NOTE IMDb
6,7/10
6,1 k
MA NOTE
Yuichi Kannami est un jeune pilote affecté sur une nouvelle base aérienne. Il n'a, ni idée des raisons pour lesquelles ils sont en guerre, ni souvenir de son passé. Ses collègues vont peut à... Tout lireYuichi Kannami est un jeune pilote affecté sur une nouvelle base aérienne. Il n'a, ni idée des raisons pour lesquelles ils sont en guerre, ni souvenir de son passé. Ses collègues vont peut à peut l'aider à y voir plus clair.Yuichi Kannami est un jeune pilote affecté sur une nouvelle base aérienne. Il n'a, ni idée des raisons pour lesquelles ils sont en guerre, ni souvenir de son passé. Ses collègues vont peut à peut l'aider à y voir plus clair.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 5 nominations au total
Ryô Kase
- Yuichi Kannami
- (Japanese version)
- (voix)
Mugihito
- Kyoku Yama
- (voix)
Hôchû Ôtsuka
- Honda
- (voix)
Mabuki Andô
- Fooco
- (voix)
Mako Hyôdô
- Kusmi
- (voix)
Hiro Shimono
- Pilot
- (voix)
Yoshinori Fujita
- Pilot
- (voix)
Ayumu Hasegawa
- Pilot
- (voix)
Oki Sugiyama
- Pilot
- (voix)
Fumie Mizusawa
- Call Girl
- (voix)
Tomomi Watanabe
- Call Girl
- (voix)
Ken'ichi Mochizuki
- Mechanic
- (Japanese version)
- (voix)
Ian Moore
- Public Figure
- (voix)
Avis à la une
It's astonishing how much heart and soul writer Hiroshi Mori and Ghost In The Shell director Mamoru Oshii managed to incorporate in this gently told, unique story despite the remote, but at the same time also strangely deep nature of it's characters. The discreet use of the beautiful visuals serves the movie - not the other way round - and though pretty slow-paced and without major cataclysms Sky Crawlers manages to keep up a fascinating and unique atmosphere till the very end.
I think everyone with a heart and an open mind will recognize this one as a rare gem.
7/10
I think everyone with a heart and an open mind will recognize this one as a rare gem.
7/10
I found the view of wars as an instrument to remind us of what it means to be peaceful to be an interesting idea. The concept of Killdre who can't (won't?) become adults were also quite interesting, but I felt they could've done much more with this story.
Throughout the film, the main character repeated that there were no reason to become adults, but what was the real difference between childhood and adulthood? Children and their immaturity come from inexperience. Even if their bodies never grew up, wouldn't their minds continue to grow into an adult? I wish they had explained this more because the Killdre pilots in this movie didn't behave that different compared to adult pilots. To me, it seemed like being children had no real advantages other than better reflexes and lighter weight for the planes.
They did a fine job with the revival problems of Killdre, that they can't escape the war even through death, but I wished they focused more on the subject.
Animation on this was quite disastrous in my opinion. In this day and age, many anime series mix 3D-CGI and traditional cel animation. This style of animation never worked for me, since the hand-drawn cel animation seems like laziness behind 3D backgrounds, especially since there were many 'frozen' frames where a character don't move for about 5 seconds. Such wide gap in animation quality within an anime movie seems unnatural, and I believe the CG technology in Japan has not reached a convincing level in anime yet. Some plane fight scenes were quite cool, but the following cel animation in the base always seemed awkward afterwards.
Truly great animated films in recent years like "Byousoku 5cm" and reputable anime studios like Ghibli and Mad House still use computer graphics only to assist the hand-drawn special effects without using protrusive 3D-CGI in 2-dimensional background or characters. Japanese anime creators need to wait until they have enough budget and technology to match current Pixar films before using CGI in their anime films.
I really liked the character development in this movie, but I believe this film had a lot of space for improvements.
Throughout the film, the main character repeated that there were no reason to become adults, but what was the real difference between childhood and adulthood? Children and their immaturity come from inexperience. Even if their bodies never grew up, wouldn't their minds continue to grow into an adult? I wish they had explained this more because the Killdre pilots in this movie didn't behave that different compared to adult pilots. To me, it seemed like being children had no real advantages other than better reflexes and lighter weight for the planes.
They did a fine job with the revival problems of Killdre, that they can't escape the war even through death, but I wished they focused more on the subject.
Animation on this was quite disastrous in my opinion. In this day and age, many anime series mix 3D-CGI and traditional cel animation. This style of animation never worked for me, since the hand-drawn cel animation seems like laziness behind 3D backgrounds, especially since there were many 'frozen' frames where a character don't move for about 5 seconds. Such wide gap in animation quality within an anime movie seems unnatural, and I believe the CG technology in Japan has not reached a convincing level in anime yet. Some plane fight scenes were quite cool, but the following cel animation in the base always seemed awkward afterwards.
