NOTE IMDb
7,0/10
70 k
MA NOTE
La bande d’allumés est de retour, alors accrochez-vous pour la version non censurée de cascades hallucinantes et carrément explicites assurées par ces tarés que vous avez appris à connaître ... Tout lireLa bande d’allumés est de retour, alors accrochez-vous pour la version non censurée de cascades hallucinantes et carrément explicites assurées par ces tarés que vous avez appris à connaître et aimer à bonne distance !La bande d’allumés est de retour, alors accrochez-vous pour la version non censurée de cascades hallucinantes et carrément explicites assurées par ces tarés que vous avez appris à connaître et aimer à bonne distance !
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Jason 'Wee Man' Acuña
- Self
- (as Jason "Wee Man" Acuna)
Ehren McGhehey
- Self
- (as "Danger Ehren" McGhehey)
Avis à la une
Jackass 3D is at the time of me writing this, the last movie made by the Jackass crew, the group of Morons who charmed the world by doing painful, gross and stupid stunts to entertain an audience. Jackass the movie is a long episode of the show, Jackass number 2 raises expectations by being a bit more wacky and toony and including the best Climax and opening of the series, but 3D is not only the funniest, but also the one that really pushes the limits of stupidity, chaos and grosseness, this is Jackass at their most Ridiculous...and i kinda liked it.
I didn't watched Jackass itself until 2 years ago, where i fell in love with how creatively and insane some of their stuff were, it's not high quality entertainment, but there is something oddly charming about this group of morons, and 3D pushes those morons into their most painful stuff yet.
The best way to describe this movie is as a live action 90's cartoon, chaotic, loud, colorful, gross and violent. The highlights for me are the more ingenious stunts that include 3 or the whole crew, like the Jet, Electric Avenue and the Ram Jam. But it does contain probably the smallest and probably one of my favorite stunts, the snake river redemption, not for the Stunt itself, but the interactions between the group and Wee Man on a leprechaun outfit.
This movie is ridicolous, gross, if you don't have a taste for those kind of movies, you are gonna hate it. But if you enjoy a good laugh, even for how gross it can be, watch it, it's a good movie! Disgusting but Good!
I didn't watched Jackass itself until 2 years ago, where i fell in love with how creatively and insane some of their stuff were, it's not high quality entertainment, but there is something oddly charming about this group of morons, and 3D pushes those morons into their most painful stuff yet.
The best way to describe this movie is as a live action 90's cartoon, chaotic, loud, colorful, gross and violent. The highlights for me are the more ingenious stunts that include 3 or the whole crew, like the Jet, Electric Avenue and the Ram Jam. But it does contain probably the smallest and probably one of my favorite stunts, the snake river redemption, not for the Stunt itself, but the interactions between the group and Wee Man on a leprechaun outfit.
This movie is ridicolous, gross, if you don't have a taste for those kind of movies, you are gonna hate it. But if you enjoy a good laugh, even for how gross it can be, watch it, it's a good movie! Disgusting but Good!
Jackass 3D has intentionally done something I did not expect it to do. It purposely tugs at your heart if you have been watching the show since it's original inception in 2000. Seeing these guys at their age now and how well their chemistry is evoked on the screen makes you long for the early 2000's so this crew can always be around.
The purpose to see this film is to be grossed out of your mind right? Well rest assured you will laugh hard and be extremely grossed out. The film flows with a great pace just as the predecessors did.
As I said before, if you are a huge fan of the show, like I am, the closing credits of the film unexpectedly tugs at your emotions. It really is nostalgic to see this cast at their current age. Though they are all still in good physical shape, you can't help but wonder how much longer their bodies can handle the abuse.
Heres to more good times.
The purpose to see this film is to be grossed out of your mind right? Well rest assured you will laugh hard and be extremely grossed out. The film flows with a great pace just as the predecessors did.
As I said before, if you are a huge fan of the show, like I am, the closing credits of the film unexpectedly tugs at your emotions. It really is nostalgic to see this cast at their current age. Though they are all still in good physical shape, you can't help but wonder how much longer their bodies can handle the abuse.
