Glass: A Portrait of Philip in Twelve Parts

I am not a fan of documentaries and having no idea who Philip Glass was nor where to find the cinema I arrived unprejudiced and just on time at the theatre.

Scott Hicks' ability to capture very emotional moments ("what is your computer password?...it's FRANKIE") and to bond film with music ("bababababababa") combined with superb editing left a full house stunned with impressions at the end of the movie. The movie, like a mosaic, became more and more compelling with every act and piece of information added. Personally, the message that was most moving was the thought of a musical genius, flamboyant and eccentric at times, loving and caring at heart, unable to communicate deeper emotions to his loved ones, somewhat isolated through his talent in a 21st century environment...

Thank you Mr. Hicks for creating an outstanding movie that inspires people to think!

I thought the same as the above commenter--Glass is a great composer but not an interesting person (something that often happens with artists--it all goes into the work) until I heard him speak the following evening and he was perfectly interesting...because he was talking about MUSIC--something the director forgot to ask him about in the film. This is one of the most superficial biographical films I've seen, two hours of tedium, watching Glass make pizza, play with his kids, practice t'ai chi etc. his wife giving away her Internet password--while the music dipped in and out in tiny snippets. Glass deserves much much better.

I became more aware of Glass's music one Halloween afternoon as I was driving north in the Bitterroot Valley of Montana. Up to then, I knew him as a minimalist favored by certain intellectual circles. The college station played the music written for the original Dracula movie for a reissue that I don't think ever came off; at least I haven't seen it. I was astonished by its gorgeous emotional power. It was as great in its own way as was the movie starring Bela Lugosi. The score told you how even evil can long. The documentary unfolds like a well written novel and you see the 60s hippie who knowingly or unknowingly kept company with the loathsome Alan Ginsberg, beatnik poet and founder of the pedophile NAMBLA, mature from a young composer who tortured his early audiences with six-hour performances of sterile music to an artist who discovered melody and the need to write music that spoke to the soul. A driven workaholic consumed by his work, he is shown in charming family scenes making meals and playing with his children. But the documentary is honest and we see all is not well. The final scenes include his stunning opera based on a novel by Coetzee about the dangers of becoming the very barbarians who threaten our world. One of the best documentaries I've ever seen.

In July 2005, Australian filmmaker Scott Hicks started shooting a documentary about the composer Philip Glass to celebrate his 70th birthday in 2007. Over the next 18 months, Hicks filmed Philip across three continents - from his annual ride on the Coney Island "Cyclone" roller coaster, to the world premiere of his new opera in Germany and in performance with a didgeridoo virtuoso Mark Atkins in Australia. Born in Baltimore, Glass discovered music as he worked in his father's radio store. Hicks documents his early studies and the somewhat precocious formation of his own ensemble to make certain his unusual compositions had a chance to find an audience. The 12 parts of the film focus on different aspects of Glass's work and both public and private worlds. The rapport Hicks developed over the prolonged shoot is indicated by candid conversations in which Glass addresses the off-camera Hicks. This rapport results in an affectionate and intimate portrait of Glass. A recent visitor to Melbourne to perform Book of Longing, his collaboration with Leonard Cohen, Glass's works include opera, theater pieces, dance, film and song. Fan's of Glass's music will love this film and it offers a wonderful introduction for strangers to his oeuvre.

Living in Toronto, once a year I get the benefit of having the world's largest film festival come to my doorstep. Tonight I was lucky enough to be in the audience for the first screening of Scott Hicks' new biographical movie on composer Philip Glass. I did not know what to expect from this film, namely because I was only vaguely familiar with Glass' work and also because I was skeptical that a movie about a minimalist composer would be either entertaining or fascinating. But my initial doubts were completely wrong - the movie blew me away. The movie was very profound, extremely interesting, and surprisingly funny - not to forget full of beautiful music (this movie has introduced me to the work of this wonderful composer who I would otherwise have never explored). The cinematography was also excellent - far beyond what you get in the usual documentary. Hicks' breakdown of Glass' life into 12 distinct stages was the perfect way to show him at his different mental states. Near the start of the movie, Hicks shows footage of Glass that you (or at least those who are not Glass followers)originally think has nothing to do with his music. Yet as the movie goes on, and you reach deeper and deeper within Glass'life and his head, you realize that what the other footage is showing is key to understanding Glass because it makes up an essential part of Glass' musical origins/motivations. The movie begins slowly but builds into a powerful crescendo.

Glass' life is not only interesting due to his line of work, for he paints a good picture of how he engages in a complex artistic process. His comments on music and art are original and very worthwhile; even if you have no interest in Glass' music, his comments on his process are worthwhile for anyone interested in art of any sort. This is a movie worth seeing.