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Babylon

  • 2022
  • Tous publics avec avertissement
  • 3h 9min
NOTE IMDb
7,1/10
195 k
MA NOTE
POPULARITÉ
453
65
Margot Robbie in Babylon (2022)
Always make a scene. Watch the new trailer for BABYLON starring Brad Pitt, Margot Robbie and Diego Calva. In theatres everywhere December 23.
Lire trailer0:31
70 Videos
99+ photos
Costume DramaPeriod DramaShowbiz DramaComedyDrama

Une histoire d'ambition démesurée et d'excès scandaleux, il retrace l'ascension et la chute de plusieurs personnages à une époque de décadence et de dépravation débridées au début d'Hollywoo... Tout lireUne histoire d'ambition démesurée et d'excès scandaleux, il retrace l'ascension et la chute de plusieurs personnages à une époque de décadence et de dépravation débridées au début d'Hollywood.Une histoire d'ambition démesurée et d'excès scandaleux, il retrace l'ascension et la chute de plusieurs personnages à une époque de décadence et de dépravation débridées au début d'Hollywood.

  • Réalisation
    • Damien Chazelle
  • Scénario
    • Damien Chazelle
  • Casting principal
    • Brad Pitt
    • Margot Robbie
    • Jean Smart
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    195 k
    MA NOTE
    POPULARITÉ
    453
    65
    • Réalisation
      • Damien Chazelle
    • Scénario
      • Damien Chazelle
    • Casting principal
      • Brad Pitt
      • Margot Robbie
      • Jean Smart
    • 1Kavis d'utilisateurs
    • 319avis des critiques
    • 61Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Oscars
      • 46 victoires et 161 nominations au total

    Vidéos70

    Get Tickets
    Trailer 0:31
    Get Tickets
    Naughty Trailer
    Trailer 1:28
    Naughty Trailer
    Naughty Trailer
    Trailer 1:28
    Naughty Trailer
    Nice Trailer
    Trailer 1:32
    Nice Trailer
    Official Trailer
    Trailer 2:25
    Official Trailer
    Official Teaser Trailer
    Trailer 2:21
    Official Teaser Trailer
    Official Trailer
    Trailer 2:26
    Official Trailer

    Photos517

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    + 511
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    Rôles principaux99+

    Modifier
    Brad Pitt
    Brad Pitt
    • Jack Conrad
    Margot Robbie
    Margot Robbie
    • Nellie LaRoy
    Jean Smart
    Jean Smart
    • Elinor St. John
    Olivia Wilde
    Olivia Wilde
    • Ina Conrad
    J.C. Currais
    J.C. Currais
    • Truck Driver
    • (as JC Currais)
    Diego Calva
    Diego Calva
    • Manny Torres
    Jimmy Ortega
    Jimmy Ortega
    • Elephant Wrangler
    Marcos A. Ferraez
    Marcos A. Ferraez
    • Police Officer
    • (as Marcos Ferraez)
    Shane Powers
    Shane Powers
    • Dale
    Phoebe Tonkin
    Phoebe Tonkin
    • Jane Thornton
    Troy Metcalf
    Troy Metcalf
    • Orville Pickwick
    Jovan Adepo
    Jovan Adepo
    • Sidney Palmer
    Hansford Prince
    Hansford Prince
    • Joe Holiday
    Telvin Griffin
    Telvin Griffin
    • Reggie
    Cutty Cuthbert
    Cutty Cuthbert
    • Jimmy
    Albert Hammond Jr.
    Albert Hammond Jr.
    • Guest (Chicken Line)
    Flea
    Flea
    • Bob Levine
    Bregje Heinen
    Bregje Heinen
    • Female Guest (Nathalie)
    • Réalisation
      • Damien Chazelle
    • Scénario
      • Damien Chazelle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1K

    7,1195.3K
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    10

    Avis à la une

    6noxaman

    It's really three films.

    ...and I wish I could rate them separately. The first act of the film is a fast paced tale of innocence cast into a world of debauchery. It's a beautifully shot, fantastic tale showing the dramatized excesses of show business and the people who would do anything to gain entry into that world. 9/10

    The second act was a somewhat more tame and methodical tale of the inner-workings of 1920's film production, with the standout scene being the "hello college" scene. Out of place however, was the whole tangent around the party leading up to the snake. While decidedly funny, I didn't like the pacing very much. 6/10

    The final act was a tricky one, and probably could have been 30 minutes shorter. Despite absolutely loving Toby's character, the little side-quest they go on pushed to already exaggerated "Babylonian" theme to to a point of absurdity. It's obvious that some sort of narrative bridge was needed to set up the final scene, but I felt it was overdone. Pitt's character arc wasn't bad, but it lost a lot of steam and I honestly wouldn't have noticed if his character had only been mentioned in the pre-credits sequence. 4/10

