Margaret Thatcher: The Long Walk to Finchley

'The Long Road to Finchley' presents Margaret Thatcher (nee Roberts) as a flirty and calculating young lady, hell bent on getting into the House of Commons and then on to the top (gamely played by Andrea Riseborough). It deals with her engagement to Denis (Rory Kinnear) and her - at first - friendship with Ted Heath (Samuel West playing the future PM as crippled with shyness and embarrassment around Mrs T), while dealing with her attempts to find a Tory seat to represent.

I loved the flighty character in her hats and pearls striding into the establishment (presented best by Geoffrey Palmer, and no one could display the indignation of England better), alongside her anonymous husband who was only useful to get his wife votes, and their twins who presented a withering annoyance. Despite its refusal to deal seriously with political issues, rather presenting Mrs Thatcher as the feminist dream to empower all women, this drama is interesting, and a good companion piece to the programme about her later years 'Margaret', made a year later.

Thailand is a place of my political background. It has been shifted back and forth between half-cooked democracy and full-fledged dictatorship. King Bhumibol Adulyadej of Thailand and his network try to be perceived as impartial and above, but ultimately and stupidly sided with the latter, who preserves the monarchy's personal interests, in their narrow view, better. It is him who allows Thailand to be off the global chart, whenever his personal security seems threatened. We adopted Great Britain's parliamentary system mainly because the system allows the monarchy to co-exist, not because we believe in it. This is why a film like this one is marvelous in my eyes. No matter how playful the tone of the film is, as contrasting to the real Margaret Thatcher's seriousness, I still feel the sacredness of the parliamentary institutions and why it must be protected at all cost. All characters shown here, villainous or otherwise, are abided by such thought. Candidates can come and go, and the democratic institutions live on. This is a piece of communication that deepens the love for democracy and people's democratic traditions, without uttering the word democracy even once. This is we work so hard to ridding ourselves of those who undermine Thailand's era of infant democracy. Hopelessly shallow generals must be put back in place. The king and his nosy network must be put back in place, or risk losing it all this time. People had been too kind to them in the 1932 when a revolution took place. We allowed a snake with its backbone half-broken to crawl back and breed more little snakes over the years. Now, all the snakes have ganged up against democracy, we must study the sacredness and humour in a film such as this one and use the good blend as weapons. We do not have to agree or even like you, Mrs. Thatcher, but we respect your and your people's sense of self worthiness and make that clear in your political way.

Originally shown as part of a season of programmes on Margaret Thatcher on BBC4, The Long Walk to Finchley presents a very different view of one of British politics most divisive figures. Here we see her not as the strident leader of the 1980s, but as an underdog, in her early years as a prospective Parliamentary candidate. Trying to gain election to Parliament in the 1950s, she is the victim of the establishment, the old boy network, and most especially of prejudice against her as a woman. The film gets across very well her tenacity in fighting for constituency after constituency before finally being selected for the safe seat of Finchley.

Tony Saint's script is actually surprisingly light hearted, full of in-jokes and random innuendo, some of which is quite funny. There are many sly references to future events in Thatcher's life - about to dance with Ted Heath, her predecessor as Conservative leader in the 1970s, she says "You Lead, I'll follow"; Mark Thatcher as a boy says to his mother "Can I go to Africa one day? I won't cause any trouble" (a reference to his becoming lost in the desert in the 1980s); Thatcher to a French waiter "I want a refund; I want my money back!" (EU rebate), etc.

The performances are generally good, especially Andrea Riseborough who successfully captures some of Thatcher's mannerisms and especially her speech, without ever sounded like a straightforward impersonation. More surprisingly, she also captures Thatcher's flirtiness as a young woman, and presents her quite sympathetically. Rory Kinnear's successfully suggest Denis Thatcher's long-suffering nature, while Samuel West is very good as Edward Heath, capturing his essential awkwardness and unsociability. Heath is seen uncomfortably standing by while Thatcher grabs the limelight during the election, or struggling to make small talk while she wins over a luncheon club meeting. The film is quite mischievous in suggesting Thatcher propositioned Heath for, we assume, some kind of political or actual marriage. But there's no evidence for this and it shouldn't be taken too seriously. Like Thatcher, Heath wasn't part of the establishment and he isn't portrayed entirely unsympathetically here, although the script does get some laughs at his expense. After Heath likens a political party to an orchestra and suggests that all elements should work together (implying that Thatcher is too dominant), one of the luncheon club ladies asks the eternal bachelor innocently, "Is that why you prefer playing with your organ alone, Mr Heath?"

