NOTE IMDb
6,9/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueA Swedish gay couple adopt what they think is an 18-month-old orphan, only to meet their new son, a 15-year-old homophobic delinquent.A Swedish gay couple adopt what they think is an 18-month-old orphan, only to meet their new son, a 15-year-old homophobic delinquent.A Swedish gay couple adopt what they think is an 18-month-old orphan, only to meet their new son, a 15-year-old homophobic delinquent.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 4 nominations au total
Malin Cederblad
- Monika Åström
- (as Malin Cederbladh)
Avis à la une
I can't remember the last time I was so completely charmed and moved by a film. What an absolute delight, and a wonderful achievement from everyone involved.
I'm very lucky because for my work I get to watch at least one or two films a day, but good lord, most of those films are tedious to watch all the way through even once - so it's very rare to encounter films that can be watched with pleasure over and over again. And I'm not talking about super-duper-once-in-a-lifetime films like Aliens that of course we can watch a million times, but films made on modest budgets by teams who obviously put their hearts and souls into making something beautiful and meaningful with limited resources.
Patrik 1.5 is an unusual romantic comedy in that it's about the love relationship between fathers and sons - a (non-sexual) love story between a man (Goran) who desperately wants a son and a boy (Patrik) who desperately wants a father. It's also a love story between the audience and Goran, played absolutely perfectly by Gustaf Skarsgard - I cannot believe that even the grumpiest conservative could not fall in love with such a beautiful, kind, caring, vulnerable but brave person, and I think it's depictions of regular guy gay characters like this in films that will have more influence in bringing about change for the better than the most strident political hectoring. What the film recognises and depicts so beautifully is that in any father son relationship, the sons, even very young sons, understand that sometimes they have to look after their dads (or father figures) - that's what it means to be a man. Perhaps the reason the film provoked so many tears for me is because it made me realise all the love that my deceased father needed that I was not able to give him.
Director Ella Lemhagen has done a fantastic job organising cast, crew and production staff to build a first rate film on a bargain budget. And of course that would not have been possible without the most crucial raw material, the complex and beautiful script by Michael Druker. The production design is superb, and the music, by Fredrik Emilson, is perfectly judged to enhance and colour the moments of poignancy and desperate unspoken longing.
And Gustaf Skarsgard - what to say? How is he not the most famous and adored of the Skarsgard acting clan? Usually I don't have much respect for actor children of established stars, because you always feel they got a leg-up into an exciting job that we'd all love to do but don't have the chance. But I don't get the impression that Gustaf Skarsgard is an entitled movie brat - I think he really surrendered himself into this role and let down all his defences to give people a beautiful cinematic, and emotionally cathartic, experience - and that's not something that many actors are capable of, or willing, to do, whether they come from acting families or not.
Anyway, for me this is one of those very rare films that scores 10 out of 10.
I'm very lucky because for my work I get to watch at least one or two films a day, but good lord, most of those films are tedious to watch all the way through even once - so it's very rare to encounter films that can be watched with pleasure over and over again. And I'm not talking about super-duper-once-in-a-lifetime films like Aliens that of course we can watch a million times, but films made on modest budgets by teams who obviously put their hearts and souls into making something beautiful and meaningful with limited resources.
Patrik 1.5 is an unusual romantic comedy in that it's about the love relationship between fathers and sons - a (non-sexual) love story between a man (Goran) who desperately wants a son and a boy (Patrik) who desperately wants a father. It's also a love story between the audience and Goran, played absolutely perfectly by Gustaf Skarsgard - I cannot believe that even the grumpiest conservative could not fall in love with such a beautiful, kind, caring, vulnerable but brave person, and I think it's depictions of regular guy gay characters like this in films that will have more influence in bringing about change for the better than the most strident political hectoring. What the film recognises and depicts so beautifully is that in any father son relationship, the sons, even very young sons, understand that sometimes they have to look after their dads (or father figures) - that's what it means to be a man. Perhaps the reason the film provoked so many tears for me is because it made me realise all the love that my deceased father needed that I was not able to give him.
Director Ella Lemhagen has done a fantastic job organising cast, crew and production staff to build a first rate film on a bargain budget. And of course that would not have been possible without the most crucial raw material, the complex and beautiful script by Michael Druker. The production design is superb, and the music, by Fredrik Emilson, is perfectly judged to enhance and colour the moments of poignancy and desperate unspoken longing.