    If there is one strong point throughout the entire film, it's the use of the dueling saxophone score and quick cuts to drive home the manic energy present throughout the film. Without that score many of the slapstick-heavy scenes would have felt tiresome in an already very lengthy movie. I have a hard time recommending this film to any but the most serious of film nuts, but it's impossible to deny that the bones of a great story are here, they just needed to leave some of the fat on the cutting room floor.
    7mfilmcutter

    Hacks don't go this far

    Quentin Tarantino once said "hacks don't go that far." There are some filmmakers that have a creative confidence that delivers a film that many people will find repulsive, but some will find exhilarating because if it's creative audacity.

    Yes this film is too long but there is so much talent and so much detail to admire in every frame of this film. Diego Calva has one scene where you feel so sorry for this man you wanna cry for him.

    The moment when Brad Pitt is kissing a young woman before a perfect sunset and a butterfly lands on a shoulder is the moment that encapsulates exhilarating fun of filmmaking.
    6Top_Dawg_Critic

    At least an hour too long.

    This film felt like it was written and directed by a high school drama class kid with ADHD. It was exhausting to watch, and it was all over the place with too much filler, too many unnecessary sub-plots, convoluted scenes and dialogue, with horrible editing and scene start and cuts. In the hands of better more experienced filmmaker, this could've very easily been so much better and more enjoyable. Writer and director Damien Chazelle gave us a hack-job screenplay with overzealous and pointlessly outlandish scenes, that are all style with very little substance. The all star stellar cast were all amazing, especially Margot Robbie - who was the only reason I didn't stop watching 40+ mins into this utter disastrous nonsense. The critics got this one right. It's a very generous 6/10 from me, all going to the performances and decent cinematography.
    8CANpatbuck3664

    Babylon is Destined for Polarizing Feedback but It's a Bumping and Crazy Party for Better or Worse

    After an "interesting" opening scene about our main character Manny (Diego Calva) trying to get an elephant up to a party in Bel-Air, Babylon floors the gas pedal and barely comes up for air for the rest of the run time. I wanted to credit Damien Chazelle and his team for providing a unique experience in regards to pacing, setting and tone. The expression "fever dream" is overused but Babylon is captured in such a chaotic and constantly shifting way that kept me enraptured. The movie looks fantastic and even if you don't have an interest in this period of cinema, I don't doubt that Babylon will still pull you in. The costuming and sets are dynamic and show how disorganized and tumultuous early Hollywood was. I was hooked from the get-go and for all the movie's flaws, its presentation is vibrant and fast-moving to keep help you entertained.

    While Babylon is distinctive with its look and pacing, when it comes to the characters, things are a little more familiar. Conrad and LaRoy are loosely based on a couple of people from that era but the lessons the movie wants to teach us about Hollywood chewing up and spitting out talent are pretty routine. I think Babylon is effective at getting those across but I was a little let down that the movie starts so bombastically and then quietly tip toes into conventionality by the end. Some characters are meant to be less distinctive (Manny is the audience avatar for example) but while I wish they were a little more fresh, I did want to follow them throughout the length of the movie.

    Damien Chazelle has enough of a name now that he could probably get any actor/actress he wanted in his cast. He still attracted some big and interesting names for Babylon. I think every member of the main cast did a fantastic job and it's a credit to them and Chazelle for getting the most out of his performers. Brad Pitt's the biggest name and I really enjoyed the work he put in as Jack Conrad. He's appropriately funny in Conrad's lush and over-the-top behaviour but he garners some genuine sympathy for him when the world turns against him. Pitt could have played it so big that he came off as an entitled prick but there's some warmth and passion to Conrad and Pitt gets that across. I've always liked Margot Robbie and she's on point here as Nellie. She throws herself into it completely, there's a surprising amount of physicality and nuance in Nellie's whirlwind behaviour. Much like Pitt, she's really funny when she is given the opportunity to be. Despite the pretty telegraphed arc for her character, you understand why Manny can't resist Nellie even when it's crystal clear she's bad news wrapped in pretty packaging. I would hope that Pitt and Robbie both get awards consideration for their work here. Diego represents the audience, he's witnessing all the craziness and has to go along with it. He's a pretty blank slate but there's enough from Diego that his character is distinct and you understand his motivations. I want to credit Li Jun Li and Jovan Adepo as Lady Fay Zhu and Sidney Palmer respectively. Their characters are written with a heavy hand but both are sympathetic and have their respective moments. The oddest casting is Tobey Maguire as threatening mobster James McKay but Maguire's surprisingly good at being a creepy underworld figure.

