Se déroule dans l'Oxfordshire du XIXe siècle et dans lequel une jeune fille s'installe dans le bourg local pour commencer un apprentissage de maîtresse de poste.Se déroule dans l'Oxfordshire du XIXe siècle et dans lequel une jeune fille s'installe dans le bourg local pour commencer un apprentissage de maîtresse de poste.Se déroule dans l'Oxfordshire du XIXe siècle et dans lequel une jeune fille s'installe dans le bourg local pour commencer un apprentissage de maîtresse de poste.
- Récompenses
- 1 victoire et 6 nominations au total
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I'm a 40 year old straight single guy. I would have never even considered watching something like this if someone described it to me or I saw a commercial for it. BUT, the only channel we got clearly at my family's lake house was PBS until the digital transition. After fishing and doing yard work one day, I was drinking a beer and was too tired to get up to change the channel when this came on. I was a little angry at first, but after about 15 minutes I realized that I really wanted to know what happened next to this lady. I ended up watching the whole thing and realized at the end that I had laughed a few times and even welled up with tears once. And I don't think it was from the beer! I watched two more full episodes when I went back to the lake (kind of looked forward to it). I think I need to let me ego heal for a little while before I watch any more, but just had to say that this show has incredible acting, writing, scenery, authenticity to the place and period, and much more. If you grew up watching Little House on the Prairie, you'd really like this (as another reviewer mentioned). Same overall feel, but much more complex stories and more mature themes. I usually don't quite have that willing suspension of disbelief required for something like this, but it is so well done I feel like I'm sitting in the room with them in 19th century England... as if any moment someone will turn toward me and ask if I'd like a spot of tea! Give it 15 minutes and you'll probably be hooked too. Okay, I better go hammer a few nails or work on my car for a while!
This is my first comment in this forum. I think the casting was very well done. I am torn as to whether it tops Cranford. I have to admit I have a soft spot for Cranford.
I believe the casting of Twister and Queenie reminds me so much of my grandparents. They were well casted together. Twister had me in stitches in many scenes. While Dawn French was a little over the top I believe it to be her character anyway so it did not take much away from the series.
Julia was perfect for the part she did very well with all her scenes. Do not think it was disappointing at all.
The landscape was "extraordinary"...without a doubt a rival to many of the great landscapes in North and South, Cranford and wives daughters.
I believe the casting of Twister and Queenie reminds me so much of my grandparents. They were well casted together. Twister had me in stitches in many scenes. While Dawn French was a little over the top I believe it to be her character anyway so it did not take much away from the series.
Julia was perfect for the part she did very well with all her scenes. Do not think it was disappointing at all.
The landscape was "extraordinary"...without a doubt a rival to many of the great landscapes in North and South, Cranford and wives daughters.
The previous posters I feel are nit picking at what is one of the most glorious productions I have enjoyed in many years. Not having read the books from which the series is taken, I came to it not knowing what to expect. It is beautiful, glowing with a golden warmth, a lyrical love poem to the people and village life of England just over a century ago, making it hard to return to daily life without regret. It reminds me almost of Laurie lee's Cider with Rosie, the love with which this time and people are conveyed, the richness, glowing like late afternoon sunshine seeps into our drawing rooms as we watch and makes one long for a time and place long vanished. The heart which has been put into this production, into the performances by every member of the cast and production crew, the love portrayed, I can't find a better word for it, warms one, melting away the chill of 21st century living. The poor not dirty enough some say?! Perhaps it will surprise some to know that the poor of that time, as now, had their pride and kept as clean as circumstances would allow, which meant at least clean looking. The other users comments are churlish, this is the most lyrically beautiful, heart warming & charming series I have ever seen. The humanity and touching wisdom in the way characters are portrayed, slowing revealing the reasons for their behaviour are truly moving. Everyone involved in this production should be cheered to the rafters and begged for an encore. I hope, as do all I know also, that the screenwriters will be asked to take the series on from where the books end, and never stop giving us new tales of this golden idyll, where the community sheltered those living within it's boundaries, as an extended family does, as opposed to our dislocated times. If you watch this series, you will be fully rewarded, your only regret will be that you can't enter the screen and stay forever in Candleford. The performances by everyone are rich with humanity, pathos, comedy and utterly stunning. I have grown to love everyone that lives there and everything about Candleford, so will you. It is a joy & does one good.
