Ajouter une intrigue dans votre langueIn a 1950s-era Missouri town the life of a couple is thrown into chaos when the husband's sister is released from the local asylum and comes to live with the family.In a 1950s-era Missouri town the life of a couple is thrown into chaos when the husband's sister is released from the local asylum and comes to live with the family.In a 1950s-era Missouri town the life of a couple is thrown into chaos when the husband's sister is released from the local asylum and comes to live with the family.
- Réalisation
- Scénario
- Casting principal
Jeff Nowinski
- Phil Carter
- (as Gregory James)
Evie Thompson
- Lucy Bretthorst
- (as Evie Louise Thompson)
Logan Alexander Moore
- Sean Ryan
- (as Logan Moore)
Charles Taylor
- Davey Lund
- (as L. Charles Taylor)
Vincent Onofrio Monachino
- Lem Bryerton
- (as Vincent Monachino)
Avis à la une
Growing up in Kansas I have known real families who suffered tragedy in similar ways. It is a step back in time. Three of the four kids tended to over act but otherwise the acting is very good and the story haunted me long after. Give it a chance. I think some reviewers missed the point. Connie was simply sharing a story based on her childhood experience. Ironically sent away to keep her safe in rural Missouri after a traumatic witnessing of a horrible act in the big Apple. There is tragedy everywhere. It's slow paced but it makes it seem real and I don't understand the reviews that say they weren't touched by the story. It's really about a family's suffering which no one ever deserves but is part of life.
I found this movie very disappointing. The most emotion it elicited was an occasional unhappy head shake at (character's) disregard and ignorance. The story based on an actual situation in the 50's having a brother's extraordinary compassion to get his sister out of an insane asylum, the inhumane treatment of mental illness/brain damage and heartbreaking events; this film should have been a real tearjerker. Not saying it was bad just remarkably ineffectual. I should have had tears streaming, sobbed even at one tragedy after another and instead my throat never closed or had even one slightly moistened eye moment. Nada (and I've choked up with Reach Out and Touch commercials.)
Lousy dubbing, but the script, the story based on real events, very moving, in the end it hurt my soul the pain of that father, brother, husband, how many losses ... Wonderful film by actress Connie Stevens who at 74, makes her debut in the direction with a semi-autobiographical film ... Touching, deep, touching, left me with that little pain in my heart at the end, little films touch me so deeply ... Deep ...
I am usually very forgiving of B-grade films. I don't mind a good old- fashioned syrupy love story now and then, or some half-baked horror tale about a woman in some remote location fighting to save her family's haunted B&B . . . but this film . . . wow, I really can't forgive this one. It is so grossly manipulative, with all the subtlety of a sledgehammer, from the acting to the writing to the rainstorms of Biblical proportions. I didn't know if I was watching a Hallmark film, some silly Nickelodeon episode, or a cheap horror flick. The children are as cloying as marshmallow peeps (did no one work with these young actors, or did they just stuff them with cupcakes and candy and set them in front of the camera?). The adults--actors, director, and screen writer--didn't fare much better. I just felt bashed in the head at every turn--too much too much too much. (Towards the end of the film Penelope Miller has one of the most atrocious rain-soaked speeches I have ever seen.)
I did enjoy and appreciate Tatum O'Neal's performance. While I understand some of the harsh criticism regarding her portrayal of a severely emotionally disturbed woman, I found it to be heart breakingly realistic in the main. Of course she would drift around, half awake, half alive, twitchy and flaky and completely insecure. I actually felt sorry for this character. While I don't know how much of the story is entirely based on real events, surely placing Grace in her brother's home with his happy camper family, across the street from her former husband and his bubbly preggers wife, then given the glamorous job of sewing the baby's quilt and creating a mile-high lemon meringue pie of a ballgown for a 10 year old attending a military ball (a horrible and unnecessary story line, on several counts). . . I mean, if this is what her life has become, who wouldn't break out the sharp objects?
I did enjoy and appreciate Tatum O'Neal's performance. While I understand some of the harsh criticism regarding her portrayal of a severely emotionally disturbed woman, I found it to be heart breakingly realistic in the main. Of course she would drift around, half awake, half alive, twitchy and flaky and completely insecure. I actually felt sorry for this character. While I don't know how much of the story is entirely based on real events, surely placing Grace in her brother's home with his happy camper family, across the street from her former husband and his bubbly preggers wife, then given the glamorous job of sewing the baby's quilt and creating a mile-high lemon meringue pie of a ballgown for a 10 year old attending a military ball (a horrible and unnecessary story line, on several counts). . . I mean, if this is what her life has become, who wouldn't break out the sharp objects?
I thought this was a great movie, very sad story to say the least,
seems that Grace was brought home to be ignored, not included.
Tatum O'Neal,Michael Biehn,Penelope Ann Miller, the entire cast brought me back in time, to a lost era,I would have preferred to have grown up in the 1950's vs what we have now, simple, wholesome life,
Similar to Loving Vincent,
If your a little crazy or you have family members who are the same, we'll this is worth watching, honestly If your not a little crazy your missing out, lol
Le saviez-vous
- AnecdotesConnie Stevens is the first woman to begin directing in her 70s. for this feature she has enlisted actors and actresses that started in last six decades. Piper Laurie from the 50s, Scott Wilson from the 60s, Tatum O'Neal from the 70s, Michael Biehn, Tricia Leigh Fisher, and Penelope Ann Miller from the 80s, Joel Gretsch and Audrey Wasilewski from the 90s, and of course the children from the 2000s.
- GaffesIn the opening scene at the theater in Brooklyn, there are posters for Broadway shows that won't be written for decades after this film is set, including Annie and Wicked.
- Crédits fousIn the on-screen Soundtrack credits, the name of Lee Morris, one of the writers of the song "You Belong To Me," is misspelled as Lee Moris.
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Détails
Box-office
- Budget
- 3 500 000 $US (estimé)
- Durée1 heure 56 minutes
- Couleur
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