Heres to more good times.
I really liked the last Jackass movie, because there was an intelligence at work there, beyond just a desire to be shocking and gross (though "shocking" and "gross" is being too mild). And this was just a lot more of the same.
The film is not for the squeamish, especially due to the delight taken in excrement. Excrement here is treated like confetti on New Years Eve. I don't want to get into details, because much of my enjoyment of this film is due to the shock factor. There were a few scenes that I was just too scared to watch.
I won't get into trying to describe or give a list of what's shown here. Let me just say that if Thomas Edison had ever thought his invention would show something like THIS, he'd have destroyed his camera and killed himself. But for about 80% of this film, I was howling with laughter, though terribly embarrassed I was carrying on like that.
The only thing I can say specific to a scene in this movie is that the Midget Bar Fight has got to be, no doubt about it, the most hilarious "Candid" scene I've ever watched.
I had major qualms about going to see a film so crude, gross, violent, and obviously marketed to an audience about 40 years younger. I saw it. I loved it. I'm so embarrassed. And I saw it in 2-D. Which was at least one D more than I needed. The idea of watching some of these scenes in 3-D . . .
The film is not for the squeamish, especially due to the delight taken in excrement. Excrement here is treated like confetti on New Years Eve. I don't want to get into details, because much of my enjoyment of this film is due to the shock factor. There were a few scenes that I was just too scared to watch.
I won't get into trying to describe or give a list of what's shown here. Let me just say that if Thomas Edison had ever thought his invention would show something like THIS, he'd have destroyed his camera and killed himself. But for about 80% of this film, I was howling with laughter, though terribly embarrassed I was carrying on like that.
The only thing I can say specific to a scene in this movie is that the Midget Bar Fight has got to be, no doubt about it, the most hilarious "Candid" scene I've ever watched.
I had major qualms about going to see a film so crude, gross, violent, and obviously marketed to an audience about 40 years younger. I saw it. I loved it. I'm so embarrassed. And I saw it in 2-D. Which was at least one D more than I needed. The idea of watching some of these scenes in 3-D . . .
In 1928, Charlie Chaplin wowed audiences by appearing on screen with a real, live lion for his celebrated film The Circus. A lion! Real! On screen! Audiences were mesmerized by this fascinating new art of cinema, an art made all the more engaging for the fact that the plastics of its image had roots in reality; that somewhere else in space and time, Chaplin had actually stood next to this lion and the reality of this image was now available to them for their own viewing pleasure.
For a contemporary equivalent, I give you Steve-O launched through the stratosphere in a PortaPotty full of dog poop. In 3D.
Jackass 3D appeals to cinema's time-honored capacity for ontological testament, and makes an equally compelling case for the camera's potency as an empathy machine: We see the setup of a stunt, we endure its execution, and we then either clutch our balls or puke in our mouths, depending on what the stunt entails. Cinema is reality, and their pain is ours.
Jackass isn't simply effective in the art of its performers, however, as there is a genius to the framing and editing of each segment as well. Many of the film's laughs are built in to its premises, and the crew smartly eschews over-explanation. We see a tee ball, we see the path this ball is on track to take, and we see Steve-O's nuts--as an intelligent and discerning audience, it is left to us to piece together the narrative before it unfolds, resulting in our increased engagement and a far greater potential for humor upon realization. And we then hang in that moment of anticipation, until the situation's potential energy is quickly and cathartically rendered kinetic.
Jackass 3D is notable as well for its use of stereoscopic 3D cinematography. In one scene, Johnny Knoxville fires a projectile toward the screen in slow motion to great effect: shallow depth of field slowly reveals this item to be a dildo, and 3D reveals the dildo to be humorously close to your face. Elsewhere, stereoscopy is employed in the service of some truly excellent model work; the scene's genuine beauty makes its ultimate subversion all the more effective.
Needless to say, Jackass 3D will not appeal to everyone. But as the film so effectively marries the ontology of outrageous stupidity to so many facets of cinematic expression, it's definitely worth seeing if you think you can stomach it. TK 10/17/10
For a contemporary equivalent, I give you Steve-O launched through the stratosphere in a PortaPotty full of dog poop. In 3D.
