Une médecin cambodgienne va aux États-Unis afin de sauver son fils, mais lorsque le système échoue et la pousse à se cacher, elle utilise sa ruse et son intelligence pour riposter, enfreigna... Tout lireUne médecin cambodgienne va aux États-Unis afin de sauver son fils, mais lorsque le système échoue et la pousse à se cacher, elle utilise sa ruse et son intelligence pour riposter, enfreignant la loi pour toutes les bonnes raisons.Une médecin cambodgienne va aux États-Unis afin de sauver son fils, mais lorsque le système échoue et la pousse à se cacher, elle utilise sa ruse et son intelligence pour riposter, enfreignant la loi pour toutes les bonnes raisons.
- Récompenses
- 5 victoires et 11 nominations au total
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Watched to it all, the story works but the relationships are hard to swallow. It is difficult to accept how most characters can still talk to each other and worse, collaborate to each other, after so much egoism, lies, betrayal etc. It is so far from what real life would be that got me hating most characters by the end.
There are several scenes when two characters argue badly over something really serious (and hard to forgive) and after one lame excuse they keep going like nothing has ever happened.
Again, liked the overall storyline and the acting, but think such flawed connection to reality made it artificial and hard to swallow.
There are several scenes when two characters argue badly over something really serious (and hard to forgive) and after one lame excuse they keep going like nothing has ever happened.
Again, liked the overall storyline and the acting, but think such flawed connection to reality made it artificial and hard to swallow.
The show has taken a disappointing turn, reducing Southeast Asian representation to a distorted portrayal . By trivializing serious issues like fake IDs and portraying Southeast Asian doctors as unethical, it perpetuates harmful stereotypes. The narrative has also become implausible, with Thony being unrealistically portrayed as more powerful than a cartel-something that defies logic and credibility.
The departure of the original Asian creator and showrunner this season, replaced by a white male, raises concerns about the authenticity of the storytelling. Additionally, the executive producer, also a white male, has faced multiple accusations of misconduct, which further undermines trust in the production. It's disheartening to see a show that once celebrated Southeast Asian culture and identity lose its way, leaving viewers questioning its direction and integrity.
The departure of the original Asian creator and showrunner this season, replaced by a white male, raises concerns about the authenticity of the storytelling. Additionally, the executive producer, also a white male, has faced multiple accusations of misconduct, which further undermines trust in the production. It's disheartening to see a show that once celebrated Southeast Asian culture and identity lose its way, leaving viewers questioning its direction and integrity.
This season pales in comparison to the brilliance of seasons 1 and 2. Frankly, the show should have concluded with season 3, following Arman's passing.
The absence of the original creator this season is deeply felt. With a new showrunner and new writing team at the helm, it feels like they should have launched their own series rather than capitalizing on the success of this one.
The decision to kill off Nadia and recast Luca, it feels like the very essence of the show has been dismantled. These characters were the final connections to Arman, and their loss dismantles the essence of what made the series compelling. Perhaps, in a bittersweet way, this might be a blessing in disguise, saved the from disgrace.
The absence of the original creator this season is deeply felt. With a new showrunner and new writing team at the helm, it feels like they should have launched their own series rather than capitalizing on the success of this one.
The decision to kill off Nadia and recast Luca, it feels like the very essence of the show has been dismantled. These characters were the final connections to Arman, and their loss dismantles the essence of what made the series compelling. Perhaps, in a bittersweet way, this might be a blessing in disguise, saved the from disgrace.
This season fails to deliver, leaving viewers questioning where it all went astray. Despite the opportunity to start anew with a complete overhaul, the show misses its chance for redemption. The shift in showrunners, writers, and casting is especially disappointing-while the first three seasons showcased talented actors who brought authenticity and depth to their performances, this season relies on social media influencers who simply lack the same credibility and presence.
In the first three seasons, Chris wasn't depicted as a dancer, so it feels out of place for him to suddenly adopt this role. Likewise, Thony's proficiency in French was never previously established, yet she is now engaging in fluent conversations with a doctor presented as French, despite his rather unconvincing accent. To make matters more perplexing, the actor playing the doctor is South African and seemingly cast solely because his last name is "Bonjour." Wouldn't it have made more sense to hire an actual French actor-or perhaps avoid the French angle entirely?
