NOTE IMDb
4,8/10
6,3 k
MA NOTE
Les survivants sont sauvés par le mystérieux prophète qui semble avoir la capacité de contrôler les bêtes. En chemin, ils reçoivent l'aide d'un expert en karaté.Les survivants sont sauvés par le mystérieux prophète qui semble avoir la capacité de contrôler les bêtes. En chemin, ils reçoivent l'aide d'un expert en karaté.Les survivants sont sauvés par le mystérieux prophète qui semble avoir la capacité de contrôler les bêtes. En chemin, ils reçoivent l'aide d'un expert en karaté.
- Réalisation
- Scénario
- Casting principal
Carl Anthony Payne II
- Slasher
- (as Carl Anthony Payne)
Johanna Putnam
- Secrets
- (as Hanna Putnam)
Megan Brown Martinez
- Woman Stranger
- (as Megan Brown)
Avis à la une
Ask the best chefs in the world and they will say that 'presentation is everything'; it's an old adage that I really wish director John Gulager had applied when serving up The Happy Finish, the final chapter in his Feast trilogy. Style and attention to detail are in short order, the film being dished up with all the finesse of a pig farmer with a slop bucket; if it was the third course in a meal, it would result in a severe case of indigestion.
Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.
Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.
I was looking forward for part 3 and the final of Feast. Again it's all in the same way of course of part 1 and part 2. A lot of gore again, bad jokes, tits and all what you want but sometimes it drops a bit. Don't get me wrong, it is still a good flick, but in the sewer it drops a bit, takes too long for me but overall again you will have a big laugh with farts and the way some are killed. Also you have to watch it while the end credits are running, the movie is still going on. Some people really have a problem with this trilogy, just watch the reviews, the first got a lot of reviewers and from then on it drops. If you really want a good feast than just watch, sigh, Feast. Even the ending is great. Nothing to do with the storyline but still the director got away with it. Really, an underrated trilogy!
Loved the first two, very unpredictable and amusing.
This one feels formulaic and dull. You can't really tell what is going on (as mentioned elsewhere) most of the scenes are in darkness with flashing lights and shaky camera work.
I had to constantly prize my finger away from the fast forward button as the characters twittered on or trudged down another pitch black sewer.
It feels like this film is the unwanted runt of the litter, undernourished and unloved.
The ending was so bad I wonder if the director has grown bored of the Feast franchise and hammered nails into its coffin so he wouldn't be bugged about making a fourth.
This one feels formulaic and dull. You can't really tell what is going on (as mentioned elsewhere) most of the scenes are in darkness with flashing lights and shaky camera work.
I had to constantly prize my finger away from the fast forward button as the characters twittered on or trudged down another pitch black sewer.
It feels like this film is the unwanted runt of the litter, undernourished and unloved.
The ending was so bad I wonder if the director has grown bored of the Feast franchise and hammered nails into its coffin so he wouldn't be bugged about making a fourth.
After the demented roller-coaster ride in part two, this boring and literally unwatchable appendix is quite a let-down compared to the earlier installments.
Despite the far-fetched ending, which is so absurd as to be actually funny, we've got more of the same, but with diminishing returns (and badly lit at that.) The newly introduced characters aren't that much of a big deal, either, and the blissfully short running time reflects the uninspired nature of the whole schlock parade.
It was time to end this carnage.
3 out of 10 (h)armless karate kids
Despite the far-fetched ending, which is so absurd as to be actually funny, we've got more of the same, but with diminishing returns (and badly lit at that.) The newly introduced characters aren't that much of a big deal, either, and the blissfully short running time reflects the uninspired nature of the whole schlock parade.
It was time to end this carnage.
3 out of 10 (h)armless karate kids
Better than II or worse then II? There is some debate on that.
At least we can clearly see the monsters in this one.
The gore is worse than ever with decapitations, and the monster eating the head whole, and then, I kid you not, eliminating the uneaten head.
If you have epilepsy, you might not want to watch the last 10 minutes or so. It flashes on and off and it made me dizzy.
It was better that Feast II, but not by much. It was a gore-fest with lots of action, but it was hard to follow exactly what was going on most of the time.
The ending was a real shock!
At least we can clearly see the monsters in this one.
The gore is worse than ever with decapitations, and the monster eating the head whole, and then, I kid you not, eliminating the uneaten head.
If you have epilepsy, you might not want to watch the last 10 minutes or so. It flashes on and off and it made me dizzy.
It was better that Feast II, but not by much. It was a gore-fest with lots of action, but it was hard to follow exactly what was going on most of the time.
The ending was a real shock!
Le saviez-vous
- AnecdotesFilmed back to back with the second movie.
- GaffesWhen Secrets is learning to load her gun, the cartridge shown is for an automatic pistol and is rimless. It could not be loaded into her revolver.
- Citations
Jean Claude Segal: How can I die when I'm a registered lethal weapon?
- Versions alternativesThere is an Unrated version. Changes are minor.
- ConnexionsFeatures Feast 2: No Limit (2008)
- Bandes originalesThe Ballad of Feast (Parte Uno, Parte Dos, Parte Tres)
Written by Marcus Dunstan
Performed by Raphael 'Elvis' Coca
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Feast 3: The Happy Finish
- Lieux de tournage
- Lancaster, Californie, États-Unis(pick-up shots)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $US (estimé)
- Durée1 heure 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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