Jellystone, présente divers personnages de Hanna-Barbera vivant dans la ville du parc de Jellystone où ils ne peuvent s'empêcher de se créer des problèmes.Jellystone, présente divers personnages de Hanna-Barbera vivant dans la ville du parc de Jellystone où ils ne peuvent s'empêcher de se créer des problèmes.Jellystone, présente divers personnages de Hanna-Barbera vivant dans la ville du parc de Jellystone où ils ne peuvent s'empêcher de se créer des problèmes.
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Jellystone made me laugh out loud. The characters are charming and full of personality. Its has that late 90s and 2000s comedy you find from powerpuff girls or chowder( granted this show was produce by the creator of chowder)Give this show a try if you want good old slap stick comedy.
You guys need to grow up. This isn't the 1990s or the 1960s anymore. All you haters do is just live in your mothers' basements and whine about every single change in the show.
For once, I love this show. Why was I excited for it? Because I am a big BIG fan of C. H. Greenblatt's work. I am a fan of Chowder and Harvey Beaks. I enjoyed a number of Hanna-Barbera cartoons as well, though they are not without their faults.
Jellystone! Is a much better interpretation of the Hanna-Barbera than Yo Yogi!, because it made the characters do new and interesting things.
It also has more of a vibe to Busytown and Looney Tunes. The former especially making since, since C. H. Greenblatt was influenced by Richard Scarry.
I don't mind how they changed the characters' genders, like Loopy De Loop or Jabberjaw (unlike the transphobic haters).
Though I will say, I'm not a big fan of Shag Rugg's character that much. But the only major issue I have is that where's Secret Squirrel? Hopefully, he'll be back for season two.
This is a show I especially wanted the Wacky World of Tex Avery to be. I'd even prefer this over ThunderCats Roar and even Teen Titans Go!
C. H. Greenblatt, you have outdone yourself, my man!
For once, I love this show. Why was I excited for it? Because I am a big BIG fan of C. H. Greenblatt's work. I am a fan of Chowder and Harvey Beaks. I enjoyed a number of Hanna-Barbera cartoons as well, though they are not without their faults.
Jellystone! Is a much better interpretation of the Hanna-Barbera than Yo Yogi!, because it made the characters do new and interesting things.
It also has more of a vibe to Busytown and Looney Tunes. The former especially making since, since C. H. Greenblatt was influenced by Richard Scarry.
I don't mind how they changed the characters' genders, like Loopy De Loop or Jabberjaw (unlike the transphobic haters).
Though I will say, I'm not a big fan of Shag Rugg's character that much. But the only major issue I have is that where's Secret Squirrel? Hopefully, he'll be back for season two.
This is a show I especially wanted the Wacky World of Tex Avery to be. I'd even prefer this over ThunderCats Roar and even Teen Titans Go!
C. H. Greenblatt, you have outdone yourself, my man!
Set in the town of Jellystone, the series follows the misadventures of the town's eclectic residence consisting of Hanna-Barbera characters like Yogi-Bear, Snagglepuss, Huckleberry Hound, and more who each bring their own unique traits to the town's often self-destructive antics.
Jellystone marks the latest attempt by Warner Bros. To revive their Hanna-Barbera stable outside of Scooby-Doo that has been largely dormant. For most of these characters, save for some joke appearances on Adult Swim shows like Robot Chicken and Harvey Birdman, this is the first time in 30 years these characters have headlined a show since the '91 misfire Yo Yogi. Much like Yo Yogi the show re-imagines these characters in a more grounded sitcom-like setting with the characters having established roles and responsibilities as part of a community, but much more well-constructed. While the show doesn't adapt these characters to the format without hiccups, Jellystone more often hits than it misses.
Jellystone is created by C. H. Greenblatt a writer on cartoon benchmarks such as '99-'05 Spongebob Squarepants and The Grim Adventures of Billy and Mandy, as well as creator of shows like Chowder and Harvey Beaks. If you're at all familiar with Greenblatt's approach to humor on those shows it's very much on display here and will feel familiar to anyone whose even passively familiar with his previous work. With that said some of his humor works better than others. Some Hanna-Barbera characters are well better adapted to the setting than others. Characters like Yogi, Boo-boo, and Cindy as the quirky staff of Jellystone hospital score some big laughs with Cindy in particular getting great laughs fro her tightly wound tenuous hold on sanity, and Doggie Daddy and his daughter Augie get some good mileage from Doggie Daddy's "helicopter parent" taken to an amusingly insane degree that he builds his entire identity off of being a father while his daughter Augie takes it in stride. Easily the biggest revision is with The Banana Splits who are imagined here as a gang of loan sharks/petty crooks and that alone got me in just how charmingly surreal it was. I wish they'd tried to mimic the original voices such as Fleagle's Tigger-like voice to contrast their more antagonistic nature, but even though they don't take it as far they could I still really enjoyed it.
