in.

    Maybe, just maybe, watching this movie will at least give them a glimpse into the lives, backgrounds and destinies of these people, who are abused, mistreated and forgotten by almost everybody, people who basically have come to symbolize a type of disposable human garbage, that truly are without a face, an identity and "sin nombre", without name. Perhaps we could all come to understand what it is that drives these waves of humanity to risk it all for even the promise of a better future. Then we could all come to realize that "life, liberty and the pursuit of happiness" are not exclusively American values, but rather universal values to which all people aspire to.

    Even amidst all the doom and gloom of the movie there are some sublime moments of beauty, humanity and yes even hope. It was quite hard at times for me to watch this movie, not because of what I saw, but because I can relate to what I saw and be reminded of a time in my life I wish I could forget, but know I can't. It will be part of me until the day I die. I want people to learn and understand instead of being so quick to judge and dismiss the plight of other fellow human beings.

    WHAT WOULD YOU DO IF THE SITUATION WAS REVERSED?
    8museumofdave

    Intelligent, Gripping and Persuasive: The Immigrant Experience

    Instead of sensationalism for its own sake, director Fukunaga relates a gripping story straight, a clear narrative outlining the mental and physical journey taken by a young man recruited into a violent Latino gang and used by them to gather protection money to beef up the gang coffers; the young man makes choices that create difficulties his path one of both fear and self-awakening, and a parallel story of immigrants attempting to crash the U.S. border lines him up with a young woman of integrity. As noted by so many critics and reviewers, this is an often violent film, but how else to picture what we know has often made many border towns between the United States and Mexico unlivable? This is an important picture, a sincere and moving effort which captures a world most of us only read about
    9rpm235

    Great movie -- see it on the big screen

    This movie rocked. I would definitely recommend seeing it, especially on the big screen: the cinematography is incredible. The film manages to teach you something about the world, expose you to an underworld you (well, at least I) had no idea existed, bring up some important social issues, all while keeping you on the edge of your seat. Some highlights included stunts on trains, some crazy home-made guns, and amazing tattoos. The acting was also very good -- especially considering several of the cast had no real acting experience. The audience I saw it with loved it -- it got some great gasps and even some big laughs. And all by a first-time director. Well done.
    10lisowndtrap

    Terrific Film! a Must SEE

    A truly excellent film, and an important one for our time. It has a brutal, awakening reality to it, but only to show the innocence and courage the characters portray. It is a very pure, and new story of survival. Brilliantly shot, with a ver rich, and warm feel, at the same time is brings you to the frightening underworld of the vicious gang organizations in Central America. Academy Award nominated film producers Diego Luna and Gael Bernal obviously saw a diamond with this film and out came a modern day masterpiece. Cant believe i missed it in theaters. For a first film by Cary Fukunaga, it looks as if it's his 10th, showing no flaws, and with a cast of actors that do their characters amazing justice, Sin Nombre is a MUST SEE!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Cary Fukunaga spent two years researching the film, spending time with people on the trains and with gangsters in Central America. He also used two gang members to script edit making the slang and language as up to date and realistic as possible.
    • Gaffes
      The teardrop tattoo on el Casper's right eye is missing in two consecutive scenes on the top of the train but is visible on his face throughout the movie both before and after these scenes on the train. Interestingly, the tattoo is an important identifying mark/symbol in the movie and is specifically highlighted by gang members when asking locals if they have seen Casper as they try to find him and hunt him down.
    • Citations

      Sayra: Back home, my friend Clarissa made me see this crazy neighbor, Doña Eleanor, you know, like witchcraft? She smoked this puro, then told me with her freaky voice that I'd make it to the U.S. but not in God's hand, perhaps in the Devil's.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Duplicity/I Love You, Man/Knowing/Sin Nombre/The Cake Eaters (2009)
    • Bandes originales
      SONG FOR BOB
      Composed by Nick Cave & Warren Ellis

      From the Motion Picture Score of L'Assassinat de Jesse James par le lâche Robert Ford (2007)

      (Film Festival prints only)

    Meilleurs choix

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    FAQ20

    • How long is Sin Nombre?Alimenté par Alexa
    • Do films like "Sin Nombre" or "Man on Fire" give Mexico a bad reputation?

    Détails

    Modifier
    • Date de sortie
      • 21 octobre 2009 (France)
    • Pays d’origine
      • Mexique
    • Sites officiels
      • Official site (France)
      • Official site (Japan)
    • Langue
      • Espagnol
    • Aussi connu sous le nom de
      • Sin Nombre
    • Lieux de tournage
      • Torreón, Coahuíla, Mexique
    • Sociétés de production
      • Scion Films
      • Canana Films
      • Creando Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 536 665 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 81 446 $US
      • 22 mars 2009
    • Montant brut mondial
      • 5 102 705 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 36min(96 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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