Jackass 3D appeals to cinema's time-honored capacity for ontological testament, and makes an equally compelling case for the camera's potency as an empathy machine: We see the setup of a stunt, we endure its execution, and we then either clutch our balls or puke in our mouths, depending on what the stunt entails. Cinema is reality, and their pain is ours.
Jackass isn't simply effective in the art of its performers, however, as there is a genius to the framing and editing of each segment as well. Many of the film's laughs are built in to its premises, and the crew smartly eschews over-explanation. We see a tee ball, we see the path this ball is on track to take, and we see Steve-O's nuts--as an intelligent and discerning audience, it is left to us to piece together the narrative before it unfolds, resulting in our increased engagement and a far greater potential for humor upon realization. And we then hang in that moment of anticipation, until the situation's potential energy is quickly and cathartically rendered kinetic.
Jackass 3D is notable as well for its use of stereoscopic 3D cinematography. In one scene, Johnny Knoxville fires a projectile toward the screen in slow motion to great effect: shallow depth of field slowly reveals this item to be a dildo, and 3D reveals the dildo to be humorously close to your face. Elsewhere, stereoscopy is employed in the service of some truly excellent model work; the scene's genuine beauty makes its ultimate subversion all the more effective.
Needless to say, Jackass 3D will not appeal to everyone. But as the film so effectively marries the ontology of outrageous stupidity to so many facets of cinematic expression, it's definitely worth seeing if you think you can stomach it. TK 10/17/10
For those who have never seen, let alone heard of, the Jackass franchise, the best possible way to describe it is to explain what its not. Its not a family orientated form of entertainment, its not for the weak hearted, and most importantly, its not something that disappoints and Jackass 3-D is no exception.Each hilarious stunt looks as if the writers took great pride into thinking them up...which also makes me ponder...what were they thinking? If someone were to tell you that Jackass' methods of merrymaking were crude and unorthodox they would be 100% percent right,However, as the film industry has changed over the years, it seems as if vulgar behavior is what most people desire for good amusement. So, if dropping a duce or getting hit in the groin is what the people want, then let there be Jackass.This film personifies humor, and will leave you in stitches on the way home, I give Jackass 3-D the best possible score it could receive, an 8 out of 10.
Le saviez-vous
- AnecdotesJohnny Knoxville had one of his teeth knocked out by a flying dildo.
- GaffesIn the final 'explosive' scene, before the plunger is pushed, the corner of the room that Bam Margera is sitting in is relatively empty. However, when the Johnny Knoxville orders everyone to put on their goggles and proceeds to push the plunger, a bookcase appears in the corner.
- Versions alternativesThere's an unrated version of Jackass 3 released on DVD and Blu-Ray.
- It has an extended version of the "Super Mighty Glue" scene were Dunn has his ass glued to Phil's back, then Bam glues his hand to Dunn's face.
- An extended version of "Will The Farter" were Bam smokes a cigarette that was in Will's butt, throws up and see's something in a cup and throws up again.
- Another extended scene, during the "Duck Hunting" scene, Parks Bonifay has to act as a target as well.
- There's also an additional scene, in another part of the Rocky bit, Rick Kosick gets smacked in the head.
- There's another extended scene, during the "Lamborghini Tooth Pull", Pontius brushes his teeth with an electric toothbrush and says: "If you wanna walk the walk you gotta talk the talk. Or no one will take you serious.".
- During the ending credits, there's alternative footage. The theatrical version shows Dunn sitting on Phil's back while Bam glues his hand to Dunn's face. Because this has already been shown in the Unrated, this version shows a conclusion to Ehren's tooth removal.
- Bandes originalesCorona
(Jackass Opera Mix)
Written by D. Boon
Produced and Performed by Sam Spiegel (as Squeak E. Clean)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Âne: Le film 3
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 117 229 692 $US
- Week-end de sortie aux États-Unis et au Canada
- 50 353 641 $US
- 17 oct. 2010
- Montant brut mondial
- 171 685 887 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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