Tolbiac, amnésique, se réveille au fond d'une grotte. En essayant de sortir du complexe souterrain d'Eden Log, envahi de racine, il croise les gardes de ces lieux ainsi que d'étranges créatu... Tout lireTolbiac, amnésique, se réveille au fond d'une grotte. En essayant de sortir du complexe souterrain d'Eden Log, envahi de racine, il croise les gardes de ces lieux ainsi que d'étranges créatures qui le prennent toutes deux en chasse.Tolbiac, amnésique, se réveille au fond d'une grotte. En essayant de sortir du complexe souterrain d'Eden Log, envahi de racine, il croise les gardes de ces lieux ainsi que d'étranges créatures qui le prennent toutes deux en chasse.
- Réalisation
- Scénario
- Casting principal
Abdel Kader Dahou
- Gardiens
- (as Abdelkader Dahou)
Nadia Bettache
- Femmes Surface
- (as Nadia-Layla Bettache)
Avis à la une
It all starts off in atmospheric style, pitch blackness pierced by the occasional flash of light, only giving you brief glimpses of the strange subterranean world the amnesiac protagonist awakes in. It fills you with the same sense of intrigue and unease that "Cube" did so brilliantly, but whilst that movie managed to sustain it, the constant darkness and drawn-out pace of "Eden Log" soon starts to grate.
There's some nice looking shots in here, and a genuinely interesting premise, but the movie literally keeps its audience in the dark for far too long about the details, meaning that it outstays its welcome and by the time the admittedly impressive finale comes around you're unlikely to care anymore.
There's some nice looking shots in here, and a genuinely interesting premise, but the movie literally keeps its audience in the dark for far too long about the details, meaning that it outstays its welcome and by the time the admittedly impressive finale comes around you're unlikely to care anymore.
Eden Log is somewhat of a good surprise for a french scifi movie. Think of a arty and elaborate form, beautiful black and white photography with rare under lit colors.
What matters here is the mood more than the script, the first half of Eden Log is just the claustrophobic graphic story of a guy covered in mud trying to get out of a dark and low-tech labyrinth, with no memory at all of how he got there. There are very few dialogs, and there aren't even necessary.
Unfortunately, the last third of the movie doesn't quite lives up to it's beginning, the script is somehow too confuse and too explicit at the same time, and the dark and mysterious image of the beginning vanish due to the necessity of writing an acceptable end.
Still i would recommend this movie, it has a very original tone and form, rarely seen these days, and manages to create something on its own, aside from both the Hollywood scene, and the overall shitty genre french scene (if you've seen Chrysalis, you exactly know what i mean !) More than that : If you're fan of graphic and kind of arty movies like Tarkovsky's Stalker, Cube, Aronofsky's Pi, Caro & Jeunet's Le Bunker De La Dernière Rafale, that Forsaken thing or Guy Maddin's pictures you should definitely check it !
What matters here is the mood more than the script, the first half of Eden Log is just the claustrophobic graphic story of a guy covered in mud trying to get out of a dark and low-tech labyrinth, with no memory at all of how he got there. There are very few dialogs, and there aren't even necessary.
Unfortunately, the last third of the movie doesn't quite lives up to it's beginning, the script is somehow too confuse and too explicit at the same time, and the dark and mysterious image of the beginning vanish due to the necessity of writing an acceptable end.
Still i would recommend this movie, it has a very original tone and form, rarely seen these days, and manages to create something on its own, aside from both the Hollywood scene, and the overall shitty genre french scene (if you've seen Chrysalis, you exactly know what i mean !) More than that : If you're fan of graphic and kind of arty movies like Tarkovsky's Stalker, Cube, Aronofsky's Pi, Caro & Jeunet's Le Bunker De La Dernière Rafale, that Forsaken thing or Guy Maddin's pictures you should definitely check it !
"Eden Log" is one of those rare films that puts you into a surreal environment, forcing you to figure out throughout the film what the hell is going on, along with its main character. The awkward environment, the modest budget and the slow (for a recent film) pace may scare off many people. Nevertheless, this film has a lot to offer to those who's looking for something different. "Eden Log" is anything like any film I've ever seen.
This film is not for everyone. The plot and the scenery are anything but mainstream, however those who're into a more experimental kind of movie may what they're looking for. Watch it at your own discretion.
This film is not for everyone. The plot and the scenery are anything but mainstream, however those who're into a more experimental kind of movie may what they're looking for. Watch it at your own discretion.
--> !NO SPOILERS! <--
* The verdict.
Eden Log could be the first in a series of films on the topic and, if that were so, it could herald a project ambitious enough to rank among history's top Sci-Fi features along the likes of The Matrix and Artificial Intelligence. At present, it feels like an artistic short film and a 90 minute long one at that.
* The nitty-gritty.
If you decide to watch Eden Log, do not expect a large dose of entertainment. The film can be appreciated as a work of art, can be admired for its unique feel, but it leaves the audience unsatiated.
The world presented in Eden Log is severely limited in scope, awkward and, at times, presents frustrating problems. It takes a moment to adjust to the pace of the film, since the tempo would not have to be slowed down much to make Eden Log run in real time. A word to bear in mind over the first ten minutes of the film is 'patience'. It appears that the strategy employed by the director is to immerse the audience in the world of Eden Log through long exposure to its Sci-Fi elements. As such, one has to be in the right frame of mind to appreciate the attempt.
