La Partition perdue de Noël

After last year's unintentionally hilarious "Christmas on Honeysuckle Lane," in which Alicia Witt overacted during the first hour with bizarre facial and body movements (and a hairstyle that seemed to move on its own), Witt got a new hairstyle, new make-up, and cleaned up her act, giving a really nice and heartfelt performance. The old Alicia Witt is back and she is quite good. She plays a successful singer who is threatened with a lawsuit by her older mentor who is claiming that the singer stole a song. It's an interesting concept for a Hallmark Christmas movie and there are a couple of good subplots as the singer returns home for Christmas in order to find her original composition of the song. The script is uneven - some scenes are written quite well, while others are sophomoric, repetitive, or just plain filler. The cast, however, rises above the material and gives natural and effective performances, particularly Witt, Brendan Hines, and Lori Hallier as the singer's mother. On the whole, a nice story that is worth at least one viewing. Welcome back, Alicia Witt.

I try to watch as many Hallmark movies as I can, so this one made it to the DVR.

I want to like Alicia Witt. I really, really do. But she seems to only play, lately, the sugary sweet, sappy, too nice for her own good kind of person. She usually does this voice that sounds like she wants to be looked upon as the weak and childish woman who needs help tying her shoes. All that's missing is a pout. I'd love to see her as a character with a stronger, more assertive voice.

Also, the writing for this seems more than a little formulaic. I rolled my eyes when, in the beginning, she reminded her mentor she came to Nashville as a young girl with her "guitar and a dream."

Really? Could we toss a few more clichés in there?

As others have mentioned:

If there are SO many people who remember her performing her song while still in high school, ten years before the other song came out, why aren't they slapping some signatures down on some affidavits?

AND - for someone who so desperately needs this sheet music, she's sure not putting a lot of effort into finding it. Her quest is interspersed in the story almost as an afterthought. "Oh, yeah, so long as I'm here..."

I reached a point in the movie where I think a clue was given as to what happened to it, but haven't gotten to the end, yet, so...

This is a great premise for a movie, lost sheet music, but it could have been more solidly put together. There could have been some funny moments created in this, involving her hunt for the sheet music.

Also, I'm not loving her hair in this movie. I know that's a petty thing to mention, but I'm starting to see more flaws in the movies, which detract from my enjoyment of them. In addition, I started seeing smile lines around her eyes, which is fine. Grow old gracefully, I always say, and never deny your age. It's an earned right. But, she's still playing people in their 20's and 30's and it's getting harder and harder to accept. How about Hallmark letting her be her age? Let's let her be a mom of older children, for a change, instead of the ingenue?

The first virtue is represented by the lead couple. The second one - the admirable job of supporting actors. Not the last - the atmosphere. Result - just a beautiful film about roots, romance and a song.

What is the name of the song sung at the end? "Merry Christmas, I Miss You" doesn't come up in my searches.

6/10 - one of the better Alicia Witt Christmas movies, but still filled with a few too many of the classic tropes