Shin Ultraman
- 2022
- 1h 52min
Alors que la menace des formes de vie géantes non identifiées connues sous le nom d'"espèces de classe S" s'aggrave au Japon, un géant argenté apparaît au-delà de l'atmosphère terrestre.Alors que la menace des formes de vie géantes non identifiées connues sous le nom d'"espèces de classe S" s'aggrave au Japon, un géant argenté apparaît au-delà de l'atmosphère terrestre.Alors que la menace des formes de vie géantes non identifiées connues sous le nom d'"espèces de classe S" s'aggrave au Japon, un géant argenté apparaît au-delà de l'atmosphère terrestre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 5 nominations au total
- Shinji Kaminaga
- (as Takumi Saitoh)
Avis à la une
Shin Ultraman starts with a really great introduction to its universe, the problem they're facing, human characters, and our hero Ultraman himself.
The introduction is short but the director succeed at showing the audience everything in less than 2 minutes, even for the people who have never see Ultra-Q or the original Ultraman series can understand it very well.
The film pacing feels great up until the end of the first phase. All of a sudden the plot became very rushed and it feels like some elements from the original series are cramped into the script only to please the fans who have seen it.
CGI was an OK, still need a lot of work in some scenes, especially with the motion of the characters, but the rest are just acceptable.
I believe it will be a much better film is the duration is at least 20 minutes longer.
Conclusion: For the fans of old era's Tokusatsu, especially Ultra series will undoubtedly love this film with all of its references, but for those who's not a fan will probably struggle to reach the end of the film~
2. A reimagining of Ultraman and the 37th film in the Ultraman franchise. The second live-action installment in Hideaki Anno's Shin Japan Heroes Universe. An epic tokusatsu entry with brilliant and realistic practical and visual effects combined with outstanding battle choreography. Well written dialogues with humour and political awareness regarding Japan's weak government bureaucracy and United States' over dominance in Japan's internal affairs.
Modern Japan has evolved into a new battleground for giant creatures known as "Kaiju" to wreak havoc. Upon taking human form and living as one with the population to have an understanding of the human species. Ultraman concludes that mankind is worth dying for, and altruistically risks his life for the greater good. The audience is treated to bombastic action sequences, well-baked choreography and various fighting techniques from our champion which raises the entertainment value. The CGI is pretty outdated and don't translate well in certain scenes. But I wanted to overlook this flaw as I was devoted towards immersing myself in this universe. A large criticism I have is the narrative's lack of coherency. It contains an episodic structure where five stories are condensed into one feature. Making it difficult to engross ourselves into the storyline with too many subplots and a heavy amount of exposition to follow. This made the experience a bit tedious to say the least.
Despite the underdevelopment of the characters, they were likable as they had specific traits that helped them stand out. Whether it be Takumi Saitoh as the determined Ultraman or Masami Nagasawa as newcomer Hiroko Asami, delivering a humorous and charismatic portrayal of his "buddy" within the SSSP. Her onscreen presence was a favorite of mine. As the credits began to roll, I yearned for more substance due to the interesting premise. The storyline could have had a broader impact on the viewer, if fleshed out by the writer.
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Le saviez-vous
- AnecdotesThe filmmakers used still frames from the original series Urutoraman: Kûsô tokusatsu shirîzu (1966) as storyboards.
- Citations
Yumi Funaberi: [livid about losing all of her work] Who insisted on making these regulations? A close environment and no backups? I want to **** them!
Akihisa Taki: [still stunned; in English] ... me, too...
- Crédits fousThe title swirls into place in a manner homaging the Urutora Q (1965)/Urutoraman: Kûsô tokusatsu shirîzu (1966) title sequence... to reveal the Shin Godzilla (2016) film title. It then changes to the actual film title in the classic red and white Ultraman colors.
- ConnexionsFeatured in Horror's Greatest: Giant Monsters (2024)
- Bandes originalesM87 (Em HachijuuNana)
Music and Lyrics by Kenshi Yonezu
Performed by Kenshi Yonezu
(Sony Music Labels Inc.)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Tân Siêu Nhân Điện Quang
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 900 000 000 JPY (estimé)
- Montant brut aux États-Unis et au Canada
- 601 490 $US
- Montant brut mondial
- 32 137 136 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1