Invictus

In surely one of his lightest and straight-forward works of his career, Clint Eastwood has achieved one of the most inspirational films of the year with his new film, Invictus.

Starring Academy Award Winners Morgan Freeman as South African President Nelson Mandela and Matt Damon as Rugby Captain Francois Pienaar, Invictus is a picture full of emotion, magnetism, and revelation. What critics and audiences may be deceived by is belief that this is THE Nelson Mandela biopic which it is not. It is the story of Nelson Mandela's first years as President of the culturally separated country South Africa in 90's. In a way to unify his people, Mandela used the country's love for Rugby to connect the whites and the blacks. As their record has been less than impressive, no one expects anything notable from the Springboks. Mandela taps the captain of the team to rally his troops and surge into battle for the greater good of his country.

Everything about Invictus works on so many degrees of the medium based on the book "Playing the Enemy." The film never comes off as too pretentious or egotistical; it requires nothing more from the viewer than an open mind and heart. Eastwood directs the film perfectly, laying back when he needs to, never pushing the subject matter or shoving it down our throats. He utilizes all the skills we've come to love about his earlier works in Million Dollar Baby, Mystic River, and Letters from Iwo Jima. The use of light shows a character' s vulnerability inhabiting their souls or a score by Kyle Eastwood that offers both zeal and subtlety during a rugby match.

Cinematographer Tom Stern hits another one out of the park, catching all the fury and apprehension of all the different elements of this strenuous time. Joel Cox and Gary Roach edit the film with the perfect amount of precision and friction.

Morgan Freeman as Mandela is a wonderful charmer, showing the man's most hostile yet tranquil behaviors. Not necessarily the most engulfed characterization seen on film this year as Freeman's accent comes in and out of remission, but it's a tremendous performance worthy of an Oscar nomination.

Matt Damon, showing himself as one of the best working actors today, doesn't have enough of the character depth and arc to carry the picture. Damon's performance doesn't allow him to really go anywhere. It's a superb turn, with a great accent inhabitance, that warrants credit where the credit is due. However, Damon requires nothing more than a little motivational speaking and responsive humility.

Invictus, is one of the best pictures of the year, standing in the ranks of one of the best sports films of the decade. This is the type of film that Oscar will likely be all over and fall in love with. I concur.

****/****

I must confess that I am a great fan of Clint Eastwood, Morgan Freeman an Matt Damon (not necessarily in this order), but what impressed me most in this movie was the story (and if it was real, much better!). We can learn from this story that not revenge, but forgiveness is the most powerful weapon of our beings. Seeing this picture movie I realized how difficult was for Mandela to prevent a civil war or even a riot on such a drastic change of regimes. For those who lived under hard circumstances (like apartheid, communism or so called socialism) is much easier to understand the subtlety of the story, and more than that, this movie is a must see. That's one of the reasons I rate it 10 out of 10.

Set in the early to mid 90's, Clint Eastwood's "Invictus" covers the first year of Nelson Mandela's presidency and how he pushed the nation's rugby team, led by captain Francois Pienaar, to achieve World Cup glory. However, Mandela's backing of the rugby team splits many hairs, as the "Sprinboks" have come to be a symbol of apartheid for millions of South Africans, making Mandela risk the very base that pushed him into office. He must also deal with personal security, his exhaustive schedule, and the strains on his personal life.

As much as I respect Morgan Freeman, I was concerned that his presence would be distracting, that I would be seeing him instead of Nelson Mandela. I shouldn't have worried. Freeman completely immerses himself into the role and gives one of the best performances of the year. Not only are his accent and tone of voice quite good, but he brings a true 3-dimensionality to the role. Compare, for example, him having tea with Francois, to talking with his family, and to making a political speech. Freeman nailed every facet of Mandela's life.