The film caused a bit of controversy before it was even finished because Thatcher was apparently going to deploy the F word at one point, in frustration at not being selected for Parliament. In the end she says "Damn the establishment", rather than anything stronger, which is a wise choice. A woman of Thatcher's "respectable" middle class methodist background probably wouldn't have even heard such language in the '50s, but this is something that has cropped up in other recent BBC dramas, including BBC4's The Curse of Steptoe, where period characters don't always use period language.

The Long Walk to Finchley is actually quite entertaining, with the 1950s world of constituency meetings, chaps with pipes, open top sports cars and smoky back rooms, quite successfully evoked. The random jokes can be quite funny (even the title is a sly political reference). But it can be most easily recommended to those with a rough knowledge of, and interest in, British politics of the last 40 years or so.

I loathed Margaret Thatcher. I loved this film. It's perhaps the best political movie I've ever seen, certainly far far ahead of even the best American political films. It's an interesting approach to document Thatcher's early years rather than her later fame as prime minister. Yet the future leader is strongly evident in Andrea Riseborough's brilliant interpretation of Thatcher as an iron willed flirt. No small feat to transpose the well known Thatcher haughty expression, purposeful gait and swinging handbag to the younger and sexier woman of an earlier era. Rory Kinnear has captured Dennis Thatcher's bumbling anonymity perfectly. And Geoffrey Palmer... The wonderful and versatile Geoffrey Palmer... His curmudgeonly establishment Tory character is priceless. I stumbled on this film on TV Ontario. Rather than watch it, because I was tired, I recorded it. I'm glad I did because the DVD now has a place of honour among my "keepers."

Before she became Prime Minister or Britain's "Iron Lady", there was an ambitious young woman named Margaret Roberts, later to be known as Margaret Thatcher, who sought to become a Member of Parliament. Margaret Thatcher: The Long Walk to Finchley, with the subtitle "How Margaret Might Have Done It", is the BBC's 2008 film depicting the ten year journey of a young grocer's daughter straight out of university to the beginning of her rise to Prime Minister.

The film's heart is its young Margaret played by Andrea Riseborough. This isn't the Thatcher who became so well-known some thirty years after the film begins but a much different woman. This Margaret is young, feisty and above all incredibly ambitious. In that case, Riseborough is perfect casting as we watch this young future Prime Minister put her ambition above all else including job and family. Riseborough plays the role to the utmost of her ability and she serves the film well.

The supporting cast is splendid as well. Rory Kinnear is perfect as the young Denis Thatcher and much the same can be said of Philip Jackson as Margaret's father Alfred. The supporting cast also includes Samuel West as Edward Heath (himself a future Prime Minister), Michael Cochrane as Sir Waldron Smithers, Sylvestra Le Touzel as Patricia Hornsby-Smith and Geoffrey Palmer as Finchley's outgoing MP Sir John Crowder. Palmer's appearance in particular is in fact quite small but makes a huge impression during his time on screen. The result is well acted film all around.

The production values of the film serve the film well. In particular the cinematography of Jan Jonaeus and the score from composers Srdjan Kurpjel and Mario Takoushis serve the film's light hearted tone well. The music is particular is superb at setting the feel of any particularly scene in the film. The film also is well served by its sets and costumes which believably present the 1950s setting of the film. The production values serve the film well and little more can be asked of them.

The script by Tony Saint is an interesting piece of work in its own right. The film's subtitled "How Margaret Might Have Done It" is an accurate one. The film is without a doubt inspired by the true story of Thatcher's decade long journey into being elected to Parliament yet is also without a doubt a piece of fiction. It is a light hearted piece of fiction as well. The film puts heavy focus on the comedic especially with some nicely done foreshadowing of events still far in the future. These include a young Mark Thatcher saying if he ever went to Africa he wouldn't cause trouble (a reference to his involvement in the 2004 coup attempt in Equatorial Guinea) and a young Margaret saying in an early speech "Every child in the country would have as much milk as they wanted. That would be my promise," in a reference to one of Thatcher's most infamous decisions pre-Prime Minister when she served as Minister of Education to end the serving of free milk in schools. The film also has a fair amount of drama in it as it explores the beginning of the rift that would grow between Thatcher and Heath as well as Thatcher's struggle to overcome prejudice. The result than isn't a political film but an entertaining one about the rise of an ambitious young woman who would one day become her nation's most powerful leader.

Margaret Thatcher: The Long Walk to Finchley is a film perhaps best looked at not without politics in mind. The film is filled with strong performances, strong production values and a first rate script with a light hearted tone to it. This isn't a film about the still controversial Prime Minister but the journey of the young woman who was to become her.