L2: Empuraan
- 2025
- 2h 59min
Ajouter une intrigue dans votre langueThe journey of Stephen Nedumpally, a man leading a double life as Khureshi Ab'raam, an enigmatic leader of a powerful global crime syndicate.The journey of Stephen Nedumpally, a man leading a double life as Khureshi Ab'raam, an enigmatic leader of a powerful global crime syndicate.The journey of Stephen Nedumpally, a man leading a double life as Khureshi Ab'raam, an enigmatic leader of a powerful global crime syndicate.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
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As we all know malyalam movies are renowned for the gripping story line which is majorly lacking in this, director did a pretty good job by combining two major story lines to build up for one more part but diluting a master piece has its own consequences.
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
As far as visuals speaks for themselves but those are most common nowadays in movie perspective, as being the most hyped malyalam movie of this year does it really upto the mark is questionable .
Final verdict is one time watchable for movie lovers as the movie has quite an action sequences and depth of selection in locations making it no less than a hollywood level movie .
I was extremely impressed by Prithviraj's direction and the overall making of the film. The visuals, cinematography, and background score were top-notch and clearly demonstrated the effort and vision behind the project. The scale of the film and its technical aspects were commendable, setting high expectations for the story that followed.
Unfortunately, the content of the film didn't quite live up to those expectations. It felt cluttered with unnecessary elements, many of which didn't add any real value to the narrative. One of the biggest disappointments was Mohanlal's portrayal of the character Abraham. His performance lacked the depth and expression we've come to expect from him, especially when compared to his iconic role as Stephen. The character of Abraham came across as flat and unimpactful, leaving fans longing for the familiar charisma and emotional depth that Stephen brought to the screen.
Additionally, the movie was bogged down by an excessive number of characters who seemed irrelevant to the plot. Their presence detracted from the main story and weakened the overall impact of the film. It felt like the movie was trying to juggle too many storylines, which ultimately left it feeling disjointed and unfocused.
In conclusion, while the craftsmanship and ambition behind the film are commendable, the content and storytelling failed to meet the mark. What could have been a gripping, memorable experience ended up feeling bloated and underwhelming.
Unfortunately, the content of the film didn't quite live up to those expectations. It felt cluttered with unnecessary elements, many of which didn't add any real value to the narrative. One of the biggest disappointments was Mohanlal's portrayal of the character Abraham. His performance lacked the depth and expression we've come to expect from him, especially when compared to his iconic role as Stephen. The character of Abraham came across as flat and unimpactful, leaving fans longing for the familiar charisma and emotional depth that Stephen brought to the screen.
Additionally, the movie was bogged down by an excessive number of characters who seemed irrelevant to the plot. Their presence detracted from the main story and weakened the overall impact of the film. It felt like the movie was trying to juggle too many storylines, which ultimately left it feeling disjointed and unfocused.
In conclusion, while the craftsmanship and ambition behind the film are commendable, the content and storytelling failed to meet the mark. What could have been a gripping, memorable experience ended up feeling bloated and underwhelming.
Empuraan had the potential to be a masterpiece, but it falls short due to misplaced priorities. Instead of focusing on storytelling, Prithviraj seemed more invested in making every frame grand.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
At its core, there is a compelling story, but it gets buried under indulgent filmmaking. Manju Warrier carries the film, yet character arcs feel rushed because Prithviraj prioritized exotic locations over depth. The same over-the-top storytelling prevails despite the attempt to be "different."
A major issue is the inclusion of white actors who can't act. Many Indian films do this, and *Empuraan* follows suit, making these performances feel artificial and distracting.
Then there's Mohanlal-practically every shot of him is slow motion. The overuse of this, paired with an excessive background score, becomes exhausting. The helicopter shootout scene? Completely unnecessary. Had Prithviraj focused on political intrigue rather than gimmicks, this film could have been brilliant.
The film shines when it delves into Indian politics, creating genuinely engaging moments. The villain had a strong introduction-well-written and menacing. However, instead of developing him further, he gets sidelined once the audience has enough reason to dislike him. A missed opportunity that weakens the film.
For such a massive budget, the editing is surprisingly poor. Unnecessary jump cuts and excessive zoom-ins hurt immersion. These choices cheapen what could have been a polished cinematic experience.