Damon also excels as Pienaar, the solid enough rugby player who must do more than just lead by example for his team. The screenplay, adapted by Anthony Peckham, doesn't offer many narrative surprises, but it does do a good job examining not only the strife South Africa was in when Mandela was elected, but also the value of the team to the entire nation. Eastwood wisely plays the material straight. Though the material may seem familiar, the performances by Damon and especially Freeman are what elevate this tale into a solid and even uplifting drama.

To my mind, this is less about South Africa, sport and Mandela than about another man.

Oh, the drama was really there. It doesn't matter that it was not as significant in uniting a nation as depicted. How could it be? How could it?

But the dramatic form is there because it works. We like to show the sweep of the large by embossing on an individual. Here at least we don't have love. And we like to illustrate a personal struggle by showing masses in huge movement. Masses and mass excitement are cinematic, and human internals cannot be. So we show internal struggle by external means.

What I celebrate is another man, Clint Eastwood. Now here is a man well past the time he could relax, making significant films. This is not complex like "Mystic River," nor as cheaply mawkish as "Million Dollar Baby." It is in between. But it is — if I recall — the first time Clint has shown mass movement. Here he uses Morgan Freeman in ways that Morgan has a hard time cheapening the thing.

Photographing moving team sports like football, soccer and basketball is something of a challenge. You have to make decisions about what role the camera plays. Dance is a similar challenge, but you have more flexibility because the tradition in theater is to break the walls and engage. In sport, the barrier between player and watcher is sacrosanct. The drama depends on you investing in the game; the fiction that the players represent you is tangible.

But it equally depends on you being remote, whether in a stadium or in an upholstered chair in your home. That distance makes the business work. It allows representation without inclusion, because the viewer gets the pleasure of having someone else do his work for him. It has to be explicit that it is someone else.

So the camera cannot take the viewer into the game as a participant. It has to always be a watcher. But how to do so, staying within the carefully evolved confines of watcherdom and still give us some greater immediacy? Eastwood finds a balance. He relies a bit too much on the camera on the ground, looking into the locked players for me. But he strikes a better balance than say Oliver Stone does in "Any Given Sunday," which is basically a war movie without death.

Eastwood. Building a legacy, one small but well crafted film at a time. Who among us ever suspected that this fellow, with no film school, no real musical training, would become one of our most practiced directors and film musicians.

Ted's Evaluation -- 3 of 3: Worth watching.

Invictus is an enjoyable film, Morgan Freeman is great as Mandela and it's an inspiring story. The movie revolves around the 1995 Rugby World Cup and Mandela's attempt to unite South Africa behind its rugby team. Mandela develops a relationship with team captain Francois Pienaar (Matt Damon)playing the role of mentor and motivational coach.

Although it's well-made and worth watching. As a rugby fan I was a little disappointed with the action on the field although most ordinary film-goers may not notice. I am not convinced the director (Clint Eastwood) really understands the game and the actors hired to play the Springboks didn't really look the part. At 5'10" Matt Damon is a little small to play the 6'3" and 240 lb Pienaar. Pienaar was a popular charmer with a ready smile and a real ambassador for South African rugby. Damon still seemed to be playing Jason Bourne. It was an intense performance but it wasn't how I remembered Pienaar.

South Africa had not been allowed to play in previous world cup tournaments and the years of isolation had left the Springboks uncompetitive. They were seeded ninth coming into the tournament but exceed expectations by reaching the final. The action focuses on the final match with New Zealand. New Zealand had an amazing wing (running back) in the 20 year old Jonah Lomu who at 6'5" and 265 pounds seemed unstoppable. South Africa really were the underdogs. It was also the only time that the All Blacks have managed to reach the final since 1987. They usually get beat by the French (1999, 2007) or Australia (1991 and 2003)in the quarters or semis.

Overall it's nice for rugby to finally receive some recognition from Hollywood, because it's a major global sport. It's a good film.

I discovered that "Invictus" is a short poem by the English poet William Ernest Henley. The title is Latin for "unconquered". It was first published in 1875.