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Ajouter une intrigue dans votre langueWhen Christian finds out his runaway teenage daughter, Jesse has been sexually attacked, the suburban father loses it. Setting out to find Jesse's attacker, Christian goes on a violent rampa... Tout lireWhen Christian finds out his runaway teenage daughter, Jesse has been sexually attacked, the suburban father loses it. Setting out to find Jesse's attacker, Christian goes on a violent rampage.When Christian finds out his runaway teenage daughter, Jesse has been sexually attacked, the suburban father loses it. Setting out to find Jesse's attacker, Christian goes on a violent rampage.
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- 2 victoires au total
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Christian is an everyman forty something pest controller, grieving over the death of his drug addicted tearaway daughter, found dead in mysterious circumstances. One day however, he receives a video tape through his letterbox. Upon playing it, he sees it's a porn film. A porn film starring his daughter... So begins a brutal, gritty and at times bone crunchingly violent odyssey of revenge, as Christian proves himself quite implacable and merciless when it comes to dispensing his own brand of justice on those he deems responsible for his grief. Yet, this is no simple ra-ra revenge driven film. It's just as much a study in loneliness and grief as well as a blistering revenge film, and has some rather poignant scenes, such as his tentative friendship with a young runaway hitch hiker. Also, NOBODY does scum quite like Australia, and to any Australian readers, believe me this is a compliment.
The Horseman is excellent-savage, grim, bleak yet touching. 9/10, one of the best revenge films I've ever seen, and that isn't something I'd say lightly.
Highly highly recommended for any fan of revenge films or horror. Check it out. You won't be disappointed.
The Horseman is excellent-savage, grim, bleak yet touching. 9/10, one of the best revenge films I've ever seen, and that isn't something I'd say lightly.
Highly highly recommended for any fan of revenge films or horror. Check it out. You won't be disappointed.
First off, this film isn't going to appeal to everyone. It features graphic violence (most of it unseen) and a quite mundane plot that plods along. However, if you are a fan of old 70's and 80's exploitation films then you are in for a real treat. The story follows a man, who has been sent a video of his recently deceased daughter in a porn film. She's smacked off her t*ts and obviously isn't a willing participant. He takes it upon himself to track down all copies of said film, and anyone involved in it's making...And destroy them! This is gritty stuff. With little to no soundtrack, there is almost a documentary feel to it. It really makes you ask the question: What would you do? Although the plot isn't at all similar, it has the same kind of realism to films like the underrated 70's classic 'death weekend' and 'The Last House on the Left'. There is real drama here and characters that you truly root for. I hope this little gem doesn't slip under the radar because there are a lot of film fans (myself included) that have been waiting for this type of film to come along since the early 80's!
but this is essentially an exploitation film.
The most outstanding thing is the lead actors performance which was pretty amazing. I was expecting more from the film after the first half an hour or so, but the film never achieves the depth that Peter Marshall's performance suggests. The script doesn't do justice to the production or the acting.
It's enjoyable revenge flick but to try and engage with it on a level beyond that just exposes how silly and tasteless it all is.
Despite these misgivings there is a lot to like about the film and I hope the director and Peter Marshall especially progress to bigger and better things.
The most outstanding thing is the lead actors performance which was pretty amazing. I was expecting more from the film after the first half an hour or so, but the film never achieves the depth that Peter Marshall's performance suggests. The script doesn't do justice to the production or the acting.
It's enjoyable revenge flick but to try and engage with it on a level beyond that just exposes how silly and tasteless it all is.
Despite these misgivings there is a lot to like about the film and I hope the director and Peter Marshall especially progress to bigger and better things.
Imagine a stylish, modern, ultra-dark and gritty re-run of the Liam Neeson actioner TAKEN, made on a tiny budget in Australia, and you'll be close to THE HORSEMAN, a film that takes visceral action to new levels of extremism. In a nutshell, the film's about revenge: a grieving father discovers that his daughter appeared in a porn film shortly before her death and goes to track down the men who coerced her into it. He wants nothing more than to beat their brains in with a crowbar, and that's exactly what he does.
So far, so par for the course when it comes to exploitation. Where THE HORSEMAN wins plaudits is in its intensity: there are a series of brutal action sequences as pulse-pounding as those in the Bourne films and the script never lets up when it comes to anger, sadism and vengeance. The performances elicited from an unknown cast are very down to earth and realistic, particularly Peter Marshall's depiction of a grieving father seeking revenge.
The violence is extreme and also realistic, often gratuitous. I feel the film oversteps the boundaries of taste at the climatic torture sequence, which delves into sexual violence unexpectedly and left me feeling sickened; it's clear that HOSTEL was an inspiration for this sequence and I can't help but feel that the film would have done better without it. Still, aside from this misstep, THE HORSEMAN hearkens back to the gritty downbeat revenge films of the 1970s, where lack of budget and scope was never a problem for a filmmaker with a dark story to tell.
So far, so par for the course when it comes to exploitation. Where THE HORSEMAN wins plaudits is in its intensity: there are a series of brutal action sequences as pulse-pounding as those in the Bourne films and the script never lets up when it comes to anger, sadism and vengeance. The performances elicited from an unknown cast are very down to earth and realistic, particularly Peter Marshall's depiction of a grieving father seeking revenge.
The violence is extreme and also realistic, often gratuitous. I feel the film oversteps the boundaries of taste at the climatic torture sequence, which delves into sexual violence unexpectedly and left me feeling sickened; it's clear that HOSTEL was an inspiration for this sequence and I can't help but feel that the film would have done better without it. Still, aside from this misstep, THE HORSEMAN hearkens back to the gritty downbeat revenge films of the 1970s, where lack of budget and scope was never a problem for a filmmaker with a dark story to tell.
A different kind of Road Trip that is. And don't confuse the movie with "Horsemen", which has Dennis Quaid starring in it. This little, dirty and pretty gruesome movie is a completely different affair. It's from down under (Australia) and is ... well down and dirty! The cinematography is raw, the acting is raw, pretty much everything is raw in this movie.
Not for the faint-hearted or anything for people who want to see something glossy. Everyone else, will see a pretty grim thriller, that might not have any (big) twists or surprises for you, but is still more than decent! I liked it and so did many at the Fright Fest in London.
Not for the faint-hearted or anything for people who want to see something glossy. Everyone else, will see a pretty grim thriller, that might not have any (big) twists or surprises for you, but is still more than decent! I liked it and so did many at the Fright Fest in London.
Le saviez-vous
- AnecdotesTo help raise finance for the production, a short film was shot of the opening scene. The short film went on to win Best Independent Drama (10-30mins) at the Queensland New Filmmaker Awards (2006) and aided the feature length version to move into production.
- GaffesWhen Christian and Alice are pulled over by the cop, the outside camera shot shows Christian rolling down his window. The next shot inside the car shows the cop walking up and the light from his flashlight is reflected in Christian's window which is still up. The next outside shot shows the window down again.
- Bandes originalesClick
Written by Ryan Potter
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- How long is The Horseman?Alimenté par Alexa
- Why was this movie called The Horseman? I don't really care what they call it because it was such a great movie!
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Venganza brutal
- Lieux de tournage
- Burpengary, Queensland, Australie(location)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 993 $US
- Durée1 heure 36 minutes
- Rapport de forme
- 1.78 : 1
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By what name was The Horseman (2008) officially released in India in English?
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