I have to disagree with the reviewer who says this was 'dreadful'. Film and television adaptations of ANY novel inevitably have to be stylised. I found the performances excellent, and have to pick our Julia Sawhala, unrecognisable from here Saffy days, and her presentation of the dialogue was a wonderful balance of sincerity, wit, warmth and pathos.
I might agree that Dawn French was 'larger than life' but along with Liz Smith the presence of these 2 actors in the cast gave it instant familiarity.
Now, 'dire dialogue'? I don't think so, we were ROARING at the sisters Pearl and Ruby, teary-eyed at the scenes of 'Twister', and watched EVERY moment of the 10 episodes.
Visually, INCREDIBLE, beautiful sets shot carefully and I felt it WAS 1850! I REALLY hope the BBC are planning a second third, fourth and FIFTH series ! THAT is how GOOD it is.
As the BBC replied to the critic 'What Lark Rise to Candleford does do very well is to draw in an audience who normally wouldn't watch this sort of programme.' It certainly drew me in ~ I will now read the books, so YES it's helping bring literature to a TV audience! My vote? 9 out of 10.
I might agree that Dawn French was 'larger than life' but along with Liz Smith the presence of these 2 actors in the cast gave it instant familiarity.
Now, 'dire dialogue'? I don't think so, we were ROARING at the sisters Pearl and Ruby, teary-eyed at the scenes of 'Twister', and watched EVERY moment of the 10 episodes.
Visually, INCREDIBLE, beautiful sets shot carefully and I felt it WAS 1850! I REALLY hope the BBC are planning a second third, fourth and FIFTH series ! THAT is how GOOD it is.
As the BBC replied to the critic 'What Lark Rise to Candleford does do very well is to draw in an audience who normally wouldn't watch this sort of programme.' It certainly drew me in ~ I will now read the books, so YES it's helping bring literature to a TV audience! My vote? 9 out of 10.
10phosie
After Pride and Prejudice, Jane Eyre and this winter's Cranford, I thought that the BBC couldn't do any better: that it had reached its peak. Boy, was I wrong. I was apprehensive about watching Lark Rise because of this, but those doubt were removed immediately as I fell in love with all the characters, especially Julia Sawalha, who surpasses herself, obviously moving away from her most famous role as Lydia Bennett in Pride and Prejudice, and she does so delightfully!
The hamlet of Lark Rise is so sleepy, and yet just as enthralling as the 'modern' town of Candleford. All the little stories within each episode, as well as those expanding throughout the entire series, make it a joy to watch, and an awesome way to pass the evening and forget all of one's woes. In producing two enchanting series so close to one another, the BBC has certainly surpassed itself.
The hamlet of Lark Rise is so sleepy, and yet just as enthralling as the 'modern' town of Candleford. All the little stories within each episode, as well as those expanding throughout the entire series, make it a joy to watch, and an awesome way to pass the evening and forget all of one's woes. In producing two enchanting series so close to one another, the BBC has certainly surpassed itself.
Le saviez-vous
- AnecdotesInterior scenes were shot in a warehouse on Beeches Industrial Estate, in Yate, South Gloucestershire. The villages of Lark Rise and Candleford were both created from scratch on farms in Box and Neston Park, near Corsham in Wiltshire. According to the BBC planning application, Hatt Farm in Box was used because of its proximity to existing cornfields and farm buildings, and Park Farm in Neston Park was chosen for its unspoilt character and attractive traditional buildings.
- GaffesIn Series 1, the characters played by Sophie Miles and Harry Miles were called Tilda and Wally Arless, whereas in Series 2 and 3 they were called Sally and Archie Arless.
- Citations
Twister Turrill: God must like a comely tune else we'd all be Germans.
- ConnexionsFeatured in The Story of the Costume Drama: The Stars (2008)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Från Lark Rise till Candleford
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée53 minutes
- Couleur
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By what name was Lark Rise to Candleford (2008) officially released in India in English?
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