The overuse of dancing sequences only adds to the frustration. Sure, a short dance scene here and there could have been a fun touch, but in every episode feels repetitive and unnecessary. It's like a bad soap opera. To make matters worse, the editing leaves much to be desired, making the season feel disjointed and chaotic.
However, what truly stings is the DISRESPECT shown towards Southeast Asian communities and immigrant doctors. Suggesting that trading a machine is equivalent to earning a medical license is both absurd and insulting. Many immigrant doctors come to this country with little more than hope, facing enormous challenges to support their families. They master a new language, rigorously study, and pass demanding exams to requalify-showing incredible resilience and determination. To trivialize their struggles in this way is an insult not only to them but to the entire medical profession.
In summary, this season is a disappointment that fails to honor its audience, its legacy, and the communities it portrays. A show that once held promise has sadly lost its way.
In the first three seasons, Chris wasn't depicted as a dancer, so it feels out of place for him to suddenly adopt this role. Likewise, Thony's proficiency in French was never previously established, yet she is now engaging in fluent conversations with a doctor presented as French, despite his rather unconvincing accent. To make matters more perplexing, the actor playing the doctor is South African and seemingly cast solely because his last name is "Bonjour." Wouldn't it have made more sense to hire an actual French actor-or perhaps avoid the French angle entirely?
The overuse of dancing sequences only adds to the frustration. Sure, a short dance scene here and there could have been a fun touch, but in every episode feels repetitive and unnecessary. It's like a bad soap opera. To make matters worse, the editing leaves much to be desired, making the season feel disjointed and chaotic.
However, what truly stings is the DISRESPECT shown towards Southeast Asian communities and immigrant doctors. Suggesting that trading a machine is equivalent to earning a medical license is both absurd and insulting. Many immigrant doctors come to this country with little more than hope, facing enormous challenges to support their families. They master a new language, rigorously study, and pass demanding exams to requalify-showing incredible resilience and determination. To trivialize their struggles in this way is an insult not only to them but to the entire medical profession.
In summary, this season is a disappointment that fails to honor its audience, its legacy, and the communities it portrays. A show that once held promise has sadly lost its way.
Just watched EP1
I gave up. Hoping something different and perhaps improvement. But I don't think I can take another season. Season 3 was on the way down but I thought give it a go.
On hindsight I should have stopped at Season 1 & 2.
Also was hoping the Asian actors are given more significant roles or maybe a better storylines. Just feel like this is a B kinda series. Hope the actors get better roles in the future. They deserve better.
Hollywood writers! This is the year 2025! Why are non Caucasian actors still getting 2nd and even 3rd grade scripts and shows?!
And I reiterate, should have stopped at Season 2. Didn't think there would be Season 4 since was downhill. Good luck. Hope there's no 5. Please have some mercy on the actors & viewers!
On hindsight I should have stopped at Season 1 & 2.
Also was hoping the Asian actors are given more significant roles or maybe a better storylines. Just feel like this is a B kinda series. Hope the actors get better roles in the future. They deserve better.
Hollywood writers! This is the year 2025! Why are non Caucasian actors still getting 2nd and even 3rd grade scripts and shows?!
And I reiterate, should have stopped at Season 2. Didn't think there would be Season 4 since was downhill. Good luck. Hope there's no 5. Please have some mercy on the actors & viewers!
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- AnecdotesThe Cleaning Lady (2022) is an American crime drama television series developed by Miranda Kwok, based on the 2017 Argentine television series La chica que limpia. The series premiered on Fox on January 3, 2022. In April 2022, it was renewed for a second season, which premiered on September 19, 2022. In February 2023, the series was renewed for a third season, which premiered on March 5, 2024. In May 2024, the series was renewed for a fourth season.
- ConnexionsReferenced in La Cuisine de l'Enfer: More Bang for Your Buck (2023)
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