NOTE IMDb
4,6/10
20 k
MA NOTE
Une jeune femme japonaise qui détient la clé pour arrêter l'esprit maléfique de Kayako, se rend dans l'appartement hanté de Chicago de la suite, pour arrêter la malédiction de Kayako une foi... Tout lireUne jeune femme japonaise qui détient la clé pour arrêter l'esprit maléfique de Kayako, se rend dans l'appartement hanté de Chicago de la suite, pour arrêter la malédiction de Kayako une fois pour toutes.Une jeune femme japonaise qui détient la clé pour arrêter l'esprit maléfique de Kayako, se rend dans l'appartement hanté de Chicago de la suite, pour arrêter la malédiction de Kayako une fois pour toutes.
- Réalisation
- Scénario
- Casting principal
Takatsuna Mukai
- Daisuke
- (as Takatsuma Mukai)
Jadie Rose Hobson
- Rose
- (as Jadie Hobson)
Takako Fuji
- Kayako Saeki
- (images d'archives)
- (non crédité)
Takashi Matsuyama
- Takeo Saeki
- (images d'archives)
- (non crédité)
Kim Miyori
- Kayako's Mother
- (images d'archives)
- (non crédité)
Avis à la une
It seems the majority of the reviews thus far have been written by viewers who, after not enjoying either of the two previous films, decided to weigh in on what is ultimately a complete mockery of a great series.
First I'll tackle the good things about this film, of which there are few, but they deserve mentioning and as much of a reprieve as anyone can give them. Aiko Horiuchi replaces Takako Fuji as Kayako (creepy crackling voice lady) and picks up the role fairly well. Any fault in her appearance lies with the director, Toby Wilkins, who I will get to in a moment. The only other two notable performances come from the female leads, Johanna Braddy and Takatzuna Mukai and might not so much be notable as much as they just sharply contrast their terrible surroundings.
Now, on to the awful stuff. I think the large majority of the critics of the first two films, as I have understood them on here, find that the they were cryptic and difficult to follow. They have gotten their wish for an easy to interpret, spoon-fed, linear-flowing, cheesy horror film in The Grudge 3. Gone are the intelligent and subtle left-to-the-imagination disappearance kills. Artistic and suspenseful cinematography have been replaced by bland, formulaic and frightfully comical scenes. Brad Keene and Toby Wilkins have crafted an hour-and-a-half long slap in the face of director Takashi Shimizu who re-invented the haunted house horror film by making his own rules and breaking all the ones in the book.
Normally I am given pause when criticizing the artistic vision of writers, directors and actors who put their work on the line for what is largely a very unforgiving audience. In this case, however, the writer and director were toying with another man's vision and the hard work and creative energy he expended trying to bring something original into the world. I am dumbstruck by how a duo could miss the theme of a series so entirely. Ultimately, The Grudge 3 adds nothing to the mythology of the films and takes away a substantial amount.
First I'll tackle the good things about this film, of which there are few, but they deserve mentioning and as much of a reprieve as anyone can give them. Aiko Horiuchi replaces Takako Fuji as Kayako (creepy crackling voice lady) and picks up the role fairly well. Any fault in her appearance lies with the director, Toby Wilkins, who I will get to in a moment. The only other two notable performances come from the female leads, Johanna Braddy and Takatzuna Mukai and might not so much be notable as much as they just sharply contrast their terrible surroundings.
Now, on to the awful stuff. I think the large majority of the critics of the first two films, as I have understood them on here, find that the they were cryptic and difficult to follow. They have gotten their wish for an easy to interpret, spoon-fed, linear-flowing, cheesy horror film in The Grudge 3. Gone are the intelligent and subtle left-to-the-imagination disappearance kills. Artistic and suspenseful cinematography have been replaced by bland, formulaic and frightfully comical scenes. Brad Keene and Toby Wilkins have crafted an hour-and-a-half long slap in the face of director Takashi Shimizu who re-invented the haunted house horror film by making his own rules and breaking all the ones in the book.
Normally I am given pause when criticizing the artistic vision of writers, directors and actors who put their work on the line for what is largely a very unforgiving audience. In this case, however, the writer and director were toying with another man's vision and the hard work and creative energy he expended trying to bring something original into the world. I am dumbstruck by how a duo could miss the theme of a series so entirely. Ultimately, The Grudge 3 adds nothing to the mythology of the films and takes away a substantial amount.
First of all, I have been a huge fan of Japanese horror movies ever since I saw the original Japanese version of The Ring nearly 8-9 years ago. I have seen a lot of different horror movies but I have to say, my favourites are The Ring and the Ju-On franchise.
After seeing that there was a The Grudge 3, I had some hopes for it. But boy, if only I knew what was coming...Where to start? The acting was utterly horrible and the plot was forgettable. As for the scary parts, we all know whats coming, you see the boy in white, you hear that classic sound of ju-on and you see her approaching her victim, over and over and over again. There is nothing new to this movie and its about time to let the franchise take a rest.
After seeing that there was a The Grudge 3, I had some hopes for it. But boy, if only I knew what was coming...Where to start? The acting was utterly horrible and the plot was forgettable. As for the scary parts, we all know whats coming, you see the boy in white, you hear that classic sound of ju-on and you see her approaching her victim, over and over and over again. There is nothing new to this movie and its about time to let the franchise take a rest.
I always preferred the original Japanese titles to the second rate American remakes, but as there was no Jap Grudge 3 it became a no brainer (in every sense of the phrase). I enjoyed the first two films a fair bit; I wouldn't have said that they rocked my world, but were not such a bad way to spend an hour and a half.
