Accidents Happen

It's 1982, and Billy Conway (Harrison Gilbertson) lives in a shattered family. Eight years ago, his family was in a car accident that killed his sister and made his brother a vegetable. His father has since left the family. His older brother is an angry drunk. His mother (Geena Davis) is struggling mightily to keep things together.

The boy is an irresponsible destructive selfish brat. It is impossible to root for him. Certainly he makes it hard to find anything likable in his behavior. It is very tiring to watch this idiot destroy everything he touches. Geena Davis does get some great lines. In one superb scene, she almost saves the movie all by herself. She's really the only thing to watch this movie for.

Call me abnormal, but a movie based around families loved ones all dying in random car crashes, is nothing I can digest as a comedy. This movie seemed like it was going for a Indie feel, but didn't have any real edge to it. It was a bunch of tragedies after another, but they weren't really funny or ironic. Even the moments that were supposed to be emotional, were awkward or set up poorly. This movie just couldn't pull things together to connect emotionally with the viewer. That said, one thing this movie did do a good job at was with making the set look like things from the 80s. It looked like it could have been the set from E.T..

I recently ventured to the 8th Annual Tribeca Film Festival to see the anticipated film "Accidents Happen".

I was aware that the wonderful Geena Davis was in the picture which enticed me but was unaware that the cast had a few outstanding younger actors.

I expected a great film from the first scene but did not expect the outstanding, true and genuine performance that a young new shining talent - Harry Cook gave from start to finish. Every scene was honest & true there was an underlining depth that young actors rarely possess. I am never teary in films, but Cook's incredible performance brought me to tears on more than one occasion.

14 yr old Harrison Gilbertson also stood out in this film to me as someone you genuinely cared for. The cast were fabulous.

It was an absolute pleasure to watch this film & Harry Cook stood out in my eyes as truly remarkable talent that the world has been searching for for quite some time. I'm very impressed by everyone's work & look forward to seeing more from them all in the future.

Jane Griffin review-tribecafilm-accidentshappen09(C)

Story good, and there are so much opportunity to make it great, but the durector ruined it.

The worst is the narrator, He killed the atmosphere totaly.

The caracters so simular, cant see who is who. Boys look alike. Bad choosing by casting director.

Dramaturg is a bit boring also.

I dont know why they ruined this geeat opportunity!? It could be so good film, but ruined:/

I am so sorry tonsaw that:(

Sydney director Andrew Lancaster did well to lure Geena Davis to our shores to star in Accidents Happen. I suspect he didn't have much hassle with a screenplay as biting and sharp as Brian Carbee's to use as bait. During a Q&A after the Australian premiere Davis herself admitted that she has always been drawn to interesting characters that challenge her; Gloria Conway definitely fits that mould. Carbee arms Gloria with acerbically humorous dialogue throughout – her quick wit a shield for the hurt that lies beneath – in addition to providing an idiosyncratic story about how different people cope with tragedy.

It's hard to imagine someone else filling the lead role, Davis finds such a perfect blend of steeliness and vulnerability that she embodies Gloria completely. The non-spoken instances are given extra gravitas by the Oscar winning actress whilst Carbee's words are delivered pitch perfectly. At the other end of the age scale, the young Gilbertson (also seen in the recent Beneath Hill 60) is one to watch out for in the future. He almost runs away with the film as the emotionally-uncertain Billy, displaying a tremendous power in the dramatic scenes. Best of all, he and Davis share an excellent mother / son chemistry in the movie's most important personal connection, their dynamic relationship is a treat to watch.

Kicking off his feature film CV, Lancaster has started strongly. His sturdy direction offers some memorable moments – the opening sequence comes way out of left field, but works all the better for it – although the slightly annoying 'Wonder Years' style voice-over probably could have been subdued. Lancaster demonstrates a terrific knack for slow motion; the aforementioned pre-credits sequence, the fateful car accident and a touching scene near the end all showcase the tremendous effect slow mo can have if used correctly. Hopefully this affecting little film marks the beginning of a long career for Lancaster.

With a shamefully limited theatrical run in Oz, don't let this one slip you by: write it down to buy the DVD later this year.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)