Johnny Gaddaar

Sriram raghavan again throws an ace with this movie. This man has incredible talent and is the director to watch out for. Best thing about the movie is it keeps u thinking throughout the movie what will happen next.Good thing is that he has not added any boring songs which could have ruined this movie instead used it as background score in most scenes.This movie is closet anyone can get to Hollywood thrillers. Niel Mukesh is a great find and the star to look out for. Sadly when i watched this yesterday half the theater was empty. But each and every person in the theater enjoyed it and gave a standing ovation when movie was over. Unfortunately the movie is released at the wrong time. Imagine so many good films hitting the screens like dhol,dhamal,loins of punjab,Manaroma and to add Chak de India. But this is one of a kind and i enjoyed every bit.

This seems to be a watershed year or at least month so far as thrillers in Hindi movies are concerned. First there was Manorama 6 Feet Under and now I saw Johnny Gaddar, which totally ROCKS!! A tight and layered script that pays a lot of homage to erstwhile thrillers (tons of 70's references here) but remembers to have its own identity, absolutely SUPERB direction and performances that are indicative of the relish all the actors took in their parts. Even Shankar-Ehsaan-Loy provide some measure of compensation for the emasculation of 70's songs they did in their remix albums by coming up with a background score that's booming with the meaty brass sounds of that era. If there is any flaw I'd say the lead pair of Neil Mukesh and Rimi Sen are kinda vacuous but even that mostly works in the film's favor because they play characters that remain under everyone else's horizon.

It's the retro age - Recently i saw this Tarantino film (must admit I'm a huge fan of his!!) on the Grindhouse backdrop and it amazed me because of the recreated era - sublimely yet effectively treated and brought on screen. I kept wondering whether I will ever lay my eyes on any such film in the Hindi Film Industry.

Sriram Raghavan (of "Ek Hasina Thi" fame) has much the same treatment for us - Shock and Awe. Yes!! It is a complete disappointment for the people' who can predict every twist and turn while watching a Thriller - because the film is genuinely UNPREDICTABLE, right till the credits flash across your gaping faces. (I'm sure you will be staring in sheer disbelief at the audacity of the Director) It is the treatment that blows you off - and the director is not even shy to reveal his "inspirations" for he surpasses them! The plot is about a supposedly well planned and organized barter of things gone wrong - "The Gang" of Five wants to get hold of something which requires a payment of 2.5 crores, an investment which shall get doubled with time. But someone among them betrays. You get to know about who the betrayer is, but not the other four in the gang. It sets off a chain of events that involves five underhand dealers, their families, a cop has a perfect denouement. It is almost like a short story - leaves you yearning for more, just as you thought you knew it whole! Fast and slick - right from the credits which is sexy and suave, through the images - that of Johny's transition from warmth exuding from the eyes to that cold glimpse which petrifies, from Pune to Goa and back again, the bars, the "in-built" and "in-sync" songs, the promises made only to be broken, the message is clear - Evil begets Evil and consumes Evil too.

The actors are brilliant (except for Neil who does a good job, but somehow he seemed to be emulating rather than delivering originality). Be it VInay Pathak, Dharmendra or Zakir Husaain, their characters have been sketched to perfection. Watch out for the ironies and the metaphors that have sublimely been blended into the film (say for instance, Why the name "Johny Gaddar" ?)...

The camera work has to be seen to be believed. The editing is absolutely A-class. The soundtrack is a perfect foil to the hectic pace of the film. Yes it might have its share of flaws (a particular thread which has no "suitable" ending), but they are an iota to the grandiose treat that I'm sure you shall relish for years to come...

I might just add - Watch it on the Big Screen. It's a perfect fit. Hats off to you Mr. Raghavan!!

If you grew up reading James Hadley Chase and his prototype stories of the not so bad (but not good) protagonists, who always fell for the wrong woman, tried to make it big, but things went wrong in a very bad way - then this is a must watch for you! I am still stunned by the sheer quality, charisma and entertainment of this film. Dharam was Garam, Neil is a heart-throb and he can act, even Rimi Sen was competent. Dharam made me so nostalgic for the 70s - "It is not about age but mileage" LOL!!! I liked Rasika, Govind Namdeo, Zakir Hussain - in fact it is safe to say that no one turned in a bad performance. Neil Mukesh is one to watch out for - best when he played the innocent, but also great when he was the schemer. Move over Hritik, forget it Ranbir, the new man about town is certainly Neil Nitin Mukesh.

There were more references to everyone's favorite moments in books (Hadley Chase mostly) and films (of course the ubiquitous Johnny Mera Naam, and many many Bachchan films including the early and all important Parwana) than I can remember (and it might take another viewing to capture them all!), there was your favorite music from yesteryear's (Aage bhi jaane Na tu for one) and some cool new stuff, there was blood and gore galore, and there was an inevitability to the story (just like your favorite Hadley Chase book had).

And after you are done watching Johnny Gaddaar then go back and watch Jewel Thief and Johnny Mera Naam, maybe even Parwana, to get even more out of the film!

I highly recommend this film to all lovers of pulp fiction (and I do not mean the film alone), the noir genre, heists, double-crosses, and just unusual cinema that is very well done. Kudos to Sriram Raghavan, I wish I could get into his head to see where all this came from.

Now this is something hits unexpectedly. Johnny Gaddar quite thoughtfully titled like 70's hard-boiled thriller spins a devious plot and pulls off a fantastic thriller. This is one of those relentless movies just refuses to slow down. Having said that is a complement in itself. Bollywood always has flavor for romance and comedy but thriller is still not first class citizen here. In old days B R Chopra gave us real good mysteries and thrillers, in our time Abbas-Mastaan used to deliver but they have lost their way terribly these days. Writer-Director Raghvan's last venture was brilliant Ek Haseena Thi with Saif's snaky performance- his best till date. With Johnny Gaddar he exercised in the same genre and maturating it more and more. He penned a clever on-the-edge thriller and then got in director's chair doing a through job.

Plot is a classic crime setup. Five regular partners going for a deal splitting profit five ways as usual. It is fine until one of guys (of course Apana hero Neil) wants all and elope with his mistress(Rimi Sen). But of course plan will not be executed without flaws and none of the member of the crew is a rookie or push-over. Then onwards film is a gripping tale with twists and turns. It pays-off and it is also not timid to avoid contemporary cliché conclusion.

Film doesn't have A-list stars to draw attention but has actors doing their job nifty making this kind delight. Star of the show is Neil Mukesh. This is a very bold, confident feature debut for the talented actor, certainly Lambi Race Ka Ghoda for the industry. Film offers some real good scenes. I really liked the scene when a cop sitting beside the rat in the gang suggests changing the topic and talk about his favorite actor extracting a virtual confession out. And there is another scene shows glimpse of gray in human carnival when one character held on gun-point and asked about how others solve the mystery earlier and met their demise. He bleeding, about to die, smiles wicked; refuses to answer saying that will puzzle and torment him rest of the life.

Film got a vintage treatment and several references are made to some classics. One of things I admired most here, hero is not sly or wicked but the script is. There seems so many innocent thread suspended loosely initially to pay attention but double backs in as crucial smart clues later. Altogether film is a darn dandy pleasure. Full entertainment all over. Strong Thumps up JohnnyO!!