Other character reimaginings are more mixed. Jabberjaw has been swapped from a Curly Howard "Nyuk Nyuk" knockoff to more of a sassy, man crazy woman in a delivery similar to deliveries of Retta or Nicole Byer and for the most part I enjoyed the character in group settings, but I didn't think Jabberjaw was strong enough to carry an episode by herself. Magilla Gorilla has also been reimagined as a fastidious uptight tailor who specializes exclusively in bow ties and while that makes sense in terms of a show like this needing a straight man to serve as a counterpoint to zanier shenanigans, I didn't feel he was particularly well utilized. Shag Rugg who's basically this show's cocky, arrogant, slang spouting poser type. The character is all about superficiality and when complemented with a rather grating voice and way too much usage over the course of the first season I found him more annoying than endearing. But easily my least favorite was Peter Potamus' reimagining as an Otaku/Fanboy loaner stereotype complete with a creepy reference to a magical girl body pillow and emotional/romantic attachments to his action figures. I really didn't like the Peter Potamus gags because not only do they feel like low blows, but they're basically just tired rehashes on Comic Book Guy jokes from the 90s Simpsons episodes.
While not every element in Jellystone works, enough of it works to warrant a viewing. When the show hits its targets, it hits dead center, but when it misses it lands with a resounding thud.
Jellystone marks the latest attempt by Warner Bros. To revive their Hanna-Barbera stable outside of Scooby-Doo that has been largely dormant. For most of these characters, save for some joke appearances on Adult Swim shows like Robot Chicken and Harvey Birdman, this is the first time in 30 years these characters have headlined a show since the '91 misfire Yo Yogi. Much like Yo Yogi the show re-imagines these characters in a more grounded sitcom-like setting with the characters having established roles and responsibilities as part of a community, but much more well-constructed. While the show doesn't adapt these characters to the format without hiccups, Jellystone more often hits than it misses.
Jellystone is created by C. H. Greenblatt a writer on cartoon benchmarks such as '99-'05 Spongebob Squarepants and The Grim Adventures of Billy and Mandy, as well as creator of shows like Chowder and Harvey Beaks. If you're at all familiar with Greenblatt's approach to humor on those shows it's very much on display here and will feel familiar to anyone whose even passively familiar with his previous work. With that said some of his humor works better than others. Some Hanna-Barbera characters are well better adapted to the setting than others. Characters like Yogi, Boo-boo, and Cindy as the quirky staff of Jellystone hospital score some big laughs with Cindy in particular getting great laughs fro her tightly wound tenuous hold on sanity, and Doggie Daddy and his daughter Augie get some good mileage from Doggie Daddy's "helicopter parent" taken to an amusingly insane degree that he builds his entire identity off of being a father while his daughter Augie takes it in stride. Easily the biggest revision is with The Banana Splits who are imagined here as a gang of loan sharks/petty crooks and that alone got me in just how charmingly surreal it was. I wish they'd tried to mimic the original voices such as Fleagle's Tigger-like voice to contrast their more antagonistic nature, but even though they don't take it as far they could I still really enjoyed it.
Other character reimaginings are more mixed. Jabberjaw has been swapped from a Curly Howard "Nyuk Nyuk" knockoff to more of a sassy, man crazy woman in a delivery similar to deliveries of Retta or Nicole Byer and for the most part I enjoyed the character in group settings, but I didn't think Jabberjaw was strong enough to carry an episode by herself. Magilla Gorilla has also been reimagined as a fastidious uptight tailor who specializes exclusively in bow ties and while that makes sense in terms of a show like this needing a straight man to serve as a counterpoint to zanier shenanigans, I didn't feel he was particularly well utilized. Shag Rugg who's basically this show's cocky, arrogant, slang spouting poser type. The character is all about superficiality and when complemented with a rather grating voice and way too much usage over the course of the first season I found him more annoying than endearing. But easily my least favorite was Peter Potamus' reimagining as an Otaku/Fanboy loaner stereotype complete with a creepy reference to a magical girl body pillow and emotional/romantic attachments to his action figures. I really didn't like the Peter Potamus gags because not only do they feel like low blows, but they're basically just tired rehashes on Comic Book Guy jokes from the 90s Simpsons episodes.
While not every element in Jellystone works, enough of it works to warrant a viewing. When the show hits its targets, it hits dead center, but when it misses it lands with a resounding thud.
I saw a clip of this on twitter and actually laughed, so I knew I needed to watch this. The art style is a bit jarring at first, but once you watch a few episodes you get used to it. The writing makes this show hilarious and even if you weren't familiar with Hanna-Barbera, anybody of all ages would like it. I recommend it.
C. H. Greenblatt (known for his early works on SpongeBob and Billy & Mandy and later creating Chowder and Harvey Beaks) gives us a surreal and comedic take on the H. B. characters. There are plenty of Easter Eggs and references for older generations that grew up with the familiar all the way down to the most obscure characters. The jokes are hit-and-miss, the animation is nicely done, some characters are different (most notably half of the characters are gender-bent, which I am perfectly fine with) while others maintain their traits from the classic era. Overall, a good and funny tribute to the classic Saturday morning cartoons that longtime fans and newcomers will enjoy.
Le saviez-vous
- AnecdotesThe first Yogi Bear and Friends series produced by Warner Bros. Animation.
- Crédits fousThe opening sequence features various HB characters marching and they were interrupted by various incidents, following the destruction of the land with the title card.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: There's Only One Way Left To Go (2021)
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- Durée11 minutes
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