Paddington

One of the things I resent the most in modern children's film and stories and in modern animation is that they can be visually enthralling but have not magic, no soul or no charm. I also dislike the fact that too many fables and old-books stories are brought to the screen with no soul and respect for the original characters and stories.

To my delight, this is not Paddington's case.

Paddington is a brilliant exception to the dullness, soulless bunch of animated movies for kids out there. This is so mostly so because the original story is there, Paddington and the the Brown's family's souls and personalities are there, they feel modern and contemporary, but not too far removed from the original. Pablo Grillo's animation is fantastic per se, but there are many amazing animators out there; what sets this film animation apart is the magic infused into it, so we come to see Paddington as Paddington, not as a puppet, not as a CGI character, not as a fictional. Paddington feels real in this movie, as real as any of the actors.

The ambiance of the film is whimsical, it mixes elements that are very modern but also capturing a bit of the old London where the original story is set. The film has a great tempo, is full of fancy and fun, innocence and naughtiness, havoc and tenderness, action and stillness, happiness and sadness, adventure, laughter and family love.

The cast in this film is great, per se, but that not always guarantees a good movie in the end. However, all the actors are great and believable in this film. I especially liked Nicole Kidman in her evil sassy ruthless manipulative and sweet villain role.

The music is also fantastic with plenty of Latin rhythms throughout the film. Paddington is Peruvian, after all.

Paddington is not only a very sweet, fun an enjoyable film. It also has a great message about accepting those who are different and welcoming those who need of our care because have nowhere to go; two things that we should be reminded of in these troubled times when refugees are sometimes treated as an "it" not as Paddington. There should be more Brown families in the world.

I was expecting another dumb movie for kids. To my delight, Paddington is a a tender fun-filled magical film that made me feel a kid again.

I confess that I was never taken with the marketing for "Paddington". MOstly, the CG in the bear himself. But that tends to be absorbed into the movie's overall sweetness and playful visual style. At the heart of this is a wholesome message about human decency and belonging, and it's populated with likable Brits (Hugh Bonneville, in particular). Some good laughs, too; like seeing a trying to figure out a toothbrush or negotiate scotch tape.

It's a good-natured movie, and what makes it a cut (or two or three) above modern family fare is that there's very little in the way of pop culture references and hipness.

Just warmth.

7/10

I saw "Paddington" with my granddaughter (almost four) and it's hard to be sure who enjoyed it most since this is such an utterly charming and entertaining movie.

Visually it is a delightful CGI representation of the eponymous bear (politely voiced by Ben Wishaw) and deploys some neat cinematic devices; script-wise it combines humour, word play, and sharp allusions to the plight of the immigrant; while acting- wise we have a slew of marvellous British performers including Hugh Bonneville, Sally Hawkins and Julie Walters as the adults in Paddington's new family and Nicole Kidman who has other plans for our furry friend.

In a movie full of delights, the bathroom scene is a classic. A sequel or even a series is inevitable and would be most welcome.

When his home in Darkest Peru is destroyed, a young bear travels to London in order to find a new home. He's helped by a couple with two kids, which share different opinions regarding the new troublemaker which "landed" in their home. Although helping him find a proper home, the Browns start to attach to the newcomer but his negligent way of life and an evil hunter from a local history museum tend to interfere in their relationship, for better or worse.

We're presented with the amusing and entertaining adventures of this strange bear which comes to a big city in search of a new life, but ends up in a lot of trouble, more or less due to his actions. It's a movie which doesn't have an extraordinary plot, but it's enough to keep you interested while making you laugh with almost everything the cute bear does. By the way, the CGI is top notch, and together with the actors' performance, create a good movie for everybody to enjoy. As downsides, it tends to exaggerate in many scenes, while being very simplistic when speaking about the "evil" part which hunts Paddington.

Still, it manages to create a very enjoyable atmosphere which makes this movie a very good watch, especially during winter holidays.

Based on the works of author Michael Bond, "Paddington" tells the story of a talking bear (Ben Whishaw) from "darkest" Peru who stows away on a cargo ship to start a new life for himself in London. Once there, he becomes involved with a family named Brown (Hugh Bonneville, Sally Hawkins, Madeleine Harris, Samuel Joslin), who take him into their home on a temporary basis, and a villainous taxidermist (Nicole Kidman) intent on literally "stuffing" the bear for an exhibit in a natural history museum.

Written by Paul King and Hamish McColl and directed by King, "Paddington" is a seamless blend of live action and animation, cheery in tone and beautiful to look at, thanks to the highly stylized art direction and production design that adorn the film. The humor ranges from the brittle to the overly broad (Bonneville dressed as an old scrubwoman sounds a discordant note in an otherwise fairly sophisticated screenplay). The movie also includes some subtle little homages to "My Fair Lady," "Home Alone," "Mission Impossible" and, most notably, Walt Disney's "Mary Poppins."

Fast-paced, well acted, and with warmth and charm to spare, "Paddington" is a whimsical treat that should appeal almost as much to oldsters as it does to youngsters.