NOTE IMDb
3,3/10
3,5 k
MA NOTE
Ajouter une intrigue dans votre langueIn post apocalyptic LA being rampaged by zombie like cannibals humans that have some kind of genetic infection local man renchard is forced to live a daily struggle as he trys to locate radi... Tout lireIn post apocalyptic LA being rampaged by zombie like cannibals humans that have some kind of genetic infection local man renchard is forced to live a daily struggle as he trys to locate radio signals and find a cure.In post apocalyptic LA being rampaged by zombie like cannibals humans that have some kind of genetic infection local man renchard is forced to live a daily struggle as he trys to locate radio signals and find a cure.
- Réalisation
- Scénario
- Casting principal
Joshua Schlegel
- Renchard's Son
- (as Joshua William Schlegel)
Avis à la une
I'd heard about this one, another apocalyptic combo takeoff on I AM LEGEND and THE OMEGA MAN, that was independently produced on a low budget and released direct to DVD on the Asylum label. It's about a man who is one of the few survivors on Earth after some sort of catastrophe (it's never made clear) has turned people into grotesque and marauding zombies. He meets up with a couple of other guys who need his aid in reaching one known female survivor somewhere who may have the cure within her own blood.
There is nothing that's new or unique here, but it functions very much like a "LAST MAN ON EARTH meets DAWN OF THE DEAD", and is more of a zombie film than anything else. On that level I think it succeeds pretty well in spite of the lack of funds... the ghoul makeup and special effects are actually quite good, and there is a decent amount of one-on-one threat and action with the creatures (who are played by real people). In fact, while watching this I thought to myself how much better this aspect of the movie played out than ANY of the silly and needlessly cartoon-like "dwellers" of Will Smith's mega-budgeted I AM LEGEND (which wasn't released until after this, also in 2007) ! Sometimes less is more in this regard, and a tiny budget requires more realism. Sure, there are many curious mistakes (how do computers still work, and why are there lights everywhere at night, for instance?) but I got the impression that hearts were in the right place and the filmmakers did the best with what they had. **1/2 out of ****
There is nothing that's new or unique here, but it functions very much like a "LAST MAN ON EARTH meets DAWN OF THE DEAD", and is more of a zombie film than anything else. On that level I think it succeeds pretty well in spite of the lack of funds... the ghoul makeup and special effects are actually quite good, and there is a decent amount of one-on-one threat and action with the creatures (who are played by real people). In fact, while watching this I thought to myself how much better this aspect of the movie played out than ANY of the silly and needlessly cartoon-like "dwellers" of Will Smith's mega-budgeted I AM LEGEND (which wasn't released until after this, also in 2007) ! Sometimes less is more in this regard, and a tiny budget requires more realism. Sure, there are many curious mistakes (how do computers still work, and why are there lights everywhere at night, for instance?) but I got the impression that hearts were in the right place and the filmmakers did the best with what they had. **1/2 out of ****
Starts of nicely. Mark Dacascos kills some wicked zombie thingies and plants some bombs to create havoc. In the mean-time he starts going mad and hears voices after the prolonged period of isolation.
This part of the movie actually works with Dacascos hearing stuff that is not there, talking to himself and doing an adequate acting job to go with it.
Unfortunately it goes downhill when new characters arrive and Mark ends up going on a rescue mission into the heart of the zombie manifestation. Plot-holes start appearing galore and no logic is really given behind the actions of main protagonists.
Not terrible, mildly adequate piece of fun, but to be quickly forgotten.
This part of the movie actually works with Dacascos hearing stuff that is not there, talking to himself and doing an adequate acting job to go with it.
Unfortunately it goes downhill when new characters arrive and Mark ends up going on a rescue mission into the heart of the zombie manifestation. Plot-holes start appearing galore and no logic is really given behind the actions of main protagonists.
Not terrible, mildly adequate piece of fun, but to be quickly forgotten.
This isn't a perfect movie by any stretch of the imagination but it's not bad and definitely a lot better than old jug ears effort. Here's why I'd rather watch this a million times than watch Will Smith doing his pitiful Shrek/nervous breakdown scene one more time.
The people in this film aren't computer generated and though they don't look great they don't look like computer game bad guys skating over the floor. This is a definite improvement. In the odd scene they actually look quite good.
It leaves the more philosophical aspects of the book and two films alone. Fair enough, it's not like we haven't seen it done and rather it was absent than messed up and garbled like Legend.
There's a small amount of chemistry between the characters, in Legend there's all the spark of a pair of rubber gloves rubbing together. The characters are all pretty simple but they do have a personality of sorts, again a step up from Legend.
Lastly the main character doesn't really express any emotions which is fair enough, I prefer that to the two faces Will Smith can pull off. You can accept a man who is totally robbed of emotion but it's harder to accept a man that only has two facial expressions and flicks through them and gets his movie described by some genius on here as "an acting buffet."
