À la poursuite de l'amour

These social butterflies cannot land anywhere, even for a moment. It becomes irritating when we watch sequence after sequence of fleeting thoughts and moments The script just tries too hard, a bit like the girls trying to find love.

Another selection from The Guardians top 50 shows of 2021 was "The Pursuit of Love", a fresh adaptation of the Nancy Mitford novel which has already been done twice to some acclaim by the BBC. I thought during the first episode that this wasn't really going to be my thing, "Sunday night" costume drama often isn't, but I persevered and eventually it won me over.

At the start of the 20th Century, two cousins who grew up more like sisters, Fanny (Emily Beecham) and Linda (Lily James) begin their adult lives. Responsible, and scarred by her mother's abandonment, Fanny settles down with Alfred (Shazad Latif). Linda though is in search of passion, and her pursuit of love takes her from the British to the French aristocracies, via a spell invested in the communist battle against rising fascism. Fanny watches Linda's time as a bright young thing with a mixture of resentment, disappointment and jealousy.

As I said, I struggled a bit with the first episode. I immediately liked the tone that Emily Mortimer has decided on for her adaptation. Essentially a modern shift, with freeze frame introductions and the odd bit of anachronistic music, if fits the bohemian aspects of the story well, but I did perhaps struggle to accept the lead actresses, both in the 30s, as being teenage girls. They do get out of that section of the story though and once the marriages and children start; it becomes easier to accept. Both are great in their roles though - even if the other thing difficult to accept is that anyone would see the staggeringly beautiful Beecham as bookish, or dowdy. It's an all-star cast, With Freddie Fox, John Heffenan, Dolly Wells and Dominic West appearing - though special mention must go to Andrew Scott's comedic turn as Lord Merlin, the avantgarde artist who lives next door and a burst of energy whenever he appears.

The story kept me engaged even if we, the audience, know that their lives are going to be changed dramatically by the War that everyone seems to suspect is imminent, but can't possibly yet appreciate the dangers of.

I can see from the reviews that it wasn't to everyone's taste and I can't argue against anyone who couldn't get on with the stylistic choice, but it worked for me and with the performances made this an enjoyable experience.

I had been looking forward to this lavish adaptation of Nancy Mitford's first popular novel, fondly remembering the BBC's last version from 2001, but despite a stellar cast, locations and production design this lacks the charm and innocence of the former and tries too hard to make it relevant to a contemporary audience, with a 70s soundtrack and younger casting, especially that of Lord Merlin. The wit and humour of Nancy's novel just evaporates here.

...then this may well be up your alley (I should say I think it's far better than Coppola's M-A) . Both the 'purists' and the parvenus (and staunch fans of assorted Mitfords) will and have turned their noses up - I guess all reviews are opinions and nothing more so....good for them. Personally I was a fan, I think a traditionally safe version would have been great but this is good fun and seems to have its tongue firmly in its cheek.

I genuinely enjoyed it all. The eccentricities, visuals and weirdness. Only one episode in of course, but hope this continues as it began. To me, though evidently very few others, this was absurdly delicious.