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Staunton Hill

  • Vidéo
  • 2009
  • Not Rated
  • 1h 30min
NOTE IMDb
3,7/10
1,4 k
MA NOTE
Staunton Hill (2009)
HorreurThriller

Ajouter une intrigue dans votre langueIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of y... Tout lireIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunto... Tout lireIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunton's will rip apart their young lives forever. A grisly secret is waiting. The raw terror i... Tout lire

  • Réalisation
    • George C. Romero
  • Scénario
    • David Rountree
  • Casting principal
    • Kathy Lamkin
    • Iseluleko Ma'at El 0
    • B.J. Hendricks
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,7/10
    1,4 k
    MA NOTE
    • Réalisation
      • George C. Romero
    • Scénario
      • David Rountree
    • Casting principal
      • Kathy Lamkin
      • Iseluleko Ma'at El 0
      • B.J. Hendricks
    • 31avis d'utilisateurs
    • 34avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos20

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    Rôles principaux15

    Modifier
    Kathy Lamkin
    Kathy Lamkin
    • Louise
    Iseluleko Ma'at El 0
    • Boone
    • (as Kiko Ellsworth)
    B.J. Hendricks
    B.J. Hendricks
    • Buddy
    Cristen Coppen
    Cristen Coppen
    • Jordan
    Cooper Huckabee
    Cooper Huckabee
    • Burgh
    Sherry Weston
    Sherry Weston
    • Geraldine
    David Rountree
    David Rountree
    • Cole
    Paula Rhodes
    Paula Rhodes
    • Trish
    Christine Carlo
    Christine Carlo
    • Raina
    Charlie Bodin
    Charlie Bodin
    • Quintin
    Lauren Bayer
    • Little Girl
    Kevin Kirkpatrick
    Kevin Kirkpatrick
    • Dr. Ostergard
    Reema Anbari
    • Nurse Cartwright
    Jake Andolina
    • Truck Driver
    George C. Romero
    George C. Romero
    • Telephone Customer
    • (voix)
    • (non crédité)
    • Réalisation
      • George C. Romero
    • Scénario
      • David Rountree
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs31

    3,71.3K
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    Avis à la une

    2bigdarvick

    Staunton Hill went downhill fast!

    I thought that maybe, just maybe, some of George Romero's talent rubbed off on his son. Not a chance. Not that "pops" is a super talent like Kubrick,but at least he's found his niche with zombies. His son has not.

    This film was nothing more than a blatant rip off of Texas Chain Saw Massacre with the usual bunch of Southern inbreds that we've seen repeatedly in other slasher movies.

    Staunton Hill was a low budget, poorly written, poorly directed, poorly edited and overall poorly produced film. I believe that it went straight to DVD and if it was ever seen in a theater, the audience must've gone to sleep or left after the first 20 minutes. I would.

    This flick had just the most ridiculous dialog, it dragged and dragged and made little sense. Plot holes that would suck in a solar system. Supposely, this yawn, I mean this yarn, had taken place in 1969. Whoever was the stylist (I'm assuming they had one)had totally missed the mark with period correct clothing and hair styles (accept for the black dude with the afro pick sticking out of his hair.)

    Nothing was clear at all, including the reason for making this movie. The only reviewer's quote to appear on the DVD cover box was from George Romero. Not exactly objective.

    I'm assuming that this was baby Romero's first attempt at film making. He gets a B minus for effort, and a slap on the back for a "better luck next time kid," if there is a next time.
    dschmeding

    Oh yeah, "Romero's Staunton Hill"...

    What a blatant act of misinformation to leave out that its "Cameron Romero's" movie. Honestly I don't care for his fathers movie either so its just a hopeless way of selling a movie anyway. But i hate when they sell movies on such points... most of the time you know they are bad. And "Staunton Hill is a bad movie too. The plot is a regurgitation of the never ending "Backwoods horror" theme with and inbred family, cannibalism and torture. You get your car full of kids in the woods, a fat dumb slayer... everything was there a million times before. The acting is often very bad. When the black guy watches his girlfriend being dismembered I was laughing.

    What is done pretty well in the movie are the gore effects but I have rarely seen a movie where these felt as displaced as in "Staunton Hill". The movie is incredibly boring for most of the time. The male characters get killed in a most uninspired and uninteresting fashion while suddenly female characters get a boost in their on screen time when they squeeze in a 10 minute dismemberment scene which shows every detail. What the hell were they thinking... its all a cash off. Put a misleading name in front of the title, include some gratuitous violence and then just end the movie when you don't know where to go with it.

