The Disappeared

A gritty council estate drama about a missing kid, with the usual run of domestic violence, hoodie gangs, street crime, beatings, social workers and creepy adults. It's down to earth and realistic, eliciting decent performances from its mostly teenage cast; Harry Treadaway is particularly good as the boy grieving for his lost brother. Unfortunately, though, this story is very familiar (URBAN GHOST STORY is just one of the many others I remember doing the same kind of thing), and it doesn't have a great deal to differentiate it from the rest.

It's gently haunting for the most part, with the ghost story taking the form of snatched visions, unexplained domestic events and a general feeling of suspense and foreboding. The sub-plot involving a medium and her young girl was very well done, I thought, and the twist ending is undeniably powerful (if very familiar, considering all the other films ploughing the same furrow). Cast nods go to Tom Felton (Harry Potter's Malfoy) playing a refreshingly non-magical teen for once, Ros Leeming as the poignant love interest and Alex Jennings (who some may remember from Children's BBC's ALFONSO BONZO) as a kindly vicar.

After suffering a mental breakdown following the disappearance of his younger brother, Matt is released from the hospital and tries to get back to a sense of normalcy. However, his father blames him and Matt's own guilt continues to haunt him. Before long, visions of his brother begin to plague him as well. Is it just Matt having another breakdown, or is his brother really appearing to him?

This interesting British horror works as a sort of old school mystery by way of ghost story. The overall feel of the film is very ominous from the start. Matt, previously a happy teen, is now alienated and deeply troubled. He meets a girl who lives next door, herself a rather distant sort. Some of the ghostly encounters with the brother are typical. Other bits, like a scene with a psychic, are eerie and add to the intrigue of the picture. One major aspect of the story is easily telegraphed. Another, not so much. The climactic scenes are strong, the ending suitably somber. While the film falls back on certain clichés at times, it's still an effective slice of ghostly horror that packs a nice bit of emotional resonance.

Quite enjoyed this great Brit film. Although there are Horror elements, I did not find them to be scary or creepy enough for my high standards of Horror definition. That said, there are definitely some moments that are a bit creepy but there is so much more going on in this film than silly "BOO!" moments. A refreshing storyline that explores much more than shown simply in the trailer (missing, possible dead child), there are instances of bullying, single-parent family dynamics, the question of faith, the depravity and sadness of those in mental institutions, possible mental illness...this film has a bit of it all. You will be questioning different people and situations throughout the film which I find particularly engaging and enticing in Thrillers that we do not always get to see. Watching it a second time is recommended...sometimes we miss certain important elements. The backdrop of the film's location reminded me of industrial Manchester and the people live in the area (common amongst London or other urban suburbs). The ending was not quite what I expected, but that is neither good nor bad. I can't say much more without revealing "spoilers"...

Definitely worth watching.

I have NO bloody idea why this film is rated so damn low. I felt that the psychological elements were excellent and the story very well executed.

The interactions with his brother are quite moving and the acting is very good all around. The story is well paced building to a powerful ending, which could very well catch you by surprise. Another reviewer here mentioned that this film was derivative. I didn't see that at all; I thought the story was well conceived and capably directed. I don't normally go for films that are strongly centered on personal Drama, but this one was quite engaging, drawing you along as it gradually reveals what is truly happening.

I really cannot see how it possibly could have been done any better...

Saw this film last night at the ICA and then afterwards there was a Q&A session which included Tom and Johnny Kevorkian and Neil Murphy who both co-wrote and co-produced the film. The film was excellent. Very atmospheric and probably more frightening because it is set in such a mundane setting. Not Gothic horror but backyard horror - but horror nonetheless. The acting was superb by the young cast leads, Harry Treadaway and Tom Felton. The cinematography used a colour palate that reflected the dreary humdrum life that was obviously the norm for the characters. The editing could have been tightened up a little but overall the pace was well set. The music was perfectly written to reflect everything you saw on screen without being dominant or leading where the screen images didn't follow.

A truly frightening experience but one I can well recommend.