The Darkest Hour

This was a bit of fun to watch, nothing special, like an above average sci-fi channel flick, but fun to watch nonetheless. Hasn't been a box office hit or getting much in the way of good reviews, but if basic alien invasion is your cup of tea, you will probably enjoy it too. I liked the aliens, not your usual lot, and the Moscow sets. The cast gave decent performances as well. I would have liked to see more of the invaders and would have liked a few more battle scenes, and could have enjoyed it just as well without the 3D effects. All things considered, I will add it to my collection when it's available on disc. Catch this during a matinée if you must, but you'll probably like it a whole lot more on a theater's big screen than waiting for HBO.

In a world of mostly straight to video lower budget scifi movies or the hit and miss affairs of Sci-Fi original movies, The Darkest Hour was a real joy.

The ghost-like concept of the invaders was well conceived. Adding tension in droves, much like the original alien movie, with the what you can't see lets your mind be more creative. The lack of need for constant CGI of the aliens seemed to allow more budget and creativity on the other more subtle effects, creating a much more believable world. The floor of light bulbs effects, used similarly to the motion detectors in the Aliens movie, was cool.

It seems the film critics have again missed the point and glories of this movie. What they seemed to punish for I personally found to be the movies greatest achievements. Efficient, well conceived plot to me, seen as lacking to the critics. The not trying to save the whole world, ala Independence Day, but focusing on rag tag group of unprepared survivors worked, as it does in AMC's series The Walking Dead. The restrained use of 3D, meaning few objects flying out the screen or visual overdose leading to headache like the latest Transformers movie. The 3D effects added significantly to the sites of Moscow, giving a true sense of the size of Red Square and hence the immersion a 3D movie should give.

The Darkest Hour. Solid entertainment and great way to see Moscow without a 12hr flight. Ignore the critics and make up your own mind.

I don't know why critics panned this movie so much. Did they expect a different movie than what they saw? After seeing the trailer, this looked like a fun movie so I gave it a shot and was not disappointed. It was pretty much like I thought it was going to be. Sure the whole alien invaders thing has been done a lot, and this sticks to the formula to a certain extent (minus the annoying deus ex machina plot device), but it was original enough to set it apart.

The acting, while not Oscar worthy, was definitely fine for this genre of movie. The setting (deserted Moscow after the invasion) was well done, and the effects (apart from the opening airplane shot) were pretty good too. There was just enough suspense and action to keep things interesting, and while I didn't feel a deep bond with the characters, I still rooted for them to survive.

All in all, this was a pretty fun movie, and throughout it I keep wondering to myself why there were so many bad reviews because I was definitely liking it.

Don't listen to the "critics" who are too full of themselves and don't get this kind of movie; judge for yourself. If after seeing the trailer you think you'll enjoy the movie, you probably will (if you go into it unbiased). I definitely did.

Just got back from a screening of The Darkest Hour and honestly this film was better than I anticipated. I confess, I hadn't wanted to go at all but my friend insisted and so to keep the peace I went. Granted, the beginning is a uneven and it was unclear where the story was going but once it clicks in the thing moves right along. You are never sure who is going to die next and that helps keep the suspense level high. The acting is serviceable and the location is a refreshing change from the usual New York/Chicago skylines. It's frankly more interesting to watch the tale unfold against the dinginess of contemporary Moscow, and with Russian soldiers instead of Americans. Moreover, the special effects are simple, but effective.

In essence, invisible beings are here to steal our electricity and only insulators (e.g. glass or Faraday Cages) enable us to be hide from them. Because they are ruthless and utterly determined, there is no hope for negotiation, no chance for peace. Early on it is made clear either we win or we will be exterminated.

I liked everything about the movie, even though the alien invasion genre has gotten a bit tired of late. I was never bored and was always in suspense as to what would happen next. At 89 minutes, this joint Russian-American production probably could have taken more time with its story and characters, and not be in such a hurry to kill them off. Since the background is so different, maybe they could have shown us more of the city or used the locations more effectively.

Yet for all the obvious complaints one can make, the move works if you let it. I believe viewers will find it worth their while. Take it for what it is, and I honestly think you will have a good time at The Darkest Hour.

This is a B-grade movie and you should go in expecting one. Certainly, it won't win over many critics. Still, there are some thrills in this apocalyptic sci-fi thriller. Even though, it leaves a middling aftertaste. Thankfully, it runs at a lean 89 minutes and doesn't waste too much time in exposition, which are sometimes cringe-worthy. For me, it does throw in a few interesting ideas, which prevent it from being just another cookie-cutter entry in the increasingly stale genre.

First, the aliens. Instead of taking on the snarly form we've seen in countless films, they are invisible to the human eye and exist in the form of microwave energy. The only way they can be detected is when they pass through an object powered by electricity. And they kill humans by turning them into ashes. Because the aliens can't be seen, the killings are unpredictable.

Second, I like the idea of transposing the American protagonists and the apocalypse to a foreign city, Moscow, instead of the trite New York City or Los Angeles. The stereotypes of Russian culture are played for laughs, though most of the jokes come across flat. However, you get to relish the many famous sights and landmarks such as The Red Square, in ruins.

In terms of characters, most of them are disposable. Even the leads, Emile Hirsch, Olivia Thirlby and Max Minghella come across as likable at best, but not memorable. It doesn't help that they are given lame one-liners. I wish they had given the eccentric Russian electrician and his cacophony of gadgets more screen time.

The Darkest Hour has a great setup. Pity the makers didn't have the balls to strive beyond formula. Even if the ending sets it up for a sequel, I reckon its box office performance will convince the studio they need one.