    Ignore!
    4jbbeverley

    Let's Be Fair About This

    I viewed "Staunton Hill" last night, and I did so expecting it to be absolutely worthless. I have read the horrid reviews and listened to all the know-it-all crap being slung on various message boards. Having given the film a watch, I have to say that certain criticisms of Cameron Romero are unfair.

    The Writing:

    We've all seen it before; a group of kids in some remote wilderness get chased down and murdered by some oddball inbred family. Been there, done that, got the T-shirt. I can accept that played out formula if the characters take their own shape, and if there is a fresh take on said formula. However, I never saw that happen in this film. But rather than throw stones at Cameron Romero, one needs to look at David Rountree, the writer. The weakest element of this movie was by far the writing. The characters are predictable, one-dimensional, and poorly defined. The back-story is very vague, and there isn't much "horror" to the film until the last 15-20 minutes. The first 50+ minutes of "Staunton Hill" basically equal the first 15 minutes of similar films using that same "formula". That much is all true, but those criticisms should be directed at David Rountree rather than at Mr. Romero.

    The Acting:

    The acting in this film is hard to gage. I know that there were some talented people involved in this movie, but I fear that the poor writing ruined any chance these actors had to do their best. I've seen well- written scripts tackled by average actors in a respectable way, but I have never seen good actors be able to do good things with a poorly written script.

    The Directing:

    Where the directing suffered the most was in some of the jumpy edits and unsteady hand-held shots. There was good use of cam-cables and dollies at times, and there were a few really nice shots, but there was also some under/overdeveloped shots that didn't match up in certain scenes. With that said, I have to point out that this low budget film was indeed shot on Super 16, and thus presented a bit more of a challenge to shoot than HD.

    The Characters:

    To be fair and honest, I don't know what the script called for, but I feel that the characters could have been brought to life a lot more. I felt that the character of Buddy was a bit scattered and senseless, and I felt that the back-story on both the kids and the family was too vague. If you are going to tap that old "formula", than it is essential to make the writing as fresh as possible. I found that I couldn't identify with any of them because I didn't know enough about them. They all became caricatures rather than characters. Is Cameron Romero guilty of taking on a poorly-written and under-budgeted movie? Yes he is. However, it is unfair to blame him for either the writing or the budget. Could some of his shots have been more steady? Sure! But there are also some nice shots in there too.

    The Gore:

    I am picky about gore. I love it, and I am tired of CGI special effects. One redeeming quality about this film is that while we see no real "horrors" until the last 20 minutes of the movie, what we do see is decent... and not done on computers.

    "Worst Movie Ever" Tag:

    I watch a lot of films. My collection is vast and large. I have read the comments by people talking about this film as a "1 out of 10" worse. To be objective about it, I don't think this film is quite a "1" or a "2". The latest remake of both "Night of the Living Dead" (3D) and "Day of the Dead" were both 1000 times WORSE than "Staunton Hill" could ever be. A friend of mine brought me a DVD of 2006's "Night of the Dead". I'd dare ANY of you who gave this film a "1" or "2" rating to go view any of those films and then tell me that "Staunton Hill" is that terrible?

    Don't get me wrong, "Staunton Hill" is nothing groundbreaking. Not even close. It is an old story that you have seen before. However, I will give the cast and Cameron Romero credit for their efforts. I know it's hard to please a modern horror audience when someone isn't getting their guts or brains strewn across the screen every 3-5 minutes. But with that as a given, the writing MUST be as strong as the cast and crew... otherwise you can't really do much.

    I will write this film off as a "4.5" and wait to see what Cameron Romero does with a stronger script and a little more money. I think he's capable of great things if he plays it right, and I hope to see him make his own name in the horror field. We need to remove his wonderful father for a moment, give Cameron enough room to grow into his own shoes, and to learn from his own mistakes. As for "Staunton Hill", I'm going to pass at adding it to my collection... but as for Cameron Romero, I think the future might be bright when it is said and done. Time will tell.

    -JB
    3FrightMeter

    Texas Chainsaw Massacre Part 156

    The year is 1969 (supposedly). A group of friends traveling to a rally in Washington, D.C. hitch a ride with a nice enough fellow they meet up with at a run down gas station. However, a few miles along their journey, the fellow's car breaks down, causing the group to have to hike through the hills in search of shelter and help. They happen upon an isolated farmhouse, which at first seems abandoned. They take it upon themselves to camp out in the barn for the night, only to be greeted by the Stauton family in the morning. This odd bunch consists of the the mother, grandmother, and a mentally challenged adult boy. At first, the family is nice (except the boy, who takes a hammer to one of the traveler's face for saying HI to him). It doesn't take long before the true intentions of the Staunton family is exposed and they friends begin getting brutally butchered and dismembered one by one.

