How to Be

A young man is a psychologically mess... his girlfriend leaves him, he doesn't mesh well with his friends, he loses his volunteer job. He turns to the strangest place for help: a Canadian therapist who moves in with him.

This is director Oliver Irving's first and only film, as of this writing. And it's a good one. It is an IFC film, and there's no denying it fits in that category alongside Wes Anderson films and perhaps "Garden State". This won't be as big, and with good reason, but thanks to Robert Pattinson's popularity, it will get more viewings from people who would otherwise never have heard of it.

I really enjoyed the therapist (who sadly appears to have passed during the making of this film). And Pattinson does a fine job as a whiny nerd. His character is incredibly annoying, but such a different one from "Twilight" or "Remember Me" that it gives me the sense that he just might have a bit of range inside of him and may someday break free of the Edward Cullen trap.

'How To Be' starts off strong but quickly turns into a drawn-out yawn of a movie. The plot progresses slowly and the character development of Art, played by a blasé Robert Pattinson, turns the viewer from understanding and caring (about what happens to his relationships) to annoyance. His mates are, in my opinion, there to fill the gaps in the story- they really never help Art in his quest for 'normal' and to be blunt- it was too difficult to understand what they were saying (at one point I had to turn on the subtitles so I knew what was going on) this is never a good sign.

There is hope, however, for the young Mr. Pattinson. Though Art seems like a lost cause from the first moment he lies, Robert in a small way- keeps this movie a float. At some points Art is such a downer (which is brought on by his own doing) that I found it hard to 'put' myself through the rest of the movie. There are comedic moments when Pattinson is charming and moments when he holds your attention (close to the end) but it does not change the outcome of the overall film witch just leads one to believe- yes, sometimes we all need a little help- and in this case it is the film that needs it.

'How To Be' could be considered an art house flick but it is 100% and Indie drama. The settings are the streets of England and the overall production creates the feeling that you are standing in the midst of their conversations (when you can understand them) and the music helps the movie along nicely, but then again the music is by and large,too drab.

After spending some time in the UK I honestly thought I get British humor. After watching this, I truly think I don't.

Although the movie is well produced, the character of Art played brilliantly by Pattinson, I found myself feeling mostly sorry for him and not seeing the funny part. I see the great job of all the people involved in the production but I can't say it suits my type of sense of humor. There were moments I smiled or half-smiled but never laughed at loud.

So, over all, I don't regret watching the movie, neither would I recommend it as a great, funny comedy .

I was one of the lucky ones to see this movie at Slamdance. I absolutely loved this movie.

"This is not your typical Robert Pattinson movie. He doesn't play a good-looking, heart-throb. Robert plays Art, an insecure, confused, depressed, misfit who has no direction, no real social skills, and no support from his parents. His only love is music, but he sucks at that too. After the break up from his girlfriend, he basically looses it and has to move back in with his parents. This is his struggle to become "normal" so his parents and friends will accept and love him. He even goes to the extreme of hiring a self-help professional to help him. You will feel so sad for Art – trust me! Don't get me wrong, this movie contains endless British humor to lighten the subject up.

A wonderful independent movie with a great message. A job well done for Robert Pattinson.

I attended the DC Independent Film Festival's screening of How To Be here in Washington, DC.

I loved it! I like quiet little movies like this. It's all dialogue-rich, and location sets, and natural composition. I thought the casting was perfect: the characters were organic and realistic, other than Dr. Ellington (the personal therapist) who was supposed to be a caricature rather than a true character in the film. This gave it a subtly surreal dynamic, which I thought was a nice touch.

The script was great, IMO. I generally like good character sketches, though, so I suppose I could see people who are not interested in the same being less than thrilled with it. But I like the themes that Art brings to the story. They are typical and simple themes, like love, direction, family, friends, work, sadness, happiness. The characters are wholly irreverent and hilariously unique. For a very small film, this script is nicely fleshed out.

The direction, production, and editing were great! I didn't catch any mistakes. They had a thorough cinematographer, too. I thought the lighting was pleasing, and the sound was mixed/edited nicely.

And yes. Rob Pattinson's performance is stellar. For being a self-proclaimed "untrained" actor, he's got such a wonderful and daring on-screen presence. Art is pathetic...so freakin' pathetic. And Pattinson embodies him with such precise depth. His comedic delivery, his physical timing, his vocal performance; I swear, it's all flawless. He really reaches inside himself to find that space where depression and anxiety live, and he dives into the process of putting himself back together again. You really root for the guy, pathetic as he is. As Pattinson's fame swells exponentially in the coming years, this one will become a sleeper testament to his acting chops--teeny bopper vampire love stories be damned.