This third installment is almost not part of the same franchise; OK, so there are the same main characters from the previous two and the so-called curse that is supposed to be attributed to the location where the murders took place (therefore how can it move to the USA just because the story needs it as a plot device?), other than that nothing much. The characters are all horrendous stereotypes from clichéd horror films which were all done far better than this mess, the story plods along slower than it has any right to and the majority of the first hour does little other than explain who the 4 main characters are, which could be done in around 5 minutes if handled correctly!! There is little by way of gore apart from a couple of stabbing scenes and an off-screen pulverisation; which for most of us horror film fans is the ultimate pay off and the reason we sit through the rest of the tiresome background building sections and introductory necessities! The end is a complete formality and would have been better to have just ended on a blank screen and a decent, well-produced sound-byte...most of which are handled atrociously incidentally...
I give it 4 out of 10; one point for each of the deaths and one point for the joyous sight of the end credits appearing. Avoid unless sleepless...this may help!
This third installment is almost not part of the same franchise; OK, so there are the same main characters from the previous two and the so-called curse that is supposed to be attributed to the location where the murders took place (therefore how can it move to the USA just because the story needs it as a plot device?), other than that nothing much. The characters are all horrendous stereotypes from clichéd horror films which were all done far better than this mess, the story plods along slower than it has any right to and the majority of the first hour does little other than explain who the 4 main characters are, which could be done in around 5 minutes if handled correctly!! There is little by way of gore apart from a couple of stabbing scenes and an off-screen pulverisation; which for most of us horror film fans is the ultimate pay off and the reason we sit through the rest of the tiresome background building sections and introductory necessities! The end is a complete formality and would have been better to have just ended on a blank screen and a decent, well-produced sound-byte...most of which are handled atrociously incidentally...
I give it 4 out of 10; one point for each of the deaths and one point for the joyous sight of the end credits appearing. Avoid unless sleepless...this may help!
To be honest, i was expecting perhaps something, probably too much, that would perhaps be original and new to the third grudge. But i think this was even worse than the others. Nearly the entire movie takes place in the same apartment building with the same stupid people who don't believe anything. This is simply the same story told yet again. The ending wasn't really surprising. It ends so that yet another Grudge can come out in the future. Grudge 4 will most likely be announced, if it's not already announced, in the near future. Rated R because more blood, but not really gore so much. i would say this is a decent movie other than the fact that it is the same old stuff. Come on Hollywood! Give us some originality! 4 out of 10
As a fan of "Ju-On" and the 2004 remake―starring "Buffy The Vampire Slayer" actress Sarah Michelle Gellar―I had high hopes for this third installment. I mean, after the abysmal 2006 sequel, it couldn't get any worse, right? Wrong. Granted not as tedious and insipid as the sequel, this 2009 follow-up starring actress Shawnee Smith still leaves a bitter taste in the mouth.
Where to start... ?
Director Toby Wilkins tries to duplicate the eeriness and unpleasantness of the first movie, but sadly, fails miserably. With half-hearted acting, bad special effects, and a tiresome plot, the movie never picks up or satisfies. Whilst watching the movie, I realized the overall story of the franchise has never evolved; or more to the point, no one has tried to take a fresh approach. Much like the sequel, the third stab is a series of flat, horror-lacking murder sequences, and what makes this even worse is, we already know what's coming. Scene after scene after scene, the previous formula is recycled. We hear the now trademark 'Grudge' sound, we hear a small boy running, we hear the cry of a cat ― and that's pretty much it. There is only so many times you can show a pale-faced, dark haired Japanese woman with her dead son and their dead cat, until it's just not scary anymore. The franchise needs new ideas. We need new stories and new locations. Otherwise, this 'Grudge' is going to be on a constant loop.
My advice, stick with the original or the 2004 remake. There's nothing you haven't seen before here.
One thing I will say is, I'm surprised this movie is getting the direct-to-DVD treatment and the second one had theater status. Although both are severely mediocre, IMO, I wasn't left completely catatonic after watching the third.
Where to start... ?
Director Toby Wilkins tries to duplicate the eeriness and unpleasantness of the first movie, but sadly, fails miserably. With half-hearted acting, bad special effects, and a tiresome plot, the movie never picks up or satisfies. Whilst watching the movie, I realized the overall story of the franchise has never evolved; or more to the point, no one has tried to take a fresh approach. Much like the sequel, the third stab is a series of flat, horror-lacking murder sequences, and what makes this even worse is, we already know what's coming. Scene after scene after scene, the previous formula is recycled. We hear the now trademark 'Grudge' sound, we hear a small boy running, we hear the cry of a cat ― and that's pretty much it. There is only so many times you can show a pale-faced, dark haired Japanese woman with her dead son and their dead cat, until it's just not scary anymore. The franchise needs new ideas. We need new stories and new locations. Otherwise, this 'Grudge' is going to be on a constant loop.
My advice, stick with the original or the 2004 remake. There's nothing you haven't seen before here.
One thing I will say is, I'm surprised this movie is getting the direct-to-DVD treatment and the second one had theater status. Although both are severely mediocre, IMO, I wasn't left completely catatonic after watching the third.
Le saviez-vous
- AnecdotesAlthough the film takes place in Chicago and (briefly) Tokyo, it was filmed in Bulgaria, for economic reasons. The location of filming caused issues with the predominantly English speaking cast and crew, who couldn't speak Bulgarian, resulting in the need for several translators on set.
- Gaffes(at around 57 mins) Naoko is incorrectly referred to as Naoko Saeki on her phone message. Although she is Kayako's sister, Kayako's married name is Saeki so Naoko's last name should be Kayako's maiden name of Kawamata.
- Bandes originalesNo Trouble
Performed by Marwood
Written by Benji Rogers
(Ben Rogers Music ASCAP)
Feckless Music Inc. Copyright 2008
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Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut mondial
- 1 869 127 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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