Lark Rise to Candleford

I have to disagree with the reviewer who says this was 'dreadful'. Film and television adaptations of ANY novel inevitably have to be stylised. I found the performances excellent, and have to pick our Julia Sawhala, unrecognisable from here Saffy days, and her presentation of the dialogue was a wonderful balance of sincerity, wit, warmth and pathos.

I might agree that Dawn French was 'larger than life' but along with Liz Smith the presence of these 2 actors in the cast gave it instant familiarity.

Now, 'dire dialogue'? I don't think so, we were ROARING at the sisters Pearl and Ruby, teary-eyed at the scenes of 'Twister', and watched EVERY moment of the 10 episodes.

Visually, INCREDIBLE, beautiful sets shot carefully and I felt it WAS 1850! I REALLY hope the BBC are planning a second third, fourth and FIFTH series ! THAT is how GOOD it is.

As the BBC replied to the critic 'What Lark Rise to Candleford does do very well is to draw in an audience who normally wouldn't watch this sort of programme.' It certainly drew me in ~ I will now read the books, so YES it's helping bring literature to a TV audience! My vote? 9 out of 10.

This is my first comment in this forum. I think the casting was very well done. I am torn as to whether it tops Cranford. I have to admit I have a soft spot for Cranford.

I believe the casting of Twister and Queenie reminds me so much of my grandparents. They were well casted together. Twister had me in stitches in many scenes. While Dawn French was a little over the top I believe it to be her character anyway so it did not take much away from the series.

Julia was perfect for the part she did very well with all her scenes. Do not think it was disappointing at all.

The landscape was "extraordinary"...without a doubt a rival to many of the great landscapes in North and South, Cranford and wives daughters.

How did it take me this long to watch Lark Rise to Candleford. I was hooked right away. I was drawn in by the innocent drama and its colorful characters. Unlike, Downton Abbey, which I adore, this period drama captures more of the reality of what life was like in a time of hard times for residents. Every character had a story to tell whether a happy one or a sad one. So, why was this wonderful and endearing series not made into a movie. Downton Abbey has the pomp and circumstance. But Lark Rise to Candleford has great substance and drama to be on the big screen. Lark Rise to Candleford is my weakness.

I get so tired of modern drama based around dark, cynical, unpleasant characters. Lark Rise to Candleford is so different. The characters in this little community manage to rise above their conflicts, see past each others' foibles, and support and love each other.

The program's good-heartedness is reinforced by a gorgeous soundtrack, beautiful camera work, amazing sets, scenery, and costumes, fine directing, and a rich cast of interesting characters.

Granted, it's a fairy tale, but it's a mighty pleasant one. And after all, what's so bad about with having one show on television that actually leaves you feeling better about people?

I'm a 40 year old straight single guy. I would have never even considered watching something like this if someone described it to me or I saw a commercial for it. BUT, the only channel we got clearly at my family's lake house was PBS until the digital transition. After fishing and doing yard work one day, I was drinking a beer and was too tired to get up to change the channel when this came on. I was a little angry at first, but after about 15 minutes I realized that I really wanted to know what happened next to this lady. I ended up watching the whole thing and realized at the end that I had laughed a few times and even welled up with tears once. And I don't think it was from the beer! I watched two more full episodes when I went back to the lake (kind of looked forward to it). I think I need to let me ego heal for a little while before I watch any more, but just had to say that this show has incredible acting, writing, scenery, authenticity to the place and period, and much more. If you grew up watching Little House on the Prairie, you'd really like this (as another reviewer mentioned). Same overall feel, but much more complex stories and more mature themes. I usually don't quite have that willing suspension of disbelief required for something like this, but it is so well done I feel like I'm sitting in the room with them in 19th century England... as if any moment someone will turn toward me and ask if I'd like a spot of tea! Give it 15 minutes and you'll probably be hooked too. Okay, I better go hammer a few nails or work on my car for a while!