Truly great animated films in recent years like "Byousoku 5cm" and reputable anime studios like Ghibli and Mad House still use computer graphics only to assist the hand-drawn special effects without using protrusive 3D-CGI in 2-dimensional background or characters. Japanese anime creators need to wait until they have enough budget and technology to match current Pixar films before using CGI in their anime films.
I really liked the character development in this movie, but I believe this film had a lot of space for improvements.
10hajj628
I'll admit, it was difficult to get into the right mood to watch "Sky Crawlers." I was expecting one thing, a war film, and while there were moments of that, I found myself confronted with a world full of characters with human concerns, and a strict atmosphere that called upon the audience to pay attention to the details.
Having watched and enjoyed other films by Oshii (this one most resembling "Avalon" in tone and theme), I knew that I'd be in for something demanding and stoic, but I was also surprised by just how initially uncharismatic the two main characters were. However, as the film progressed, I found myself drawn in by their mysterious histories, and eventually deeply sympathizing with their tragedy.
To explain the nature of the pilots is to spoil the film, but rest assured, every frustration and question you have concerning the characters is answered by the end –just make sure you sit through the end of the credits! However, whether or not you are satisfied in the end is another question entirely. While the chaotic, crowd-pleasing dogfights and strikingly rendered landscapes are sure to get a rise out of any audience, the mystery of the characters themselves is initially impenetrable and unwelcoming.
On the other hand, Oshii's depiction of emotionally mature, personally tortured characters is a unique landmark in animation. While there have been other animated films concerned with serious character drama, few of them have chosen to completely eschew melodrama with the exacting discipline of this film.
The film strikes a strange balance between frenetic action scenes and serious character exploration. It won't please everyone. But if you enter "Sky Crawlers" with an open mind, you may find something exciting, brutal, and heartbreaking here.
Having watched and enjoyed other films by Oshii (this one most resembling "Avalon" in tone and theme), I knew that I'd be in for something demanding and stoic, but I was also surprised by just how initially uncharismatic the two main characters were. However, as the film progressed, I found myself drawn in by their mysterious histories, and eventually deeply sympathizing with their tragedy.
To explain the nature of the pilots is to spoil the film, but rest assured, every frustration and question you have concerning the characters is answered by the end –just make sure you sit through the end of the credits! However, whether or not you are satisfied in the end is another question entirely. While the chaotic, crowd-pleasing dogfights and strikingly rendered landscapes are sure to get a rise out of any audience, the mystery of the characters themselves is initially impenetrable and unwelcoming.
On the other hand, Oshii's depiction of emotionally mature, personally tortured characters is a unique landmark in animation. While there have been other animated films concerned with serious character drama, few of them have chosen to completely eschew melodrama with the exacting discipline of this film.
The film strikes a strange balance between frenetic action scenes and serious character exploration. It won't please everyone. But if you enter "Sky Crawlers" with an open mind, you may find something exciting, brutal, and heartbreaking here.
It is hard to write a coherent review of The Sky Crawlers without revealing major plot twists, but I will try. I advise you to see the movie without reading too much about it beforehand so that you can enjoy and think about what happens without bias. Do stick around for the epilog after the closing credits.
The Sky Crawlers is a thought-provoking alternate history that will appeal to literate science fiction fans. Mainstream audiences will undoubtedly be bored and confused by what happens in the film. The film examines weighty themes such as the meaning of war and the nature of memories. I was reminded of the recent death of famous amnesiac "HM" while watching The Sky Crawlers, as some of the characters suffer from a similar type of memory loss. Why they suffer this loss is one of the twists that will either spark heated discussion or bewilderment afterward. Like most good science fiction, The Sky Crawlers presents somewhat ambiguous characters and ideas. It is up to the viewer to interpret the meaning.
What worked: The CGI aerial combat sequences were amazingdizzying and spectacular, with intricately designed air vehicles that spurred the imagination. The characters' emotional depths were thoroughly minedalthough not always pleasantly so. The character design and art direction were top notchthe CGI segments were almost photo-realistic, and the 2D segments were beautifully drawn and lighted, too. The Basset Hound was cute.
What didn't work: The pacing was slowthis is a psychological drama, not an action adventureand could have benefited from some judicious editing. Although I found the transitions from CGI to 2D and back to be perfectly fine, particularly after getting into the rhythm of the film, many viewers will likely find the transitions jarring.
If your tastes run more towards Blade Runner or A Clockwork Orange, you will probably appreciate The Sky Crawlers. If your tastes lean more towards Star Wars or The Incredibles, I advise you to see something else.
