Johnny Gaddaar

I have sat through below average movies several times because I have always believed in something 'keep your expectations low and you are in for a positive surprise'. However, I have been reading the pre release media coverage on this one and had it on in my watch list. I had expectations on this set already and usually it contrives the other way round, but this one proved me wrong. I still get to gain, since this is something which I rate as a rare cinematic experience as far as bollywood goes. I believe its a very brave effort to even think about a plot and to give it the look it has. With more of fantasy driven plots doing the rounds at bollywood box office, movies which venture in to unexplored territories always score better with me. Not just that, this one has quite a few reasons. Cinematography - It takes you to the retro era of the 70's. The color combinations of black and blood red, with the tall fonts for cast and the posters is very pleasing and reminiscing of the era of not so technical but still gruesomely intense thrillers of the 70's. Its a real tribute to that era.

Music - The title track is one of the best and looks like to be a big hit already. The blend of the old and the contemporary techno music is very refreshing.

Plot - The unpredictability is something which has not been seen in a while considering that you know the culprit through out. It makes you see the movie through the eyes of the characters. Its like a anti-climax repeated several times. It keeps your brain cells on the toes and you better not sit back and relax if you don't want to appear dumb after wards.

The performances have been superb and still it manages to have its own humorous moments as well. It reminds me of 'Sholay' since there are so many scenes which appear so discretely superb but blend in perfectly.

Highly recommended to the metro-plex audiences.

Sriram raghavan again throws an ace with this movie. This man has incredible talent and is the director to watch out for. Best thing about the movie is it keeps u thinking throughout the movie what will happen next.Good thing is that he has not added any boring songs which could have ruined this movie instead used it as background score in most scenes.This movie is closet anyone can get to Hollywood thrillers. Niel Mukesh is a great find and the star to look out for. Sadly when i watched this yesterday half the theater was empty. But each and every person in the theater enjoyed it and gave a standing ovation when movie was over. Unfortunately the movie is released at the wrong time. Imagine so many good films hitting the screens like dhol,dhamal,loins of punjab,Manaroma and to add Chak de India. But this is one of a kind and i enjoyed every bit.

Unquestionably one of the smartest films I've seen recently, the biggest strength of Johnny Gaddaar is its unpredictability. Unlike most conventional thrillers with a heist at its core, this one's not a whodunit – it can't be, because you know all along who's done it – the question instead is, how's he going to get away with it? Really the film's biggest accomplishment is the manner in which it compels you, the viewer to think differently – midway through the film you've got the drift, you begin to expect the unexpected, you even begin to predict what's going to happen next. That's the level of involvement you're able to muster up for this film.

Dharmendra as leader of the gang, Zakir Hussain as the crass club-owner, Vinay Pathak as the smarmy card-shark, and Neil Nitin Mukesh as the rookie, the youngest member of the gang – you couldn't find better actors to fill out these roles.

Zakir Hussain in particular, stands out with a performance that is ingenious in every sense of the word. And Neil Nitin Mukesh makes an inspired debut; he's clearly an actor to look out for.

it's a thriller very unlike his own previous film Ek Hasina Thi, and very unlike most thrillers you've seen recently. Watch it because it's that rare film that actually expects you to use your brain.

8/10..!

This seems to be a watershed year or at least month so far as thrillers in Hindi movies are concerned. First there was Manorama 6 Feet Under and now I saw Johnny Gaddar, which totally ROCKS!! A tight and layered script that pays a lot of homage to erstwhile thrillers (tons of 70's references here) but remembers to have its own identity, absolutely SUPERB direction and performances that are indicative of the relish all the actors took in their parts. Even Shankar-Ehsaan-Loy provide some measure of compensation for the emasculation of 70's songs they did in their remix albums by coming up with a background score that's booming with the meaty brass sounds of that era. If there is any flaw I'd say the lead pair of Neil Mukesh and Rimi Sen are kinda vacuous but even that mostly works in the film's favor because they play characters that remain under everyone else's horizon.

Here is a film directed by someone whose previous directorial venture (Ek Hasina Thi), though stylishly executed, was a box office dud. A film which has Dharmedra as the biggest name in the credits. The second biggest is perhaps Shankar Ehsaan Loy, who are favorite composers for big banners these days. They have done a neat job here as well. A film which has a debuting actor with musical genes in lead role (he is grandson of legendary singer Mukesh). So what would be expected from such a venture? Not much I reckon. And that's the biggest strength of the film. Low expectations, high returns. The film is classic thriller by all standards. Be it acting, script, direction… anything.

Commenting anything about the storyline would be a sin for this genre of cinema. Though its not suspense of "Who did it" sorts, but still its best that story is left untold. But it deserves to be told that unfolding and turn of events is gripping. It keeps you glued to your seats.

Technically the film is a jewel. Cinematography is top notch. Editing is crisp, narrative fast paced. There is hardly a dull moment. Background score is racy and innovative. Sriram Raghvan proves that the promise shown in his directorial debut was not fluke. He is a director to look out for. And thanks to him, we now have an actor too to look out for in Neil Nitin Mukesh.

So, some may call Johnny Gaddar a cult classic, some call it style exemplified. But in simple terms, it's a good film. Go and watch it.