And Gustaf Skarsgard - what to say? How is he not the most famous and adored of the Skarsgard acting clan? Usually I don't have much respect for actor children of established stars, because you always feel they got a leg-up into an exciting job that we'd all love to do but don't have the chance. But I don't get the impression that Gustaf Skarsgard is an entitled movie brat - I think he really surrendered himself into this role and let down all his defences to give people a beautiful cinematic, and emotionally cathartic, experience - and that's not something that many actors are capable of, or willing, to do, whether they come from acting families or not.
Anyway, for me this is one of those very rare films that scores 10 out of 10.
I loved it! The background of the film was a mix between that of Pushing Up Daises and August Rush, the plot was deep and current, and the characters made me laugh and cry. Patrik was an @$$ in the beginning but slowly softened up and so did Sven. And Göran was kind hearted and real. I loved how they evolved over span of the film and how their actions said more then the words they sad. Anyone straight, gay, bi, or lesbian should see this. I laughed out loud at the retort of Göran and Patrik, and cried at the moments od Patrik's baby pics and the separation of Sven and Göran. I wish that all people had the opportunity to watch this because it would open their eyes to problems that still go on today, and soften hearts.
A Swedish gay couple want to adopt a son. They want a baby who is around 1 year old. Through a misprint in their request (they put 1.5) they get a 15 year old boy. He's been in numerous foster families, has a history of violence and is a vicious homophobe to boot!
You can probably figure out the rest of the story--there are no real surprises here. Still, it was well-acted by all, had an intelligent script and never got too maudlin or syrupy. This movie could have tried to milk the audiences sympathies but it didn't. Everything is done in a matter of fact and low-key way. The only puzzling thing is that we see examples of homophobia that the couple face...and then that's dropped completely. What was the point of showing it then? Still this is a well-done movie showing gay adoption in a positive light. I saw it at the Provincetown Film Festival and the audience loved it! I give it a 7.
You can probably figure out the rest of the story--there are no real surprises here. Still, it was well-acted by all, had an intelligent script and never got too maudlin or syrupy. This movie could have tried to milk the audiences sympathies but it didn't. Everything is done in a matter of fact and low-key way. The only puzzling thing is that we see examples of homophobia that the couple face...and then that's dropped completely. What was the point of showing it then? Still this is a well-done movie showing gay adoption in a positive light. I saw it at the Provincetown Film Festival and the audience loved it! I give it a 7.
Patrik 1,5 – CATCH IT (B+) Patrick 1.5 is a Swedish movie about Goran and Sven have been cleared for adoption and they have a possibility to adopt a Swedish orphan, Patrik 1,5. But when Patrik arrives he turns out to be someone else, not the little boy they were expecting. A comma had been misplaced, and in comes a 15-year-old homophobic with a criminal past. Patrik 1.5 is hilarious and movie at the same times. it take cares the sensitive issue with humor and the whole family dimension makes this movie more endearing. Gustaf Skarsgård brother of Alexander Skarsgård & Torkel Petersson as couple are great. But I have to say Tom Ljungman steals the show with witty humor and hidden emotions underneath the callous attitude. I personally enjoyed the movie a lot, so if you're into a family dram with sarcastic humor. This one is for you. Loved it!
This is a lovely, gentle, intelligent and totally believable movie that explores so many different themes through the simple premise of a gay couple wanting to adopt a child and not getting exactly what they had expected. While the ending may be predictable - and completely satisfying! - it is the getting there that makes this movie so good. The movie explores homophobia, social expectations, delinquency, relationship dysfunction and more and does so in a way that is not preachy or overly emotional or sensationalised. It is all low-key and completely believable. This is combined with great acting, truly likeable main characters and an engaging story and makes for a wonderful movie.
Le saviez-vous
- AnecdotesThe first night Patrik stays in the house, he sneaks out of his locked room, and looks around the house. After playing Foosball, he picks up a book of drawings. The book is about the works of an iconic gay artist Touko Laaksonen, better known by his pseudonym Tom of Finland (8 May 1920 - 7 November 1991). Laaksonen was a Finnish artist most noted for his stylized all male erotic and fetish art and his influence on gay culture from the 1970s until the present. Many people believe that he was the most important creator of gay male erotic and semi-erotic art.
- GaffesAt 40:15 the kids leave the skate pipe, and the left skateboard is standing on its wheels. - When Patrik reaches the scene, the skateboard suddenly lies on its back.
- Citations
Göran Skoogh: Hey, why should I accept fashion pointers from a teenage thug?
- ConnexionsReferences Blue Velvet (1986)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Patrik, Age 1.5?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 57 468 $US
- Week-end de sortie aux États-Unis et au Canada
- 408 $US
- 16 août 2009
- Montant brut mondial
- 3 259 068 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Les joies de la famille (2008) officially released in Canada in English?
Répondre