Ne te retourne pas
- 2009
- Tous publics
- 1h 51min
NOTE IMDb
5,8/10
7,7 k
MA NOTE
Un psychodrame sur une photographe dont les photos racontent une histoire différente de celle qu'elle perçoit.Un psychodrame sur une photographe dont les photos racontent une histoire différente de celle qu'elle perçoit.Un psychodrame sur une photographe dont les photos racontent une histoire différente de celle qu'elle perçoit.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Thomas De Araujo
- Jérémie 8 ans
- (as Thomas de Araujo)
Avis à la une
" Don't look back ", a good psychological drama with elements of horror,but I am surprised that it's the low rating on IMDb. Film is very good and interesting.
Jeanne (Sophie Marceau) is an author with her latest failing attempt. However things start to change around her. She notices changes in her family, her home, and eventually even herself. She wonders if she's losing her sanity as the new Jeanne gets played by Monica Bellucci.
It's an interesting concept taking a page out of David Lynch's playbook such as 'Lost Highway'. It has potential, and possesses some intriguing qualities at first. Sophie Marceau's manic mental disintegration holds some fascination.
However the facial morphing and the weird after effects distracts from the acting. It is a constant confusion of whether or who in the family has changed. In many way, it falls prey to the same problem that David Lynch had. It feels very gimmicky.
It's an interesting concept taking a page out of David Lynch's playbook such as 'Lost Highway'. It has potential, and possesses some intriguing qualities at first. Sophie Marceau's manic mental disintegration holds some fascination.
However the facial morphing and the weird after effects distracts from the acting. It is a constant confusion of whether or who in the family has changed. In many way, it falls prey to the same problem that David Lynch had. It feels very gimmicky.
I must admit I envy the viewers that raved about this film in their reviews. My intelligence is not that vast. In reality, my intelligence is quite-quite limited, so I can only say that if during the first 15 minutes or so of watching this movie I was enthralled with it, little by little, because of its incredibly twisted story line, I was starting to have so many doubts and questions about the goings on on the screen, that eventually I lost interest in this very confusing dark movie.
Many-many things don't make any sense, for example, Bellucci, all of a sudden develops a very noticeable limping --no explanation for it-- in order to lose it completely for the next scene and thereafter.
What?
What happened?
Was she surgically intervened from an old crippling paralysis while the lights were set for the next scene or was just a shoe too small given to her by an unscrupulous wardrobe mistress?
The change of actresses was done digitally in a very fascinating way, like in "The Legend of the Wolf", but much more subdued.
The intervention of digital effects in straight movies will be, from now on, a fascinating tool to tell stories and also because unexpected in this kind of movies.
Well, the whole thing attempted to be a superb movie, but it fell down on its face with a fatal crush.
Many-many things don't make any sense, for example, Bellucci, all of a sudden develops a very noticeable limping --no explanation for it-- in order to lose it completely for the next scene and thereafter.
What?
What happened?
Was she surgically intervened from an old crippling paralysis while the lights were set for the next scene or was just a shoe too small given to her by an unscrupulous wardrobe mistress?
The change of actresses was done digitally in a very fascinating way, like in "The Legend of the Wolf", but much more subdued.
The intervention of digital effects in straight movies will be, from now on, a fascinating tool to tell stories and also because unexpected in this kind of movies.
Well, the whole thing attempted to be a superb movie, but it fell down on its face with a fatal crush.
Wow!!! This was actually pretty entertaining. I love the way they change the language to French to Italian. Love Monica Belluci she is just to beautiful to see in person as well in film. The suspense and story were very interesting and that what kept me into it. The story develops so beautifully done and it just keeps you until the end of the seat, these foreign films don't mind going over the top in showing us what we the viewers want to see, and men they do deliver what we want to see, packed with a great story, great acting and just a beautiful done twist at the end, I give " Don't Look Back" a 7 out of 10 Stars.
Marina De Van's 'Ne Te Retourne Pas' is a complex psychological puzzle and an engaging watch. Starring the world's two of the most beautiful actresses, it definitely grabs the attention of us straight males and lesbians. One can definitely expect sensuality but this movie is much more than that.
First of all their are various ways to interpret the story and 'conclusion'. It's a layered story but one that is open to interpretation. I won't say much else about it because it is best for the viewer to experience and understand it in their own way rather than me telling them how to see it. The lead character is excellently written and we see most of the film from her point of view. At times the situations are confusing and questions, with many possible answers, are raised.
Right from cinematography, location, visualization, art direction, score and makeup, the execution is solid. The special effects department have done a great job. The only time it is noticeable was the CGI of hybrid Tio's face. The freaky Marceau-Bellucci hybrid is well done. The switch from France to Italy is interesting but it makes sense too. It adds a new dimension to the story. The switch from language is fluidly done and it helps that Bellucci is fluent in Italian and French.
The performances are first rate but it is the two spellbinding lead actresses that walk away with glory. While the beautiful Marceau already has made a name for herself in international cinema, one only has to see the sensational Bellucci's acclaimed non-American films to see what a fine actress she is. 'Ne Te Retourne Pas' is their film as both play the same character with sheer conviction.
This is either the kind of movie one either likes or hates or hasn't formed an opinion of. It isn't everyone's cup of tea but it is one that you will be thinking or talking about long after the end credits have rolled. Personally, I like films that have that kind of effect, positively and while many so-called abstract films do have a pretentious quality to them, in my opinion, thankfully this isn't one of them.
First of all their are various ways to interpret the story and 'conclusion'. It's a layered story but one that is open to interpretation. I won't say much else about it because it is best for the viewer to experience and understand it in their own way rather than me telling them how to see it. The lead character is excellently written and we see most of the film from her point of view. At times the situations are confusing and questions, with many possible answers, are raised.
Right from cinematography, location, visualization, art direction, score and makeup, the execution is solid. The special effects department have done a great job. The only time it is noticeable was the CGI of hybrid Tio's face. The freaky Marceau-Bellucci hybrid is well done. The switch from France to Italy is interesting but it makes sense too. It adds a new dimension to the story. The switch from language is fluidly done and it helps that Bellucci is fluent in Italian and French.
The performances are first rate but it is the two spellbinding lead actresses that walk away with glory. While the beautiful Marceau already has made a name for herself in international cinema, one only has to see the sensational Bellucci's acclaimed non-American films to see what a fine actress she is. 'Ne Te Retourne Pas' is their film as both play the same character with sheer conviction.
This is either the kind of movie one either likes or hates or hasn't formed an opinion of. It isn't everyone's cup of tea but it is one that you will be thinking or talking about long after the end credits have rolled. Personally, I like films that have that kind of effect, positively and while many so-called abstract films do have a pretentious quality to them, in my opinion, thankfully this isn't one of them.
Le saviez-vous
- AnecdotesThe scene at the beginning of the film was shot in Luxembourg. The well-known bar called Cat Club completely burned down in 2015.
- ConnexionsFeatured in On demande à voir: Épisode datant du 2 septembre 2009 (2009)
- Bandes originalesPizzicarella
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Don't Look Back
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 € (estimé)
- Montant brut mondial
- 2 651 917 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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