Grafted

One of the most important, yet somehow still so often neglected elements of storytelling - virtually any storytelling - is empathy. After all, you have probably heard of the Six Deadly Words ("I Don't Care For These People") but are they not really fundamentally about the failure of empathy? Not so much on the side of the viewer that is, but rather because the creator failed to write characters worth emphasizing with - often because they are written as mere tools and lack an inner world you can relate to.

Empathy is exactly what sets this New Zealand thriller apart in its first half. Sasha Rainbow's previous experience consisted of two documentary shorts which both chronicle the lives of the underclass in two cultures very different from hers, and here, she is able to depict the clash between the immigrant protagonist Wei and her second-generation, fully Westernized cousin Angela remarkably well for this kind of film. You can easily understand well why both of them act the way they do, and even the supporting cast also feels a lot more humanized than usual (certainly FAR more so than the cast of The Substance - since the comparisons between the two films are practically inescapable due to the unfortunate release timing, I might as well get it over with now.)

Funnily enough, the 2nd half, which delivers what most of the audience must have come here for, actually felt like a letdown to me in comparison, as it feels much more "on-rails". The performances are still effective and one character's demise is so painfully unfair it cuts through emotionally much more than most horror deaths do. The "grafting" is filmed well enough considering the limitations of low-budget filmmaking, though it would have certainly been more impressive in the pre-Substance world. On the other hand, the plain murder scenes themselves can be quite contrived and often aren't really convincing when compared not just to, say, something relatively recent When Evil Lurks, but also rather older films like Alleluia.

On the whole, though, this is a very admirable debut effort and I believe Sasha Rainbow is going to be the one to watch. I would also like to point out that this is the first movie I have seen in 2025 where I almost immediately looked up the OST after watching the film. To me, it's that good, at times absolutely carrying a scene which would have probably fallen flat otherwise.

I watched the New Zealand film Grafted (2024) on Shudder. The story follows an exchange student struggling to fit in as she conducts a twisted science experiment-transforming herself by wearing other people's skin. Her classmates soon become her next test subjects.

This film marks the directorial debut of Sasha Rainbow and stars Eden Hart (Sweet Tooth), Jess Hong (3 Body Problem), and Mark Mitchinson (Evil Dead Rise).

In some ways, this reminded me of the Spanish classic The Skin I Live In, but with a much gorier approach. The plot is highly original, and the gore is top-tier. The protagonist feels like a more brutal version of Leatherface. The acting is strong, and the psychological evolution of the main character is well-executed. Some plot points and character decisions are far-fetched, but they don't take away from the film's overall impact. The creativity and sheer brutality of the gore make this a must-see for horror enthusiasts.

In conclusion, Grafted is a bold and unique addition to the horror genre, packed with outstanding gore. I'd give it an 8/10.

There's some compelling drama in the first half of the movie. Things spiral out of control in an organic, chaotic way.

We get a very strong character development.

It's body horror but nothing too crazy. It could have gone for a little more gore but it's adequate how it is.

This is not an incredible movie by any means. But it has a fair amount of compelling story that is often lacking.

It deserves more than 5. But also doesn't have enough of an "it" factor to be a great movie.

There's some character and situational cliches.

It's a very entertaining movie with some emotional elements.

Ultimately it's a pleasantly average movie. Not sure why I'm writing this review other than 5/10 seeming a little too low.

It's something you can throw on if you need a movie.

Going to live with her aunt, an aspiring medical student tries to fit in with her new family and their friends while continuing to advance the studies her father set out to accomplish, but when she's forced to use it before she's ready finds her life upended and is forced to take drastic actions to see her work.

This was an overall enjoyable and highly effective genre outing. One of the stronger aspects of this one is the generally solid setup that offers a fantastic starting point for the type of material present in this one. Going with the idea of her attempting to ingratiate herself within her new family following the death of her father which means attempting to make friends with her cousin and her group of friends at school since they're nearly the same age only failing due to her inherent quirkiness compared to them provides a nice bit of conflict while she tries to help grieve her dead father that brings her there to begin with. Stuck with her antiquated notions and beliefs that conflict with their more modern approaches to life and social upbringing, the way she starts to loosen up and let go of herself so that she can get a fun role reversal as times go on involving the change in personality going forward. As well, there's also plenty to like with the growing realization of what her work is actually accomplishing. The initial stages of her advancement in the class and what's wrong with the deviant teacher show off nicely her desire to finish her father's formula and what it means to her, even going so far as to graphically mutilate herself to show that the whole thing is worthwhile. When the opportunity presents itself to use the formula and attempt to maintain a sense of social order, this one becomes a more overtly traditional genre effort with some gruesome kills, bloody stabbings, close-up surgical sequences, and even some fun stalking scenes along the way which has a generally fun time leading into the solid climax introducing some fantastic body-horror into the equation that's effectively utilized. Overall, these manage to give this one quite a lot to like about it. There are a few issues with this one that hold it back. One of the main pressing factors is the seemingly illogical manner in which she manages to work her work through her friend group without anyone noticing the duplicity of everything happening around them. The physical difference between her and the victim she takes out and assumes control of is quite remarkable, not to mention an obvious height and weight difference that shouldn't fool anyone who knew the victim. Even more apparent is how little she attempts to mimic their style or mannerisms so it just looks even more apparent how lame the duplicity really is and how she attempts to get away with everything. The other issue here is the abrupt and sudden change into turning into a straightforward slasher where the whole point of her going into this type of figure is somewhat obscure which is never really built up to making for a few drawbacks that bring this one down.

Rated Unrated/R: Graphic Violence and Graphic Language.

The 1950s, a time when color film was still pricey and beyond the reach of the independent producers, was the decade when horror came into its own. There were no tropes and set pieces because everything was new and fresh. Often the scripts were written on the back of a napkin, and the ending was more about how much money was left in the budget than anything else. The good news is that GRAFTED captures this spirit perfectly, the viewer never knows what is going to happen next. The bad news is that a film should be about more than grabbing attention, it really should have a sense of direction. And this one does not. Nice start, but clearly the budget ran out somewhere along the way. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))