Avis Metacritic

Within these oversaturated times for comic book movies, Madame Web is blissfully breezy in its pacing, which helps make it a more enjoyable watch than some of the super-serious, end-of-the-world fare we often see.

None of this would work without Johnson, whose gift for side-eye and deadpan line readings grounds what could be a very silly story into one with real human stakes (that do not, thankfully, involve the fate of the entire world).

Madame Web does not provide a crowd-pleasing bombast. This is a pity, as this odd duck makes for a fascinating watch. This may be one of the final films of the superhero renaissance. Enjoy it before it topples over entirely.

Madame Web has the makings of a interesting superhero psychological thriller, but with a script overcrowded with extraneous characters, basic archetypes, and generic dialogue, it fails the talent and the future of its onscreen Spider-Women.

On the basis of Madame Web, however, Sony’s Spider-Man Universe is now completely lifeless—and in no need of resuscitation.

If only a psychic could have warned us about these wretched Spider-Man spinoffs.

An inoffensive, almost endearingly lame whiff of a movie that has the misfortune of arriving at a time when the superhero genre has almost returned to pre-MCU levels of popularity, this “Daredevil”-ass disaster is hilariously retrograde for a story about someone who discovers that she can see a few seconds into the future.

Madame Web is boring, unimaginative and dated, despite being one of very few superhero movies centering on female superheroes. All in all, Madame Web is a superhero movie you can absolutely skip.

The film is often so hurried or so preoccupied with what’s to come that it ignores what’s happening in the moment.

Stupendously stupid and never remotely in control of its faculties, the film represents a kind of weaponized incompetence, hostile and assaultive.