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Babylon

  • 2022
  • Tous publics avec avertissement
  • 3h 9min
NOTE IMDb
7,1/10
195 k
MA NOTE
POPULARITÉ
453
65
Margot Robbie in Babylon (2022)
Always make a scene. Watch the new trailer for BABYLON starring Brad Pitt, Margot Robbie and Diego Calva. In theatres everywhere December 23.
Lire trailer0:31
70 Videos
99+ photos
Costume DramaPeriod DramaShowbiz DramaComedyDrama

Une histoire d'ambition démesurée et d'excès scandaleux, il retrace l'ascension et la chute de plusieurs personnages à une époque de décadence et de dépravation débridées au début d'Hollywoo... Tout lireUne histoire d'ambition démesurée et d'excès scandaleux, il retrace l'ascension et la chute de plusieurs personnages à une époque de décadence et de dépravation débridées au début d'Hollywood.Une histoire d'ambition démesurée et d'excès scandaleux, il retrace l'ascension et la chute de plusieurs personnages à une époque de décadence et de dépravation débridées au début d'Hollywood.

  • Réalisation
    • Damien Chazelle
  • Scénario
    • Damien Chazelle
  • Casting principal
    • Brad Pitt
    • Margot Robbie
    • Jean Smart
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    195 k
    MA NOTE
    POPULARITÉ
    453
    65
    • Réalisation
      • Damien Chazelle
    • Scénario
      • Damien Chazelle
    • Casting principal
      • Brad Pitt
      • Margot Robbie
      • Jean Smart
    • 1Kavis d'utilisateurs
    • 319avis des critiques
    • 61Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Oscars
      • 46 victoires et 161 nominations au total

    Vidéos70

    Get Tickets
    Trailer 0:31
    Get Tickets
    Naughty Trailer
    Trailer 1:28
    Naughty Trailer
    Naughty Trailer
    Trailer 1:28
    Naughty Trailer
    Nice Trailer
    Trailer 1:32
    Nice Trailer
    Official Trailer
    Trailer 2:25
    Official Trailer
    Official Teaser Trailer
    Trailer 2:21
    Official Teaser Trailer
    Official Trailer
    Trailer 2:26
    Official Trailer

    Photos517

    Voir l'affiche
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    + 511
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    Rôles principaux99+

    Modifier
    Brad Pitt
    Brad Pitt
    • Jack Conrad
    Margot Robbie
    Margot Robbie
    • Nellie LaRoy
    Jean Smart
    Jean Smart
    • Elinor St. John
    Olivia Wilde
    Olivia Wilde
    • Ina Conrad
    J.C. Currais
    J.C. Currais
    • Truck Driver
    • (as JC Currais)
    Diego Calva
    Diego Calva
    • Manny Torres
    Jimmy Ortega
    Jimmy Ortega
    • Elephant Wrangler
    Marcos A. Ferraez
    Marcos A. Ferraez
    • Police Officer
    • (as Marcos Ferraez)
    Shane Powers
    Shane Powers
    • Dale
    Phoebe Tonkin
    Phoebe Tonkin
    • Jane Thornton
    Troy Metcalf
    Troy Metcalf
    • Orville Pickwick
    Jovan Adepo
    Jovan Adepo
    • Sidney Palmer
    Hansford Prince
    Hansford Prince
    • Joe Holiday
    Telvin Griffin
    Telvin Griffin
    • Reggie
    Cutty Cuthbert
    Cutty Cuthbert
    • Jimmy
    Albert Hammond Jr.
    Albert Hammond Jr.
    • Guest (Chicken Line)
    Flea
    Flea
    • Bob Levine
    Bregje Heinen
    Bregje Heinen
    • Female Guest (Nathalie)
    • Réalisation
      • Damien Chazelle
    • Scénario
      • Damien Chazelle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1K

    7,1195.3K
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    Avis à la une

    7SaidNDone

    Decadence

    Babylon is a long, messy, repulsive, and magnetic spectacle. Unfortunately despite the great performances and set pieces it doesn't live up to Chazelle's previous work.

