Un New-Yorkais anxieux tente de donner des conseils au quotidien tout en essayant de s'occuper de ses propres problèmes personnels.Un New-Yorkais anxieux tente de donner des conseils au quotidien tout en essayant de s'occuper de ses propres problèmes personnels.Un New-Yorkais anxieux tente de donner des conseils au quotidien tout en essayant de s'occuper de ses propres problèmes personnels.
- Nommé pour 3 Primetime Emmys
- 4 victoires et 13 nominations au total
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Résumé
Reviewers say 'How To with John Wilson' is acclaimed for its humor, poignancy, and insightful commentary on New York City life. The show's unique format, candid footage, and Wilson's narration are praised. Themes of human connection and ordinary moments are highlighted. Authenticity and genuine interactions are appreciated, though some critics question certain sequences' authenticity. Overall, it's seen as a refreshing, innovative series.
Avis à la une
I was looking forward to this series since I saw the trailer. I loved the first episode. It was a great "slice of life" kind of show. I came in expecting a weird and funny show (which it is) but I also was pleasantly surprised by how touching it can be. I'm definitely on board for the whole season. I'm sure he shot the whole series/season pre-Covid. I hope this series is successful. If there is a second season, It would be interesting what this series would be like if he shot this during this time of Covid.
It is one of the most unique shows I've ever seen, I loved the first episode. The b-roll he captures is amazing, and it feels both genuinely funny and genuinely melancholy at the same time. Looking forward to watching the rest.
It is one of the most unique shows I've ever seen, I loved the first episode. The b-roll he captures is amazing, and it feels both genuinely funny and genuinely melancholy at the same time. Looking forward to watching the rest.
Very personal, with touch of geekiness and sprinkled with awkwardness. Very different from what you see on TV today. Really enjoyed it.
National Geographic documentaries seduce the viewer into believing that the cameras easily catch the drama and spontaneity of the wild as easily as an American teenager takes a selfie. The reality is that for every adorable clip of baby meerkats playing freely on the savannah, the camera has spent thousands of hours filming everything from empty grass to zoo enclosures to zebras wandering listlessly in the heat. National Geographic doesn't necessarily set out to capture baby meerkats playing. It happens to capture them, and then builds the drama into the documentary the viewer sees.
John Wilson uses the same approach to documenting the wildlife of NYC. Because he doesn't know when he is going to catch the human equivalent of playing baby meerkats, he films everything. And then he tells the story the images he as gives him. It really doesn't matter if that is the story he set out to tell. In the process, he tells us about himself, the people of NYC, the human relationship with garbage, his love for his landlady, risotto. Etc.
The result is hilarious, and, at times, poignant. Wilson treats all of his subjects with dignity, respect and grace, saving the punch line to aim at himself.
Watch it. It will remind you that life is a wonderful/awful mix, and that even the wealthiest person on earth doesn't know what to do with old batteries,
John Wilson uses the same approach to documenting the wildlife of NYC. Because he doesn't know when he is going to catch the human equivalent of playing baby meerkats, he films everything. And then he tells the story the images he as gives him. It really doesn't matter if that is the story he set out to tell. In the process, he tells us about himself, the people of NYC, the human relationship with garbage, his love for his landlady, risotto. Etc.
The result is hilarious, and, at times, poignant. Wilson treats all of his subjects with dignity, respect and grace, saving the punch line to aim at himself.
Watch it. It will remind you that life is a wonderful/awful mix, and that even the wealthiest person on earth doesn't know what to do with old batteries,
Very funny, very addictive, very creative. Rarely have I laughed out loud so often at a show. Frankly, it's almost impossible to believe that it ever got picked up by a network - it's that weirdly, wonderfully strange. Brilliant editing.
No matter what you're into, I recommend you give this series a shot. John Wilson is a timid, socially awkward, but simultaneously brave and empathetic, weirdo living in New York City. He's taken candid footage that he shot over the course of two years (from early 2018 to early 2020) and turned it into a creative docu-series that rides a unique line between satire, exploitation, education, and, well...art.
The show was produced by Nathan Fielder (Nathan For You), who in my opinion is the most brilliant person currently working in TV. It's only 6 episodes, 26 minutes each, so it's not a very demanding watch - less than 3 hours. But, since it was all made from the mind of one man, the series as a whole functions as a perfectly structured whole.
What's most fascinating about what John Wilson has done here, is turned something that feels like it should be purely exploitive at it's subject's expense, into something that is primarily endearing, heartwarming, and informative. It also does an immense job of diving into true New York City culture and exposing the viewer to the humanity of it all, and the many walks of life it consists of.
The last episode ends as the COVID-19 pandemic begins, so there is a surreal and reflective sadness that may wash over you, as you spend the first 5 episodes having voyeuristic experiences out in the (now seemingly pleasant) chaos of public Manhattan, only to watch it organically lead up to our current state of life.
I've really never seen anything quite like this, to be honest. It's a very straight-to-the-point experience that is quite calming, almost meditative. It really just feels like hanging out with strangers, in a fully positive way. I heard it got picked up for a second season, and I've got say - it really deserves it.
The show was produced by Nathan Fielder (Nathan For You), who in my opinion is the most brilliant person currently working in TV. It's only 6 episodes, 26 minutes each, so it's not a very demanding watch - less than 3 hours. But, since it was all made from the mind of one man, the series as a whole functions as a perfectly structured whole.
What's most fascinating about what John Wilson has done here, is turned something that feels like it should be purely exploitive at it's subject's expense, into something that is primarily endearing, heartwarming, and informative. It also does an immense job of diving into true New York City culture and exposing the viewer to the humanity of it all, and the many walks of life it consists of.
The last episode ends as the COVID-19 pandemic begins, so there is a surreal and reflective sadness that may wash over you, as you spend the first 5 episodes having voyeuristic experiences out in the (now seemingly pleasant) chaos of public Manhattan, only to watch it organically lead up to our current state of life.
I've really never seen anything quite like this, to be honest. It's a very straight-to-the-point experience that is quite calming, almost meditative. It really just feels like hanging out with strangers, in a fully positive way. I heard it got picked up for a second season, and I've got say - it really deserves it.
Le saviez-vous
- AnecdotesIt took two years for John Wilson to capture the footage for the first season of the show.
- ConnexionsFeatured in WatchMojo: Top 10 Underrated TV Shows of the Last Decade (2024)
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- How many seasons does How to with John Wilson have?Alimenté par Alexa
Détails
- Durée
- 30min
- Rapport de forme
- 16:9 HD
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