It's not a perfect movie, some bits are a bit weak but I genuinely enjoyed it so give it a chance you might like it too. For a cheap rip off it's surprisingly entertaining.
The people in this film aren't computer generated and though they don't look great they don't look like computer game bad guys skating over the floor. This is a definite improvement. In the odd scene they actually look quite good.
It leaves the more philosophical aspects of the book and two films alone. Fair enough, it's not like we haven't seen it done and rather it was absent than messed up and garbled like Legend.
There's a small amount of chemistry between the characters, in Legend there's all the spark of a pair of rubber gloves rubbing together. The characters are all pretty simple but they do have a personality of sorts, again a step up from Legend.
Lastly the main character doesn't really express any emotions which is fair enough, I prefer that to the two faces Will Smith can pull off. You can accept a man who is totally robbed of emotion but it's harder to accept a man that only has two facial expressions and flicks through them and gets his movie described by some genius on here as "an acting buffet."
It's not a perfect movie, some bits are a bit weak but I genuinely enjoyed it so give it a chance you might like it too. For a cheap rip off it's surprisingly entertaining.
Behold the inevitable straight to video incarnation of Matheson's now thrice adapted "I Am Legend" which effectively combines the titles of the two latest ("Omega Man" and "I Am Legend") into one that will fool the unsuspecting movie renter/buyer. As with most knock-offs available from The Asylum, the much labored over box art promises a far more interesting and far more expensive film (it may be a tragedy that these are some of the last examples of good movie-related graphics). But since this is from The Asylum I'll assume you all also know what sort of inexpensive film to expect.
Trashing the straight-to-DVD industry aside, it is hardly the worst movie of its kind (that honor belongs to "Forsaken" with turns the story into a vampire road movie). "I Am Omega" has pretty good location use and competent production value. The editing is fairly stellar and the zombies weren't that laughable (although they were no substitute for the cloaked mutants of "The Omega Man"). And mercifully there are no bad video after effects like a lot of these low budget movies do.
The main problem is the slowness. The flashbacks in this version of the story (which cause the first 30 minutes to drag badly) choose to explain Dacascos' character as a tortured soul rather than unfold the explanations for the world being near over. The decision to use mindless zombies rather than intelligent mutants makes the action a little repetitive and doesn't actually help much with the horror. Red necks and the token female are added to give our heroes someone else to deal with. Director Furst and writer Meed add an explosion count down to move things along as well.
It won't hurt you too much if you keep your expectations low. If you're new to The Asylum, this is perhaps one of the better examples you'll find.
Trashing the straight-to-DVD industry aside, it is hardly the worst movie of its kind (that honor belongs to "Forsaken" with turns the story into a vampire road movie). "I Am Omega" has pretty good location use and competent production value. The editing is fairly stellar and the zombies weren't that laughable (although they were no substitute for the cloaked mutants of "The Omega Man"). And mercifully there are no bad video after effects like a lot of these low budget movies do.
The main problem is the slowness. The flashbacks in this version of the story (which cause the first 30 minutes to drag badly) choose to explain Dacascos' character as a tortured soul rather than unfold the explanations for the world being near over. The decision to use mindless zombies rather than intelligent mutants makes the action a little repetitive and doesn't actually help much with the horror. Red necks and the token female are added to give our heroes someone else to deal with. Director Furst and writer Meed add an explosion count down to move things along as well.
It won't hurt you too much if you keep your expectations low. If you're new to The Asylum, this is perhaps one of the better examples you'll find.
And that is saying a lot, as the rest of what I've seen(which is a good twenty plus so far) have been utter rubbish. By all means it is not perfect, starting with a first thirty minutes that drags far too much consequently everything takes too long to get going and ending with a rather dumb finale. The music also could've been less generic, and I wish I could have learned more about the characters in general. However, while they aren't going to win many awards the photography is decent, likewise with the effects and there is some atmospheric scenery. The script may have some moments of repetitiveness but is amusing yet serious on the whole(for The Asylum that is an achievement), and while derivative the story does have some suspenseful moments, some exciting action and the hilarious zombie in the dumpster sequence. The acting is not bad either, Mark Dracascos is actually very good in a role that has allowed him to do much more with what he's got. All in all, surprisingly decent, and by far the best of The Asylum movies I've seen so far. 6/10 Bethany Cox
Le saviez-vous
- AnecdotesReleased on November 18, 2007, to capitalize on Je suis une légende (2007), which was released on December 14, 2007.
- GaffesThe protagonist in this movie carries a Heckler&Koch MP5. In at least two scenes (after approximately 52 minutes) the director inserted random close-ups of a AR15-type weapon being shot. Not only do these two rifles look nothing alike, even the backdrop is radically different (the actual scene is set in a back alley, the close-up footage in a forest).
- ConnexionsReferenced in Atlantic Rim: World's End (2013)
- Bandes originalesChanging Lanes
Written and Performed by Zoomer
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée
- 1h 31min(91 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant