NOTE IMDb
6,7/10
6,4 k
MA NOTE
Lorsque Charlie Burnz, scénariste comique, rencontre Emma Payge, chanteuse de rue new-yorkaise, ils se lient d'une amitié improbable mais touchante, qui met de côté le fossé générationnel et... Tout lireLorsque Charlie Burnz, scénariste comique, rencontre Emma Payge, chanteuse de rue new-yorkaise, ils se lient d'une amitié improbable mais touchante, qui met de côté le fossé générationnel et redéfinit le sens de l'amour et de la confiance.Lorsque Charlie Burnz, scénariste comique, rencontre Emma Payge, chanteuse de rue new-yorkaise, ils se lient d'une amitié improbable mais touchante, qui met de côté le fossé générationnel et redéfinit le sens de l'amour et de la confiance.
- Réalisation
- Scénario
- Casting principal
Joanna Adler
- Director
- (as Joanna P. Adler)
Avis à la une
The movie is not for the general audience, nor is it a difficult movie. I loved Billy Crystal's idea of using New York as a theater stage. Because New York itself is in the lead role of the movie. I would buy the blu-ray edition of the movie for myself.
I hope Billy Crystal directs more. We are in an age where we miss cinema (real motion pictures made for cinema).
I hope Billy Crystal directs more. We are in an age where we miss cinema (real motion pictures made for cinema).
It's nice to see Billy Crystal on the big screen again. This film is like spending two hours with an old friend. With that being said, the film is quite good in parts, but the sum parts don't add up to a great film.
Crystal plays a comedy writer who is experiencing the beginning stages of dementia. He keeps this from his family and tries his best to hide it from everyone at work. Tiffany Haddish plays a woman who cashed in on an auction her ex boyfriend won to have lunch with the famous writer. This is despite not knowing who he is and ultimately insulting him frequently. She addresses him as "old man." To make matters worse, a food allergy lands her in the hospital and Crystal gets stuck with the bill. Oddly, a close friendship develops.
Haddish's initial over the top characterization of this woman is ill conceived. We later learn that she is some sort of jazz subway singer. She eventually becomes the voice of reason for Crystal and a major player In his life. But through it all, she never quite becomes a cohesive believable character.
Flashbacks are frequent as Crystal imagines his deceased wife. These are always awkward as the wife seems to be the exact same age in every flashback and Crystal's voice is only heard.
The film has some touching moments and the relationship between Haddish and Crystal does evolve into a sweet friendship. But the schmaltzy moments between Crystal and his family toward the end detracted from their story. The film needed more focus as it tried to cover too much ground in 2 hours.
This is a review so I'm nitpicking. Overall, I did enjoy the film and especially Billy Crystal's fine performance. I believe most audience members will too.
Crystal plays a comedy writer who is experiencing the beginning stages of dementia. He keeps this from his family and tries his best to hide it from everyone at work. Tiffany Haddish plays a woman who cashed in on an auction her ex boyfriend won to have lunch with the famous writer. This is despite not knowing who he is and ultimately insulting him frequently. She addresses him as "old man." To make matters worse, a food allergy lands her in the hospital and Crystal gets stuck with the bill. Oddly, a close friendship develops.
Haddish's initial over the top characterization of this woman is ill conceived. We later learn that she is some sort of jazz subway singer. She eventually becomes the voice of reason for Crystal and a major player In his life. But through it all, she never quite becomes a cohesive believable character.
Flashbacks are frequent as Crystal imagines his deceased wife. These are always awkward as the wife seems to be the exact same age in every flashback and Crystal's voice is only heard.
The film has some touching moments and the relationship between Haddish and Crystal does evolve into a sweet friendship. But the schmaltzy moments between Crystal and his family toward the end detracted from their story. The film needed more focus as it tried to cover too much ground in 2 hours.
This is a review so I'm nitpicking. Overall, I did enjoy the film and especially Billy Crystal's fine performance. I believe most audience members will too.
This was a great movie! It's not giving away anything to say that you will laugh, cry, and grow to love these characters over the two hours. The comedy and classic Billy Crystal one-liners we're the perfect balance to the struggles of an aging gentleman trying to maintain the life he has built over his 40 year career. Tiffany Haddish, in previous roles, can come off as an over the top, stereotypically black-woman-with-an-attitude. But in this movie she plays the perfect new-age comedy yin to Crystals's tried and true 80s/90s classic comedy yang. My wife, I, and the other couple we watched this movie thoroughly enjoyed it and I think you will too.
Ignore all the pseudo bored sophisticates who call this sentimental lovefest nonsense. It's a real look at what it means to be family and how we deal with the things we regret as we get older. Yes, some of it falls flat and yes, some of the family scenes seem to move a little too quickly. But it's well intentioned and worth a sit through.
This is the kind of movie "the rest of us" have been waiting for--no CGI, no auteur sensibilities--just good story telling with tons of belly laughs. We were pleasantly surprised at the depth of Crystal's performance. Both of us immediately thought Oscar Worthy. And, who doesn't love Tiffany Haddish?!?!?!?!
Le saviez-vous
- AnecdotesDuring the production of the movie, Tiffany Haddish and Billy Crystal became close friends. Crystal became a father figure to Haddish and helped her with her bat mitzvah.
- Citations
Emma Payge: Jesus, old man. I'm sorry.
- ConnexionsFeatured in Weekend Express: Épisode datant du 9 mai 2021 (2021)
- Bandes originalesYour Feet's Too Big
Performed by Tiffany Haddish and Slippery When Wet
Composed by Ada Benson and Fred Fisher
Courtesy of MPL Communications/Sony/ATV Songs (BMI)
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- How long is Here Today?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 807 494 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 042 171 $US
- 9 mai 2021
- Montant brut mondial
- 2 871 327 $US
- Durée1 heure 57 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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