Cloverfield

So, I went to a 5PM showing of Cloverfield today. It was pretty good. I found the characters to be very human and developed quite nicely over the course of the story. The special effects were excellent, with quite a few "oh $#!@" moments.

Be warned: If Blair Witch Project made you nauseous, then I don't recommend Cloverfield. The *entire* movie is filmed in the "handy-cam" style of the trailer - but in my opinion, it works better here than in Blair Witch. It helped draw you into the movie and make you feel like you were in it, and it made the CGI more convincing.

Very intense film.

Some people have derisively compared this film to The Blair Witch Project because it was all told from the point of view of someone's shaking camera. Unless you have motion sickness, I don't think that's a bad thing. What matters is who's in front of the camera. While The Blair Witch Project featured annoying people screaming at each other, this movie actually made me care about the characters. In fact if it had continued with the romantic drama tone established during the first half hour, I STILL think it would have been worth watching and that's the biggest compliment I can give it.

Of course people will be watching this movie for the visceral pleasure and Colverfield delivers. Many thrilling visual and sound effects wowed me (there were a few times I yelled out in shock at a sudden scare). Any horror film will also benefit from a sense of entrapment and this movie pulls off the seemingly impossible feat of making New York City seem claustrophobic because there was seemingly nowhere to hide from the monster.

What is the monster? Whatever it is clearly is meant to be an allegory for the carnage 9/11 inflicted on New York, much the same way Godzilla was meant to be an allegory for the damage inflicted on Japan by the atom bomb. There are moments seemingly recreating the documentary footage from 9/11, and they give the film verisimilitude. Touching upon real life horror, plus creating characters that we can relate to and care about, and assaulting our senses with incredible sights and sounds leads to entertainment worth watching many times over. Perhaps the 80 minute run time will bother some people, but on the other hand I think that's better than a film wearing out its welcome. Great job J.J. Abrams and company!

They needed Godzilla to fight that thing, not tanks or missiles!

Jokes apart, it's a well-acted and well-made found footage feature, no doubt whatsoever. However, I remember liking the movie much more when I first saw it in my teenage years. I vividly recall caring for the whole ensemble and the devastating tragedy that struck them out of nowhere.

More than a decade later, I cannot state the same, though. Perhaps it's the overexposure of the found footage genre in general or the fact I've now gotten habituated to such filmmaking and have seen much better works in the process. Whatever the reason, it did not resonate with me on the same level this time; I wish it did.

I didn't have high hopes for this one, having read the reviews. Monster movie meets Blair Witch. But it's absolutely an OK flick.

Great effects and an extremely cool apocalyptic atmosphere. Definitely worth a watch.

Hand-held camera can be tiring, yes - but in this case, and combined with the great effects, it works.

The plot itself isn't exactly news, but as it's all seen from the antagonists point of view and with no further explanation, you really get that "what would I have done"-feeling.

Yes, we need explanations, but I really like that Abrams hasn't tried to tag on an ending explaining what happened.

It was nice to finally watch movie that didn't seem like anything I'd ever seen before. This, much like Spielberg's "War of the Worlds" and "Children of Men", completely immerses you in this incredible situation with absolutely no knowledge to comfort you. It's very disorienting, which adds to the experience; you never figure out what the hell is going on but you're so into survival that you put it past you. You're placed with a bunch of characters whom you get to know and eventually must join in their frenzied search for a friend while being subjected to some horrifying imagery and new threats.

The effects look great and realistic thanks to the hand-held camera, which isn't too bad-looking if you manage to get a seat further from the screen. The filmmakers came up with some really great creature designs that were menacing yet very much original. If you're bound to be upset over seeing a movie with a lack of music, then stay for the credits, during which a fantastic suite of music composed by Michael Giacchino titled "Roar! (Cloverfield Theme)" plays.

All in all, a fantastic time at the movies. A little more background on the monster would be nice, though the absence of this information is intentional. Everyone in the theater was rooting for a sequel; maybe a second set of footage is found elsewhere? Or perhaps there is more the the viral marketing -- what exactly were Slusho and Tagruato? Also be prepared to suspend some disbelief, but considering the movie is about a monster destroying New York City, that shouldn't be too difficult.