I haven't read "Aparajito" (I've read "Pather Panchali"), so I'm not in a position to draw comparisons between "Avijatrik" and its source material (well, not yet). And there's absolutely no point in comparing the film with Ray's Trilogy. However, any actor put in the shoes of the immortal Apu has to fit them well. Arjun Chakraborty manages to do so in his own way. The rest of the cast too embody their respective roles with visual finesse. The performances and dialogues do feel a tad theatrical, but there's this unfathomable poignancy and inexplicable nostalgia seamlessly woven in the narrative that has lingered with me since watching the film.
The people, the places and the times feel so familiar, like long lost faces and fond moments bygone, bringing back core memories that don't really exist. Supratim Bhol's cinematography works beautifully, the lack of colour filling every frame with tones of pathos, reminiscence, trepidation and joy as Apu takes us on his journey back to Benaras, back to Nischindipur, running full circle before setting out on an adventure of a lifetime with his adorable son Kajol. Loved how Aparna has been written into scenes, creating visual poetry at times; her presence so moving, so touching.
The music adds to the warmth. Anoushka Shankar's variations of the legendary theme music fit in perfectly with the story.
While creating timelessness is a rare feat, taking on timeless films and stories is audacity. I'm glad Subhrajit Mitra dared to take that leap of faith with "Avijatrik".