    The Good: The acting in "Staunton Hill" is actually pretty good. The setting is creepy and used to full effect. However, what the film has going for it is a few inspired moments of gore and how the killer casually goes about brutally disposing of his victims. It is rather disturbing, though the motive behind the killings is confusing and not fully elaborated on.

    The Bad: The plot is EXTREMELY clichéd. This is the same old "friends venture upon a isolated house and are slaughtered by a disturbed family" formula that we have seen many, many times before. Worse yet, director Cameron Romero (horror icon George Romero's son) does absolutely nothing new with the formula. It is business as usual as characters do the exact things we expect them to do and the film ends the exact way we expect it to end. The film is also suppose to be set in 1969; however, it is painfully obvious from the clothing, hair styles, and some set pieces that it is modern day. This is troubling because there is absolutely no reason mentioned for WHY the film has to be set in 1969. It would have been the exact same film had it been set in 79, 89, or 09. Romero's direction shows some inspired moments, yet is still pretty run-of-the-mill. When your last name is Romero and you are directing a horror film, you should probably take painstaking steps to make sure your film stands out among the countless others like it; this does not happen here. Maybe it us unfair to hold Cameron Romero to a higher standard, but with the Romero name plastered numerous times of the DVD cover, I think it is fair game. Does he show potential? Yes, but hopefully with his next project he makes an interesting movie that is not steeped in your typical horror clichés.

    Overall: While "Staunton Hill" isn't the worst movie of its kind, it certainly has very few redeeming qualities. It's clichéd, rather boring in parts, and offers nothing new to the genre. Rewatching "The Texas Chainsaw Massacre" would be time better spent if you are dying to see a deranged family kill of innocent victims who stumble upon their residence.

    My Grade: D
    2xpunk_rock_poetx

    Great gore horrible movie.

    Staunton Hill follows a group of young friends hitchhiking their way to a rally in D.C., but when their paths cross with an all too eager to help stranger, their lives take a horrible turn. Their journey to the home of the Stauntons, a crazed redneck family who's involved in a very grisly, and blood soaked trade.

    The storyline itself is your basic cookie cutter Texas Chainsaw Massacre type deal. You have it all from the racist gas station owner, the mysterious stranger who just wants to lend a helping hand, the abandoned farmhouse, and your over the top religious crazed hillbillies, one of which who happens to be retarded to some degree. The film takes a very long time to get anywhere. The buildup seems like it will go on forever, which caused me to lose interest quite a few times along the way. The directors attempts to show you bonds and relationships between the main characters falls short, and most of the time seemed like needless filler, only there to extend the films length.

    Now the movie's only high point its beautiful special effects make up. The gore in this film is amazing, and stays true to the old school latex and buckets of blood formula that I will always love. That's right ladies and gentlemen, no CGI gore to be found in this flick, just good old get your hands dirty make up.

    But in the end, the gore isn't enough to save this movie. I have to say, going in, I had high hopes for this flick, as a very big fan of George's I was hoping to see his son breathe new life into the namesake. Let's hope his next film is better than this ultimately weak attempt at a movie that's been way over done since the success of rob zombie's House of 1000 corpses.

    2/5 - Ritualistic The Liberal Dead http://liberaldead.blogspot.com

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Filmed in only 6 weeks
    • Connexions
      Referenced in The Making of 'Staunton Hill' (2009)
    • Bandes originales
      Darkness Falls
      Composer: Jesper Kyd

      Produced, Mixed and Treatments: Jeff Blenkinsopp

      Engineer: Chris Abell

      Assistant Engineer: Alon Harish, Matt Gardner, Josh Ascalon

      Guitars: James Chirillo

      Upright Bass: Nick Scatmari

      Drums: Victor Louis

      Recorded at Dubway Studios NYC

      Mixed at Ears NYC

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    Détails

    Modifier
    • Date de sortie
      • 6 octobre 2009 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Cameron Romero's Staunton Hill
    • Lieux de tournage
      • Pittsburgh, Pennsylvanie, États-Unis
    • Sociétés de production
      • Batpack Studios
      • Psycho Rock Productions
      • Romero Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 200 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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