    Getting to the negatives, Babylon is a movie that indulges in the exact same vices that it's lambasting. As a film, Babylon's determined to show all excess and hedonism of the era in all its "glory." I appreciated some of this but there are moments where the movie gets pretty gross (there's an early scene involving a elephant that is going to shock people) and while I get what Chazelle and his team are trying to show, was it really necessary? I'd argue not. Babylon's lengthy run time is also going to drive some people away but it also has an affect on how the story twists and turns. Characters that started out with more depth gradually turn more generic (Nellie specifically comes to mind) and you could have easily trimmed some of the fat off this movie. The total length of Babylon feels a little self-indulgent and while the previously mentioned frenetic pace keeps you guessing, it saps some of the ending's impact. I got what the movie was trying to say with its wrap-up but I can't deny I was bouncing in my seat in anticipation of getting to leave.

    Just like the lavish and insane partying that Babylon presents, you have to choose to take the hit of whatever your poison of choice is and dive in headfirst or not to indulge and slip out the back. Babylon is going to be an incredibly polarizing film and while I enjoyed large parts of this movie, there were also many scenes that fell flat for me. I'd grade Babylon somewhere between a 7 and an 8 but I'm rounding up because there are moments where Babylon has some real cinematic magic. I'm not comfortable wholesale recommending Babylon, if you're interested in a Wolf of Wall Street style comedy about the excess of Hollywood in the 1920s that gets pretty dark, check it out.
    8JBuckleyFan09

    Fun look at early Hollywood that's a bit much at times

    I recently read a biography of silent film "It Girl" actress Clara Bow. Margot Robbie, looking more like a Grace Kelly from a few decades later rather than a Bow, plays a character highly inspired. From her blue collar New Jersey upbringing, to a father following her to Hollywood and making money off her image (even opening a restaurant based on one of her famous movies), a gambling addiction, to an off-color joke at a hoity toity part - these are all inspired by Bow and her life.

    The film is great as a love letter to Bow, warts and all, played magnificently by Margot Robbie, and just to the magic film can have on its audience, transcending time. It visually details the difficult transition had on the film industry with the transition from silent films to talkies, showcasing actors, producers, and musical performers adjusting to it all. Brad Pitt gives a great performance as a Douglas Fairbanks like silent star edging toward irrelevancy, but newcomer Diego Calva really steals a large part of the movie with his powerful performance.

    Great music from Justin Horiwitz (who reunited with his La La Land/Whiplash director Damien Chazelle) with excellent cinematography and performances. However, the film was a bit much at time. Consistently frantic (lots of characters melting down and screaming) and/or stressful with excesses abounding, it was a little much at times. Certain scenes (such as an elephant having explosive diarrhea on a man) would have been better not seen so graphically.

    Solid film. 8/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The character of Lady Fay Zhu is loosely based on Anna May Wong (1905-1961) the first Chinese-American actress in Hollywood whose career spanned both silent and sound films.
    • Gaffes
      A "Jackass Forever" billboard appears in the 1952 epilogue.
    • Citations

      [Jack finds George crying with his head in the toilet]

      Jack Conrad: Aw, Georgie. Who was it this time?

      George Munn: [panting] Claire.

      Jack Conrad: Claire. Well, Claire's a lesbian. That's an uphill battle for anyone.

    • Crédits fous
      The Paramount logo is the 1920s version, fitting the era the film is set in.
    • Versions alternatives
      In Singapore, before the film could passed with an R21 classification for theatrical release, the distributor required to remove a scene depicting a deviant sexual act in which the authority felt it has exceeded the classification guidelines which states that "any material that is about or promotes deviant sexual behavior" would be refused classification.
    • Connexions
      Featured in WatchMojo: Top 10 Best Movies of 2022 (2022)
    • Bandes originales
      My Girl's Pussy
      Lyrics by Harry Roy

      Music and additional lyrics by Justin Hurwitz

      Performed by Li Jun Li

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    FAQ19

    • How long is Babylon?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 janvier 2023 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langues
      • Anglais
      • Espagnol
      • Italien
      • Cantonais
      • Français
      • Hongrois
      • Allemand
    • Aussi connu sous le nom de
      • Vavilon
    • Lieux de tournage
      • Santa Clarita, Californie, États-Unis
    • Sociétés de production
      • Paramount Pictures
      • C2 Motion Picture Group
      • Marc Platt Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 80 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 15 658 225 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 603 368 $US
      • 25 déc. 2022
    • Montant brut mondial
      • 65 267 446 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      3 heures 9 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Dolby Atmos
    • Rapport de forme
      • 2.39 : 1

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