The cinematography, however, is excellent. Not to be confused with the VFX, which remain subpar. But the lighting, framing, and composition stand out. If the storytelling had matched the cinematography's quality, Empuraan" would have been far stronger.
Prithviraj's character suffers from forced emotional beats. One key scene feels like a plot device rather than genuine development, only for the film to cut abruptly to an unrelated sequence.
Mohanlal, despite being an icon, feels more mythical than human. His constant deep, philosophical dialogues add little to his character. This detachment weakens his role as the film's emotional anchor.
Ultimately, Empuraan excels when focused on India, its politics, and its power dynamics. Those moments shine. However, its obsession with spectacle over substance holds it back from greatness.
Visually impressive but narratively inconsistent, Empuraan prioritizes style over depth. It could have been much more.
The Good
Great visual treat, fantastic sets, very realistic. Locations are awesome, very good casts from Hollywood, Bollywood and Mollywood. Very few dialogues but still Mohanlal shines.
The Bad Story has a weak and predictable arc, a lot of credit has been given to the writer, yes writers should be given credit, but not this one, not one original idea or plot, just rehash or old tried and tested ones.
The Ugly Loopholes Galore: Shotgun shots produce rifle bullet effects. An unepected jungle running scene has people being picked off my hidden ropes as if its planned. A tree is set fire to, just for effects. Fight sequence go on for too long, you see 7 thugs attacking but during fight scenes 20 of them are being beaten up. Riots is shown completley one sided, and the worst of the riots is put together for people to endure. Why the CM should switch sides when he has won and is already ruling is pointless and not explained at all, its done just to fit the storyline. Small budget films like Kishkindha Kandam, Jaya Jaya Jaya he, Rekhachitram, Officer is executed better.
In an effort to make a pan Indian film Prithvi forgot what made malayalam films good. Hope there is some meat in L3.
The Bad Story has a weak and predictable arc, a lot of credit has been given to the writer, yes writers should be given credit, but not this one, not one original idea or plot, just rehash or old tried and tested ones.
The Ugly Loopholes Galore: Shotgun shots produce rifle bullet effects. An unepected jungle running scene has people being picked off my hidden ropes as if its planned. A tree is set fire to, just for effects. Fight sequence go on for too long, you see 7 thugs attacking but during fight scenes 20 of them are being beaten up. Riots is shown completley one sided, and the worst of the riots is put together for people to endure. Why the CM should switch sides when he has won and is already ruling is pointless and not explained at all, its done just to fit the storyline. Small budget films like Kishkindha Kandam, Jaya Jaya Jaya he, Rekhachitram, Officer is executed better.
In an effort to make a pan Indian film Prithvi forgot what made malayalam films good. Hope there is some meat in L3.
While it is a movie from lucifer franchise but empuran doesnt meet the expectations and lack of story telling is the major issue. 2nd half is just ok overall beliw average movie. The main positives are the location and casting. Bgm was totally disappointing, and lady characters also doest meet expectations. Story was little lagging. Director failed in making the emotional attachment and the songs also not giving a fresh feel. The major negative is the duration of the movie and over expectations by the filim crew. New technics was brilliantly used and climax is just ok. Overall its not a decent watch one.
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Le saviez-vous
- AnecdotesEmpuraan was filmed using the anamorphic format with a 1:2.8 aspect ratio, ensuring visual consistency with the first film, Lucifer. Prithviraj confirmed the third installment will follow the same approach.
- GaffesIn the shot when the cars reverse and see a herd of cows, the gap between the cars change in different shots.
- Versions alternativesThe makers decided to re-censor the film following backlash from various right-wing organizations. 17 cuts were made, toning down the violence against women and removing certain scenes featuring religious hatred and violence. Done to avoid hurting people's sentiments, this came after the Rashtriya Swayamsevak Sangh (RSS) mouthpiece Organiser criticized the film and accused it of using the backdrop of the 2002 post-Godhra riots to push an 'anti-Hindu political agenda'.
- ConnexionsFollows Lucifer (2019)
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- How long is L2: Empuraan?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 9 283 660 $US
- Durée2 heures 59 minutes
- Couleur
- Rapport de forme
- 2.76 : 1
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