The plot could be summarised in about four sentences, but, to judge Eden Log on the plot, is to miss the point. The focus here is on appealing to the senses and a more complex plot would be a distraction.
All in all, Eden Log was an experience, but with a dead end. It is just one of those productions, which has the feel of the first part of a splendid trilogy, but which is not actually going to be a trilogy, because of the conceptual limitations placed upon the project at its outset by the director.
* Vote.
None can be given.
* The verdict.
Eden Log could be the first in a series of films on the topic and, if that were so, it could herald a project ambitious enough to rank among history's top Sci-Fi features along the likes of The Matrix and Artificial Intelligence. At present, it feels like an artistic short film and a 90 minute long one at that.
* The nitty-gritty.
If you decide to watch Eden Log, do not expect a large dose of entertainment. The film can be appreciated as a work of art, can be admired for its unique feel, but it leaves the audience unsatiated.
The world presented in Eden Log is severely limited in scope, awkward and, at times, presents frustrating problems. It takes a moment to adjust to the pace of the film, since the tempo would not have to be slowed down much to make Eden Log run in real time. A word to bear in mind over the first ten minutes of the film is 'patience'. It appears that the strategy employed by the director is to immerse the audience in the world of Eden Log through long exposure to its Sci-Fi elements. As such, one has to be in the right frame of mind to appreciate the attempt.
The plot could be summarised in about four sentences, but, to judge Eden Log on the plot, is to miss the point. The focus here is on appealing to the senses and a more complex plot would be a distraction.
All in all, Eden Log was an experience, but with a dead end. It is just one of those productions, which has the feel of the first part of a splendid trilogy, but which is not actually going to be a trilogy, because of the conceptual limitations placed upon the project at its outset by the director.
* Vote.
None can be given.
I am glad to read the positive comments about this film, but also I can understand those who found this film slow and were not able to enjoy it. I think film is dedicated to a narrow audience: One must be moved by archetypal imagery alone (I mean the lack of gripping plot here) and enjoying just the atmosphere; without motion, without anything for the conscious mind.
At the beginning I was at once gripped by the atmosphere. Scenery, camera motion is the best part of the film. (If you don't watch this film in the cinema, complete darkness is advised.) The nearly-monochrome images, the play with light and darkness is used artistically and originally to keep us perplexed and uncertain; to show us the struggle for consciousness of man.
The viewer is so to say forced to identify with the protagonist. Here the camera viewpoint is very important and very well done. The camera shows the scene always from the protagonist's viewpoint or he himself.
While watching the viewer (or at least I) constantly tries to grab a wider view of the actual place, but he can not do that; his view is narrow as is the protagonist's. Thus the viewer is able to empathize with struggle of the protagonist, feel hes fear, anger, struggle, anxiety. This is combined with the lack of information and understanding about what is going on so again we feel uncertain and perplexed.
I love archetypal imagery and I am satisfied by them alone. Thats why I didn't feel the movie lacks the plot. But I cant deny it lacks. I actually love the uncertainty it has. I must admit, that I don't understand everything, and that is maybe not the end I would write to it. But thats it. I still love it this way.
And just because I read in an other comment... The rape-lovemaking scene is just perfect. It is so natural. And again I like the play, the uncertainty.... is it rape? is it love by first sight? is it a natural ground-and-earth way that ADAM and EVE meet? who knows....
So... thank you for this film!
At the beginning I was at once gripped by the atmosphere. Scenery, camera motion is the best part of the film. (If you don't watch this film in the cinema, complete darkness is advised.) The nearly-monochrome images, the play with light and darkness is used artistically and originally to keep us perplexed and uncertain; to show us the struggle for consciousness of man.
The viewer is so to say forced to identify with the protagonist. Here the camera viewpoint is very important and very well done. The camera shows the scene always from the protagonist's viewpoint or he himself.
While watching the viewer (or at least I) constantly tries to grab a wider view of the actual place, but he can not do that; his view is narrow as is the protagonist's. Thus the viewer is able to empathize with struggle of the protagonist, feel hes fear, anger, struggle, anxiety. This is combined with the lack of information and understanding about what is going on so again we feel uncertain and perplexed.
I love archetypal imagery and I am satisfied by them alone. Thats why I didn't feel the movie lacks the plot. But I cant deny it lacks. I actually love the uncertainty it has. I must admit, that I don't understand everything, and that is maybe not the end I would write to it. But thats it. I still love it this way.
And just because I read in an other comment... The rape-lovemaking scene is just perfect. It is so natural. And again I like the play, the uncertainty.... is it rape? is it love by first sight? is it a natural ground-and-earth way that ADAM and EVE meet? who knows....
So... thank you for this film!
Le saviez-vous
- AnecdotesThere are 11 international teaser trailers for the film (African, Arabic, English, French, German, Indian, Italian, Japanese, Korean, Russian, Spanish). Notably, each teaser version is not just a dub, but actually uses a different actress for the opening scene. The only exception being the French and English versions, which use the same actress.
- Gaffes(at around 30 mins) As Tolbiac is walking through the corridor, the hand of a following crew member can be clearly seen in the lower right corner of the shot.
- Citations
Man on wall: I don't know how you survived 'til now but please: get away!
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- How long is Eden Log?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Rezo Zero
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 270 000 € (estimé)
- Montant brut mondial
- 157 350 $US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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