Ajouter une intrigue dans votre langueIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of y... Tout lireIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunto... Tout lireIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunton's will rip apart their young lives forever. A grisly secret is waiting. The raw terror i... Tout lire
- Réalisation
- Scénario
- Casting principal
- Boone
- (as Kiko Ellsworth)
- Telephone Customer
- (voix)
- (non crédité)
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The storyline itself is your basic cookie cutter Texas Chainsaw Massacre type deal. You have it all from the racist gas station owner, the mysterious stranger who just wants to lend a helping hand, the abandoned farmhouse, and your over the top religious crazed hillbillies, one of which who happens to be retarded to some degree. The film takes a very long time to get anywhere. The buildup seems like it will go on forever, which caused me to lose interest quite a few times along the way. The directors attempts to show you bonds and relationships between the main characters falls short, and most of the time seemed like needless filler, only there to extend the films length.
Now the movie's only high point its beautiful special effects make up. The gore in this film is amazing, and stays true to the old school latex and buckets of blood formula that I will always love. That's right ladies and gentlemen, no CGI gore to be found in this flick, just good old get your hands dirty make up.
But in the end, the gore isn't enough to save this movie. I have to say, going in, I had high hopes for this flick, as a very big fan of George's I was hoping to see his son breathe new life into the namesake. Let's hope his next film is better than this ultimately weak attempt at a movie that's been way over done since the success of rob zombie's House of 1000 corpses.
2/5 - Ritualistic The Liberal Dead http://liberaldead.blogspot.com
The Writing:
We've all seen it before; a group of kids in some remote wilderness get chased down and murdered by some oddball inbred family. Been there, done that, got the T-shirt. I can accept that played out formula if the characters take their own shape, and if there is a fresh take on said formula. However, I never saw that happen in this film. But rather than throw stones at Cameron Romero, one needs to look at David Rountree, the writer. The weakest element of this movie was by far the writing. The characters are predictable, one-dimensional, and poorly defined. The back-story is very vague, and there isn't much "horror" to the film until the last 15-20 minutes. The first 50+ minutes of "Staunton Hill" basically equal the first 15 minutes of similar films using that same "formula". That much is all true, but those criticisms should be directed at David Rountree rather than at Mr. Romero.
The Acting:
The acting in this film is hard to gage. I know that there were some talented people involved in this movie, but I fear that the poor writing ruined any chance these actors had to do their best. I've seen well- written scripts tackled by average actors in a respectable way, but I have never seen good actors be able to do good things with a poorly written script.
The Directing:
Where the directing suffered the most was in some of the jumpy edits and unsteady hand-held shots. There was good use of cam-cables and dollies at times, and there were a few really nice shots, but there was also some under/overdeveloped shots that didn't match up in certain scenes. With that said, I have to point out that this low budget film was indeed shot on Super 16, and thus presented a bit more of a challenge to shoot than HD.
The Characters:
To be fair and honest, I don't know what the script called for, but I feel that the characters could have been brought to life a lot more. I felt that the character of Buddy was a bit scattered and senseless, and I felt that the back-story on both the kids and the family was too vague. If you are going to tap that old "formula", than it is essential to make the writing as fresh as possible. I found that I couldn't identify with any of them because I didn't know enough about them. They all became caricatures rather than characters. Is Cameron Romero guilty of taking on a poorly-written and under-budgeted movie? Yes he is. However, it is unfair to blame him for either the writing or the budget. Could some of his shots have been more steady? Sure! But there are also some nice shots in there too.
The Gore:
I am picky about gore. I love it, and I am tired of CGI special effects. One redeeming quality about this film is that while we see no real "horrors" until the last 20 minutes of the movie, what we do see is decent... and not done on computers.
"Worst Movie Ever" Tag:
I watch a lot of films. My collection is vast and large. I have read the comments by people talking about this film as a "1 out of 10" worse. To be objective about it, I don't think this film is quite a "1" or a "2". The latest remake of both "Night of the Living Dead" (3D) and "Day of the Dead" were both 1000 times WORSE than "Staunton Hill" could ever be. A friend of mine brought me a DVD of 2006's "Night of the Dead". I'd dare ANY of you who gave this film a "1" or "2" rating to go view any of those films and then tell me that "Staunton Hill" is that terrible?
Don't get me wrong, "Staunton Hill" is nothing groundbreaking. Not even close. It is an old story that you have seen before. However, I will give the cast and Cameron Romero credit for their efforts. I know it's hard to please a modern horror audience when someone isn't getting their guts or brains strewn across the screen every 3-5 minutes. But with that as a given, the writing MUST be as strong as the cast and crew... otherwise you can't really do much.
I will write this film off as a "4.5" and wait to see what Cameron Romero does with a stronger script and a little more money. I think he's capable of great things if he plays it right, and I hope to see him make his own name in the horror field. We need to remove his wonderful father for a moment, give Cameron enough room to grow into his own shoes, and to learn from his own mistakes. As for "Staunton Hill", I'm going to pass at adding it to my collection... but as for Cameron Romero, I think the future might be bright when it is said and done. Time will tell.
-JB
This film was nothing more than a blatant rip off of Texas Chain Saw Massacre with the usual bunch of Southern inbreds that we've seen repeatedly in other slasher movies.
Staunton Hill was a low budget, poorly written, poorly directed, poorly edited and overall poorly produced film. I believe that it went straight to DVD and if it was ever seen in a theater, the audience must've gone to sleep or left after the first 20 minutes. I would.
This flick had just the most ridiculous dialog, it dragged and dragged and made little sense. Plot holes that would suck in a solar system. Supposely, this yawn, I mean this yarn, had taken place in 1969. Whoever was the stylist (I'm assuming they had one)had totally missed the mark with period correct clothing and hair styles (accept for the black dude with the afro pick sticking out of his hair.)
Nothing was clear at all, including the reason for making this movie. The only reviewer's quote to appear on the DVD cover box was from George Romero. Not exactly objective.
I'm assuming that this was baby Romero's first attempt at film making. He gets a B minus for effort, and a slap on the back for a "better luck next time kid," if there is a next time.
I managed to make it through a staggering 49 minutes of prolonged suffering as I watched "Staunton Hill". Then I just simply gave up out of sheer and profound boredom. Very little happened through the 49 minutes that I managed to endure, it was quite boring and uneventful.
There was some good enough scenes at the farmstead with some bloody and gore-filled visuals. But that hardly managed to lift up the less than mediocre overall result that the movie turned out to be.
The characters in the movie were not particularly interesting, and they were actually generic, one-dimensional and lacking personality and layers. As such, it felt like watching cardboard cut-outs of the characters waltz around on the screen.
I can in all honesty say that I have no intention of returning to "Staunton Hill" to see if the movie picks up or not. Because from what I saw from the 49 minutes deterred me permanently. If you enjoy horror movies, then there are far, far better choices readily available in the horror genre.
Le saviez-vous
- AnecdotesFilmed in only 6 weeks
- ConnexionsReferenced in The Making of 'Staunton Hill' (2009)
- Bandes originalesDarkness Falls
Composer: Jesper Kyd
Produced, Mixed and Treatments: Jeff Blenkinsopp
Engineer: Chris Abell
Assistant Engineer: Alon Harish, Matt Gardner, Josh Ascalon
Guitars: James Chirillo
Upright Bass: Nick Scatmari
Drums: Victor Louis
Recorded at Dubway Studios NYC
Mixed at Ears NYC
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cameron Romero's Staunton Hill
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
- Durée1 heure 30 minutes
- Couleur
- Rapport de forme
- 1.78 : 1