    The movie wants to bring you down into the waste yard that is Hollywood then pull you out to see the beauty that grows out of the trash. The problem is the movie spends so much time in the mud, and goes so deep into it that by the time it tries to pull you out at the end it's too late.

    On the upside the cast are great and almost completely carry the movie, especially Margot Robbie's enthralling performance as Nellie. And as with Chazelle's previous work the set pieces are well executed and (some) characters are memorable.

    However, these positives could not completely overcome the movie's fundamental flaws which are -- going too far with trying to revolt the audience (to the point of childishness), not spending enough time with the characters or important scenes despite its decadent runtime, and the ending coming off as completely pretentious in the context of how practical/cynical everything leading up to it was.

    In the end, Babylon does serve its purpose as an entertaining spectacle, but like the Hollywood it critiques, its self-indulgence prevents it from achieving greatness.
    6SnoopyStyle

    desperately trying too hard

    It's 1926 Hollywood. The silent movie era is having a party of epic debauchery. Manny Torres (Diego Calva) is the 'Mexican' fixer servant doing all the dirty jobs. Jack Conrad (Brad Pitt) is the big movie star. Nellie LaRoy (Margot Robbie) is the flamboyant nobody who fakes it until she makes it. She makes it and then the silent era ends. Everybody works to master the new sound era.

    This is not an appealing start. I don't know what's happening with every Oscar bait movie which insists on an overly broad comedic scene with bodily functions. The elephant is completely overboard. I wouldn't open with that scene. It's an indication of what's to come. This movie is desperately trying too hard.

    I guess we're supposed to root for Margot Robbie, but I don't. I find her abrasive and not always appealing. She does find her tragic heartbreaks and that helps her character. This would work better if it concentrated more on Brad Pitt's character. He has some of best heart-felt scenes during his climax. Manny Torres is probably the other main character with a big character arc. I like the character, but the performance is too stoic. I need a different performance from him.

    Besides Brad Pitt's character arc, I love the general premise of redoing "Singin' in the Rain". It's a great premise that needs a little foreshadowing and less outrageousness. It could be a simple modern day revival with admiring fans watching "Singin' in the Rain" to open this movie. Damien Chazelle is just trying too hard. It hits a few false notes and the whole enterprise stumbles. It always gets back up with some very compelling scenes. For example, the first sound shot is fun. I don't like how it ends. Damien keeps pushing the comedy one step too far. I do appreciate the overall premise and the ambition of the work.
    6Top_Dawg_Critic

    At least an hour too long.

    This film felt like it was written and directed by a high school drama class kid with ADHD. It was exhausting to watch, and it was all over the place with too much filler, too many unnecessary sub-plots, convoluted scenes and dialogue, with horrible editing and scene start and cuts. In the hands of better more experienced filmmaker, this could've very easily been so much better and more enjoyable. Writer and director Damien Chazelle gave us a hack-job screenplay with overzealous and pointlessly outlandish scenes, that are all style with very little substance. The all star stellar cast were all amazing, especially Margot Robbie - who was the only reason I didn't stop watching 40+ mins into this utter disastrous nonsense. The critics got this one right. It's a very generous 6/10 from me, all going to the performances and decent cinematography.
    8JBuckleyFan09

    Fun look at early Hollywood that's a bit much at times

    I recently read a biography of silent film "It Girl" actress Clara Bow. Margot Robbie, looking more like a Grace Kelly from a few decades later rather than a Bow, plays a character highly inspired. From her blue collar New Jersey upbringing, to a father following her to Hollywood and making money off her image (even opening a restaurant based on one of her famous movies), a gambling addiction, to an off-color joke at a hoity toity part - these are all inspired by Bow and her life.

