Orgueil et quiproquos

I didn't make the mistake of reading reviews before watching this so I went in with no expectations. Before going any further I have to admit to having watched the 90's version of P & P and read the novel dozens of times. A true Austen freak, I am.

Like other reviewers, at first I was offended by the crudeness and lack of tact displayed by the Amanda character when she entered the world of the novel. How dare any true Austen fan behave in a way that displays such ignorance of Lizzie's world? She should have fit right in. But then I realized the choice to NOT make Amanda a perfect Eliza Bennet clone made for a much more dynamic story and more amusing moments between the characters. Instead of giving her the perfect accent, the perfect deportment, and the perfect manners right from the start, it took her some time to fit in. Her clumsy manner and bluntness caused her to make some mistakes that would seem impossible for a true Austen fan but enabled unexpected twists and turns in the story. And its these twists and the what ifs that I loved. I loved that the wrong people fell in love. I love that everything she thought was supposed to happen didn't happen. If I wanted to watch a P & P imitation, I would just watch the real thing again. I found the movie Becoming Jane, which attempted to follow a truer Jane Austen style, to be a sappy and insipid imitation that was truly forgettable and predictable. No one else can do Jane Austen and Lost in Austen doesn't try to. Instead, its fun and impertinent in a way that I think Jane herself would appreciate.

...as they would say, wouldn't they? And then, in a Mr. Bennett manner, aside, "I wonder...", but audible enough to be overheard. I know this sounds a bit delirious, I'm just trying to show I was infected by the first episode - by zest! And a racy perplexity! I mean, the premise of undertaking this demands a serious grip on so many levels: how to make Austen's imitation of language not sound ridiculous, the heroine's punchlines not of-the-wall, the collision of the two worlds plausible and funny, mostly; it's my impression that the team succeeds all-in-all. It seems somewhat elliptic or restrained sometimes, but as Jane points out "without Elizabeth the equilibrium of this house is...fragile". For what does our uneasiness mean regarding the other side of the wall? What is Elizabeth doing in the 21st century? Can she really be enjoying herself? I think yes; I don't think we're going to see her for some time (maybe a sequel; good point!); for she is the splendor of the novel, so, once removed, we feel uneasy about our world and what it's doing, well, there, once we step into it!Hence the excitement, the fun and the suspense. "I wonder..." what comes next!

Hard to imagine how this could be better. The casting is close to perfect. Mr and Mrs Bennet as played by Hugh Bonneville and Alex Kingston quickly outshine previous inhabitants of these roles. This Mrs Bennet is neurotic but also strong, and Mr Bennet is suitably acidic but also very affable and easy to like. The Bennet sisters are very well presented. Jane has a very gentle quality. Kitty and Lydia and Mary are a pleasure to see on screen. Gemma Arterton is as impressive as we would expect in the role of Lizzie. Best of all is Jemima Rooper as Amanda, a fine young actress who here gets the chance to take centre stage and to properly show us what she can do. The men inhabit their parts well - some very good work from Tom Riley as Wickhan, Eliot Cowan as a smouldering Mr Darcy and Tom Mison as a very winning Mr Bingley. Christina Cole is on great icy form as Mr Bingley's sister. And Mr Collins is truly repulsive as played by Guy Henry, looking like the grim reaper and finding a grotesque comedy in this very oily character. But what is most clever about this new 'spin' on Pride and Prejudice is the way it takes a story we all think we know and then turns it upside down. Guy Andrews writes very funny dialogue for both Amanda as a modern woman and the characters we know from Jane Austen. The comic set pieces are directed with real aplomb by Dan Zeff, but it's also surprisingly moving at times. Costumes and sets all look good. Having seen this I don't know how we'll take another 'straight' Austen adaptation seriously again!

Three episodes in and I feel now is the time to say a big well done to all concerned. As a long time Austen lover and a fan of period/costume drama I was unsure what to expect from this reworking of a favourite story. As others have commented this bears similarities with 'Life on Mars', a person taken out of modern day life and deposited into the past, albeit Jane Austen's fictitious one. Fortunately Amanda (played by Jemima Rooper) is a devotee of the novel and is genuinely pleased to meet her favourite characters. However, and this where the series really takes a life of its own, the characters are not as she (or we) imagined them from the book, and events start taking different paths than those in the book. Amanda, horrified, tries to restore the story to its proper track but events spiral out of control and she herself is unsure whether she is now part of the story, and if so does she 'become' the character who in the novel was Elizabeth Bennet? A wealth of talent is here and I pick Hugh Bonneville as Mr Bennet and Alex Kingston as his wife for special mention. Who would have thought that they would be as enjoyable as Benjamin Whitrow & Alison Steadman in the 1995 P&P, but they are - and if this was a straightforward P&P remake they would do very well indeed! There are moments of complete hilarity where old and new collide, in music and manners and speech and it is done brilliantly, and, if you know the story, you wonder what liberties with the plot will be taken next. Casting is first rate...none of the characters are quite 'right' but in the context of this story they are brilliant, the obnoxious Darcy, the drunk Bingley and the threatening Mrs Bennet! Locations costumes and period detail are excellent and I look forward to the rest of the series which I recommend to you.

I suppose that we can expect more in a similar vein as there are many stories that could be re-jigged. Holmes with a modern day Watson anyone? I think it is probably more entertaining to see a modern person cope with the privations of life in a bygone age than say to tell Elizabeth Bennet's story in our 21st century. Anyone remember Adam Adamant Lives? I almost find myself hoping that they manage to spin this out for longer and embellish the book even more! Full marks so far - it's very good!

I am utterly captivated by this refreshing take on Austen. I used to love romantic periodical novels when much younger, but they have since fallen out of favour with me, as they are all so alike. Here I am quite unaware, as of yet, what may happen and I absolutely adore the suspense.

The actors are well chosen for their task and I am quickly falling in love with them one by one. I never thought I would see Mr Bingley as adorable, but in this it is quite so. The characterizations over all are very well thought out, especially Mr Bennet (the father). I must also give Alex Kingston some cheer for her portrayal of Mrs Bennet, as it is a far more layered performance than one would first expect.

Our leading lady is also quite the find. She is very human without being the typical foot-in-mouth we usually see in these trapped-in-another-world stories. Not to say that she doesn't make mistakes, but it has yet to become painful or terribly unbelievable in any way.

So to summarize: Watch this series, not because you are an Austen puritan, which may make you regret such action, but because you love periodicals, fantasy and beautiful language. Oh, and romance that takes its sweet time. ^^