Stash

First of all, story hasn't got anything new or special. badly directed movie, worst acting ever accompanied by ridiculous and funny music with stupid dialog delivery by the actors. this movie doesn't make any sense in whatever is happening in the movie. you need to be really foolish if you want to agree the way things are going on in this movie. the actors are acting like they are not ready to do some real acting or like they simply don't know how to act. it also looks funny to see how these actors react in different situations of panic as if they are so cool or are not very serious or depressed.

Don't watch it. its a boring movie, a waste of time. even i watched this movie skipping a little bit in between the scenes. if u still watch it, you'll regret it. watch some other movie instead. believe me!

What if you do do not make the same mistake I did and give this movie a try but if you're looking at this you probably will it is one of the worst movies I've ever seen my life I hope Prime didn't pay for this movie it's it's indescribably bad the acting is horrible so so horrible that's all I got to say.

When compared to modern studio horror offerings, which often miss the point of the films they were inspired by, Jacob Ennis has encapsulated the exploitation films that inspires him perfectly. Much like 1972's "Last House on the Left" or Al Adamson's "I Spit on Your Corpse" Ennis creates an all too real universe of white trash, brutal violence, and backwoods sensibilities. Of course this is often missed by reviewers who would say, "How dare you compare this to 'Last House'?", the same reviewers who idolize "Last House" not because they understand it but because they believe that by worshiping this film they are to be counted among "real" horror fans.

It is obvious when watching this film that Ennis understands what made "Last House" work. Ennis will only grow as a filmmaker. For those who understand "Stash" and why it has been embraced by G4, Fangoria, and independent horror fans, we will no doubt see great things from Ennis in the future.

If you're expecting the same PG-13, sanitized, studio crap that's being released en masse by Hollywood or the supposedly "shocking" horror of Eli Roth films, then you're likely to be disappointed by Ennis' outstanding throwback to an age when exploitation was not a trend to be embraced by "wanna be" horror fans but by those who "got it" and those who understand that low budget cinema is far more true an art form than what a studio film can provide.

The movie is nothing more than a piece of crap.. Total waste of time.. I think they shot the film using a handy cam, and the camera movements were all the time shaky, needless to say junk storyline... Funniest thing is you will feel, that time is going at a snails pace... Pathetic acting by the actors rubs salt on the wound... I have seen many movies which were total crap but this one tops the list.. I watched this movie after going through the reviews.. But I made a big fool of myself.. Reviews are like opinions... They differ.. But my god, this movie.. The least said about it the better. I think the crew who were a part of the movie, will never ever get any chance to act in any movie again..

Don't even bother to review.. it ... Just fly past the movie.. Goshh..

I strongly recommend not to watch this film, unless one has a desire of learning what bad film's are all about. This is one film which I would recommend to the Students of Audio Visual studies, so that they learn what silly mistakes they should avoid in film making.

The camera moments are jerky, the director seems to have gone on a vacation leaving instructions to the cameramen to film whatever seems suitable. And the eye movement of the actors will remind you the kind of films that appear under the category of amateur porn films made in eastern Europe.

The lead lady, Karen Boles does seem to make a brave attempt in giving some semblance, but unfortunately the cameramen does not do justice to her. Suffice to say its one film she will regret having accepted. One really feels sorry for her. God save the art of film making from Jacob Ennis.

The horror of the film is, in wasting our precious time watching it.