    The film is great as a love letter to Bow, warts and all, played magnificently by Margot Robbie, and just to the magic film can have on its audience, transcending time. It visually details the difficult transition had on the film industry with the transition from silent films to talkies, showcasing actors, producers, and musical performers adjusting to it all. Brad Pitt gives a great performance as a Douglas Fairbanks like silent star edging toward irrelevancy, but newcomer Diego Calva really steals a large part of the movie with his powerful performance.

    Great music from Justin Horiwitz (who reunited with his La La Land/Whiplash director Damien Chazelle) with excellent cinematography and performances. However, the film was a bit much at time. Consistently frantic (lots of characters melting down and screaming) and/or stressful with excesses abounding, it was a little much at times. Certain scenes (such as an elephant having explosive diarrhea on a man) would have been better not seen so graphically.

    Solid film. 8/10.
    6noxaman

    It's really three films.

    ...and I wish I could rate them separately. The first act of the film is a fast paced tale of innocence cast into a world of debauchery. It's a beautifully shot, fantastic tale showing the dramatized excesses of show business and the people who would do anything to gain entry into that world. 9/10

    The second act was a somewhat more tame and methodical tale of the inner-workings of 1920's film production, with the standout scene being the "hello college" scene. Out of place however, was the whole tangent around the party leading up to the snake. While decidedly funny, I didn't like the pacing very much. 6/10

    The final act was a tricky one, and probably could have been 30 minutes shorter. Despite absolutely loving Toby's character, the little side-quest they go on pushed to already exaggerated "Babylonian" theme to to a point of absurdity. It's obvious that some sort of narrative bridge was needed to set up the final scene, but I felt it was overdone. Pitt's character arc wasn't bad, but it lost a lot of steam and I honestly wouldn't have noticed if his character had only been mentioned in the pre-credits sequence. 4/10

    If there is one strong point throughout the entire film, it's the use of the dueling saxophone score and quick cuts to drive home the manic energy present throughout the film. Without that score many of the slapstick-heavy scenes would have felt tiresome in an already very lengthy movie. I have a hard time recommending this film to any but the most serious of film nuts, but it's impossible to deny that the bones of a great story are here, they just needed to leave some of the fat on the cutting room floor.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The character of Lady Fay Zhu is loosely based on Anna May Wong (1905-1961) the first Chinese-American actress in Hollywood whose career spanned both silent and sound films.
    • Gaffes
      A "Jackass Forever" billboard appears in the 1952 epilogue.
    • Citations

      [Jack finds George crying with his head in the toilet]

      Jack Conrad: Aw, Georgie. Who was it this time?

      George Munn: [panting] Claire.

      Jack Conrad: Claire. Well, Claire's a lesbian. That's an uphill battle for anyone.

    • Crédits fous
      The Paramount logo is the 1920s version, fitting the era the film is set in.
    • Versions alternatives
      In Singapore, before the film could passed with an R21 classification for theatrical release, the distributor required to remove a scene depicting a deviant sexual act in which the authority felt it has exceeded the classification guidelines which states that "any material that is about or promotes deviant sexual behavior" would be refused classification.
    • Connexions
      Featured in WatchMojo: Top 10 Best Movies of 2022 (2022)
    • Bandes originales
      My Girl's Pussy
      Lyrics by Harry Roy

      Music and additional lyrics by Justin Hurwitz

      Performed by Li Jun Li

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    FAQ19

    • How long is Babylon?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 janvier 2023 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langues
      • Anglais
      • Espagnol
      • Italien
      • Cantonais
      • Français
      • Hongrois
      • Allemand
    • Aussi connu sous le nom de
      • Vavilon
    • Lieux de tournage
      • Santa Clarita, Californie, États-Unis
    • Sociétés de production
      • Paramount Pictures
      • C2 Motion Picture Group
      • Marc Platt Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 80 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 15 658 225 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 603 368 $US
      • 25 déc. 2022
    • Montant brut mondial
      • 65 267 446 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      3 heures 9 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Dolby Atmos
    • Rapport de forme
      • 2.39 : 1

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