Ajouter une intrigue dans votre langueThe inspirational story of Mercedes Gleitze, the first British woman to swim the English Channel and her battle against both the cold waters of the Channel and the oppressive society of 1920... Tout lireThe inspirational story of Mercedes Gleitze, the first British woman to swim the English Channel and her battle against both the cold waters of the Channel and the oppressive society of 1920s England.The inspirational story of Mercedes Gleitze, the first British woman to swim the English Channel and her battle against both the cold waters of the Channel and the oppressive society of 1920s England.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 26 victoires et 15 nominations au total
Avis à la une
That the film exists at all is something of a miracle. Originally planned to take a few months, the shoot extended to three years, with the swimming footage alone going from three or four planned sessions to nearer thirty. Made on a miniscule budget, the production pulled through thanks to the dedication and passion of all involved, from writer/directer Elliott Hasler through the two principal cast members Kirsten Callaghan and John Locke, to the many extras, theatre groups, town councils and others who went above and beyond.
And was it worth the effort? Yes. Although the budget restrictions show in the tightness of a few of the shots, what does fill the screen is beautifully realised; major kudos to the production design team. Costumes, vehicles, sets - everything looks marvellously authentic. And if the sea-set stuff looks real, it was - they were out there in The English Channel, in a couple of small boats for hours on end, with no body doubles.
Mercedes Gleitze had a fascinating life, of which this is only a small part, but the narrow focus works, enabling the drama of the channel crossings and attendant disputes to be teased out in just the right amount of detail. Kirsten Callaghan and John Locke make an appealing if oddly-matched pair at the centre of it all, in a story about integrity and self-belief, and the end is unexpected - and unexpectedly moving. The conclusion shouldn't work but it does, partly thanks to Daniel Clive McCallum's excellent score, but also due to restrained acting on the part of the leads, and some excellent staging. I was really quite moved, both times I saw it.
And was it worth the effort? Yes. Although the budget restrictions show in the tightness of a few of the shots, what does fill the screen is beautifully realised; major kudos to the production design team. Costumes, vehicles, sets - everything looks marvellously authentic. And if the sea-set stuff looks real, it was - they were out there in The English Channel, in a couple of small boats for hours on end, with no body doubles.
Mercedes Gleitze had a fascinating life, of which this is only a small part, but the narrow focus works, enabling the drama of the channel crossings and attendant disputes to be teased out in just the right amount of detail. Kirsten Callaghan and John Locke make an appealing if oddly-matched pair at the centre of it all, in a story about integrity and self-belief, and the end is unexpected - and unexpectedly moving. The conclusion shouldn't work but it does, partly thanks to Daniel Clive McCallum's excellent score, but also due to restrained acting on the part of the leads, and some excellent staging. I was really quite moved, both times I saw it.
Being a channel swimmer myself (relay only) I found this a fascinating watch. The challenges of the channel are captured perfectly in the film, I almost felt sea sick at one point, it was so realistic. I felt for the rower, never mind Mercedes. The film clearly portrayed how driven Mercedes was to overcome the prejudice's of the time, being a working class female of German heritage, and this was eloquently emphasised by the sound effects. The film tenderly told the story of Mercedes incredible achievements and what drove her to them. The film makers are to be commended in their portrayal of this period piece, which considering it's a low budget film was extremely good. Go and see it!
This is an independent film made on a budget. Once this is borne in mind the film maker has produced a well made film telling a human story about a young woman who achieved amazing success despite being a young woman and in a male dominated sport. I found the story moving, entertaining and educational. I came to understand the struggle involved and courage required for channel swimming. The film captured the risks and the very basic support available at the time. The cinematography is very good, and the music and period atmosphere is excellent. Yes it is not a Hollywood block buster but is has charm, its own style and is well worth watching. It is well worth seeing.
Wow. What an enthralling film from the word go. Had me wrapped in the story from the off and the attention to detail for the architecture and settings for the era was amazing. The ocean clips were chilling. Thank you for bringing Mercedes story to us. A remarkable story that covered not just Mercedes' story but told of woman's struggles and misogyny back in the day. Her strive to prove her critics and to herself beyond all difficulties and weather / tide made one feel quite humble to watch. A true triumph of a film and story telling. Kirsten and Elliott its a wonde4ful film of which you must feel very proud.
This film has an intimacy about it that subtly wove its way through the remarkable story of Mercedes Gleitze which is all the more so as it's almost 100 years since her successful crossing of the Channel.
The period nature of the film and atmosphere created with the mix of colour and black and white cinematography was as inspired and original as Mercedes herself.
The lead was uncannily similar in looks to Mercedes and portrayed the complexity of her character with understated simplicity that neither overshadowed the story or her achievements.
Ably matched by the supporting character with whom one can only admire as well as feel great empathy.
It was a film with meaning, tension, grit, sadness and inspiration and a reminder that whist sexism and misogyny is not as prevalent now as 100 years ago females are still fighting for equality in sport and the workplace.
The period nature of the film and atmosphere created with the mix of colour and black and white cinematography was as inspired and original as Mercedes herself.
The lead was uncannily similar in looks to Mercedes and portrayed the complexity of her character with understated simplicity that neither overshadowed the story or her achievements.
Ably matched by the supporting character with whom one can only admire as well as feel great empathy.
It was a film with meaning, tension, grit, sadness and inspiration and a reminder that whist sexism and misogyny is not as prevalent now as 100 years ago females are still fighting for equality in sport and the workplace.
Le saviez-vous
- AnecdotesAll the swimming sequences were shot in the English Channel itself without the use of any tanks, green screens or body doubles. Lead actress, Kirsten Callaghan, trained for months in open-water swimming prior the filming and completed all those sequences herself without the use of stunt doubles, sometimes swimming for up to four hours at a time.
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Détails
Box-office
- Montant brut mondial
- 113 529 $US
- Durée1 heure 38 minutes
- Couleur
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