Jesse Stone: L'enfant disparu

While I do agree with this being the least of the series, I enjoyed the episode. However, my wife (who would leave me for Tom if he asked, I'm not kidding) didn't like it.

As an example of our tastes, I loved Clint Eastwoods "Unforgiven" because the distinction between bad and good wasn't clear. My wife did not like "Unforgiven" because the distinction between bad and good wasn't clear.

I think the story line was needed or the series would have fallen way to far into a formula driven format. That's why I think it would destroy the series if it was a week to week show. This episode must set up at least one or two more stories.

I look forward to them.

Watching this latest Jesse Stone film Thin Ice put me in mind of Murder She Wrote and Jessica Fletcher's little hamlet by the sea Cabot Cove. The similarities between Cabot Cove and Paradise are striking, but the attitudes are certainly different among the residents.

As usual there are two cases for the small town police force to solve in this film. It opens with Tom Selleck and his friend Stephen McHattie from the State Police on a most unofficial stakeout when both are shot. Selleck manages to get off some shots and may have wounded one of the two shooters. The second is Camryn Manheim who came in from New Mexico. Her day old infant was snatched from the hospital several years ago. Mother's intuition and a strange letter tell her that her kid is in Paradise. On that very thin evidence and on her women's intuition Kathy Baker investigates with silent approval from Selleck. By the way Manheim's one scene with Selleck and Baker is unbelievably moving.

But it was the side issue that grabbed me. The town council is having a hissy fit over Selleck doing a little moonlighting with McHattie. His chief critic on the council Jeremy Akerman who after unsuccessfully trying to get Selleck to hire his nephew makes it clear that his chief function as police is to nail those speeders at the local trap and generate some revenue. Selleck who worked homicide in the LAPD really thinks it beneath him. Not to mention that those murders from previous Jesse Stone stories are giving Paradise a bad name which could affect the tourist trade.

Contrast that with Cabot Cove and how they treat Jessica Fletcher and think of all the murders she solved in Murder She Wrote's long run. The residents there certainly never thought of firing Tom Bosley or Ron Masak and certainly weren't about to tar and feather their most famous resident. Cabot Cove in fact had to be the murder capital of the United States. Paradise has a long way to go.

I think it's the provincial attitudes of some of the people you will take away when you watch Thin Ice.

The fifth film in the Jesse Stone series based on the characters from the book by Robert B. Parker. That's right, this film is not an adaptation of any book, for the first time in the series it is an original screenplay. But the director was retained for the fifth time and that's a plus point here. Particularly who can understand not just this one film, but the whole series to take it on the right path. There is also lies some weakness that it's not getting better as it should be, but I would say it's the writing that did not impress me.

This is the half way mark and another film in the series that's not so good, but counting it as an individual, definitely it is a better one. I expected this film after the previous one was not up to its previous one, but I must say I'm slightly disappointed. It is enjoyable, as a television film and its production quality was undeniably great, but I think my over anticipation is what barred me from having a good time with it. I am not blaming the story, but the scenes which were not strong enough. The positives were you can't predict them, and what's more important than that in a detective story.

It opened with a shootout and Jesse got injured, though there's no serious. Now he has a case to pursue, but not official and his chief warns him going after certain person. Jesse also got enquired by an Internal Affair for him involving in the recent shootouts which is above normal. Besides, a mother came afar to him requesting to investigate her baby went missing seven years ago. Among the cases, the narration splits, but holds the suspense till the final act. There's no big twist, but both the cases come to end with Jesse's unique way of dealing.

"The information's out there. All you've to do is let it in."

When the tale is about to conclude, there comes a big blow to him and his future hangs. An interesting ending, maybe a turning point in the series like the season one ends here and the season two is about to commence. If it was a television series, this is where the split happens between the seasons. The Jesse's walk out of the station at the final scene brings a new perspective. A bit emotional, if you are a Jesse Stone fan.

The last two films were average compared to the earlier ones, so this change might refresh in the series going forward. It should be, otherwise I might lose interest in the series. This film is not bad, but after the fine developments in the mid part which was hyped, did not stand up to the expectations once the revelation came. There was no big expansion in the cast, but like usual some of the new ones, those who came only for this film had made some decent contribution. Like Jessica Hecht was the only known person to me who have made into it. And the rest of the cast including Selleck was great as usual.

Jesse still remains dominated, but kind of losing strength while other characters around him gaining the momentum in their small part. Because he's the same from the first film, though needs some upgrade like nothing for the additional, but feeding with what he's good at. I mean, he's a badass and a daring character, but lately his parts were not appealing enough as what he's known for. On the other hand, he's just a small town cop; his work is under a limit and that kind of big excuse we definitely don't want. Hope it will not be the case for the next one.

I thought I was a Jesse Stone franchise fan after the first two films, but I'm not sure now, the only next couple of films would decide that. So I'm eager for the next sequel. Talking about this installment, I find it above average, but for being a television film and a film series, you can't blame entirely. Because like I said in the earlier review, the ups and downs are part of a film franchise and sometimes they're on purposely done to balance the good and bad side of the story and characters. Like a wheel it has to come up sooner or later, that means the next one in the series is very crucial. It's not the cast or the crew, but the story should be at its best. I hope it all comes back to the normal there. So I meet you there.

7/10

This is clearly written as the first of two or three stories. It continues several of Robert Parker's characters very well, while seriously taking a couple along different paths. Most notably, Jesse's character has gotten more serious, and more challenged by life. There was always the sense in Selleck's portrayal of a wounded soul . . .much more so than in the books about Jesse Stone.

Overall, I liked this movie a great deal. I liked the expansion of William Devane's Dr. Hix character ("Dix" in the novels) and Suitcase Simpson's continuing confusion from his previous coma is still amusing, and occasionally disconcerting. But, although I liked the character of Rose, she is no replacement for Molly. Molly and Jesse's banter from the earlier movies is sorely missed. It added the levity needed as a counterweight to the heavier story lines.

I did like those story lines. The shooting of Healey at the beginning of the show starts the story with a bang, and Jesse's dogged determination to track down whoever is responsible is completely in character, even if it does hurt him professionally. The other story line, about the mother looking for her lost child, seemed at the beginning to be entirely predictable, but then it was not. Camryn Manheim, as the mother, is amazingly good here.

And may I just say that I love the music in these last couple movies. The music has gotten much stronger. Piano-based with a feel of Ravel or Satie, the soundtrack composer was listed during the credits, but I didn't catch the name. I might consider buying this soundtrack.

I liked the ending, but it is clearly leading to the next movie. I can only hope that "Jesse Stone: No Remorse" finishes up a couple of these story lines. I'd like to hear what's happening with Molly. And although I think they tied up the story of the lost child fairly well, the plot with Geno Fish, and the shooter of Detective Healey, seems to have much more to play out in the next movie. And of course, we need to find out what happens next with the police chief of Paradise.

All the Jesse Stone movies are very well written and acted. Only one inconsistency I found in the screen play for this one. When Rose Gamon (Kathy Baker) visits and questions the neighbor of the suspected child kidnapper, they talk in detail about the suspected woman. While the long-time neighbor seems to know all about the woman and the so-called birth of her child, she fails to mention that the child was killed in an unfortunate, accident. When Jesse and Rose finally confront the kidnapper, she shows them a newspaper article she has kept about the accident and the child's death. Obviously, this would have known to the neighbor, but she never mentions it to Rose. Am I wrong? Did I miss something? Only flaw in an otherwise excellent movie with a steller cast.