The Sky Crawlers is a thought-provoking alternate history that will appeal to literate science fiction fans. Mainstream audiences will undoubtedly be bored and confused by what happens in the film. The film examines weighty themes such as the meaning of war and the nature of memories. I was reminded of the recent death of famous amnesiac "HM" while watching The Sky Crawlers, as some of the characters suffer from a similar type of memory loss. Why they suffer this loss is one of the twists that will either spark heated discussion or bewilderment afterward. Like most good science fiction, The Sky Crawlers presents somewhat ambiguous characters and ideas. It is up to the viewer to interpret the meaning.
What worked: The CGI aerial combat sequences were amazingdizzying and spectacular, with intricately designed air vehicles that spurred the imagination. The characters' emotional depths were thoroughly minedalthough not always pleasantly so. The character design and art direction were top notchthe CGI segments were almost photo-realistic, and the 2D segments were beautifully drawn and lighted, too. The Basset Hound was cute.
What didn't work: The pacing was slowthis is a psychological drama, not an action adventureand could have benefited from some judicious editing. Although I found the transitions from CGI to 2D and back to be perfectly fine, particularly after getting into the rhythm of the film, many viewers will likely find the transitions jarring.
If your tastes run more towards Blade Runner or A Clockwork Orange, you will probably appreciate The Sky Crawlers. If your tastes lean more towards Star Wars or The Incredibles, I advise you to see something else.
The Sky Crawlers: (Sukai Kurora):7 out of 10: This is an adult anime...In fact this is a very adult anime. No there isn’t copious amounts of fan service or blood. (In fact the film is rated PG-13 primarily for smoking.) Instead Sky Crawlers has a very quiet, reserved pacing. It’s a two hour anime that feels like it clocks in at over three hours. Not boring per se but very deliberately paced with adult conversations, adult music and an overall adult tone that reminds one of Before Sunrise with occasional airborne dogfight to break up the relationship introspection.
The plot is both light (I will reveal that here) and quite heavy (I will let the movie itself surprise you with its philosophical underpinnings). On the light side is there is a special group of teenagers who are pilots that never grow old. The movie refers to them as Kildren and much is made of how they are just kids; but if you drive, fly, have sex, drink, and smoke a pack every 10 minutes of screen time your are at best a teen and in reality a young adult.
These Kildren fight in retro WW2 style aircraft against each other in an air war with no winners and no other casualties all to apparently satiate the public’s need for conflict. (Think Star Trek’s “A Taste of Armageddon”). There is a new pilot, a wingman and a couple of androgynous love interests with deep secret pasts. There is even a Red Baron character rumored to be an adult and a constant source of tension and conversation in both the dogfights and on the ground.
The Animation is simply awe inspiring. The CGI work is better than many a Hollywood blockbuster and the 2 dimensional cell shaded characters fit both the pacing and the mood of the film. The attention to detail is quite amazing overall.
Overall the film is recommended for fans of adult drama and serious anime. I do confess I did wish for longer sky battles, more realistic violence and even some fan service. It is ironic that one of the most adult anime I have ever seen suffers from a lack of adult thrills with its PG-13 rating.
The plot is both light (I will reveal that here) and quite heavy (I will let the movie itself surprise you with its philosophical underpinnings). On the light side is there is a special group of teenagers who are pilots that never grow old. The movie refers to them as Kildren and much is made of how they are just kids; but if you drive, fly, have sex, drink, and smoke a pack every 10 minutes of screen time your are at best a teen and in reality a young adult.
These Kildren fight in retro WW2 style aircraft against each other in an air war with no winners and no other casualties all to apparently satiate the public’s need for conflict. (Think Star Trek’s “A Taste of Armageddon”). There is a new pilot, a wingman and a couple of androgynous love interests with deep secret pasts. There is even a Red Baron character rumored to be an adult and a constant source of tension and conversation in both the dogfights and on the ground.
The Animation is simply awe inspiring. The CGI work is better than many a Hollywood blockbuster and the 2 dimensional cell shaded characters fit both the pacing and the mood of the film. The attention to detail is quite amazing overall.
Overall the film is recommended for fans of adult drama and serious anime. I do confess I did wish for longer sky battles, more realistic violence and even some fan service. It is ironic that one of the most adult anime I have ever seen suffers from a lack of adult thrills with its PG-13 rating.
Le saviez-vous
- AnecdotesMamoru Oshii initially wanted the English radio conversations between the pilots to be spoken with difficulty for the sake of realism. However, the voice actors were already fluent enough to understand English, so the script made the conversations into clearer English for easier understanding by the voice actors.
- Crédits fousSPOILER: After the end credits, a new pilot lands at the airbase and introduces himself to Kusanagi in her office. The scene is almost identical to the opening scene but we do not see the pilot's face.
- ConnexionsReferenced in Animation Research for the Sky Crawlers (2009)
- Bandes originalesKonya mo Hoshi ni dakarete...
Performed by Ayaka
Written by Ayaka
Composed by Yoshihiko Nishio and Ayaka
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Sky Crawlers?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 5 845 516 $US
- Durée
- 2h 2min(122 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant