Obscénité et Vertu

I really liked the film. I admit I almost didn't go to see it because of all the bad press, but Im happy I did. And for those who haven't seen it and consider not to based on all the criticism, you really should go and see it for yourself.

I wonder what these critics were really expecting? Something a little more Hollywood? And what do you consider to be a "good" movie, if you don't seem to like this one very much?

I found the movie to be very honest. The only part I wasn't so convinced of was the the blind guy, his facial expressions didn't match the character, I think he smiled too much.

But other than that, where is the problem? Have any of you ever worked as a Dominatrix or known any sex workers? Or professional dancers who turned to working at a strip club to earn a living? You say "cliché" but often clichés/stereotypes exist for a reason, because actual human beings (re)act in certain ways in certain situations.

I think Madonna should feel proud of her work here! It was inspiring in its way, regardless of what some might say.

As a director Madonna's understanding of subtlety and nuance is akin to a stiff punch to the gut. She doesn't get it at all. Incomprehensible at times and pretentious in others, there isn't that much reason to watch it. I skipped some of the more arduous scenes that were hard to get through. Doing this made the movie easier to watch.

The immigrant storyline which takes place in London is mildly interesting. The problem is that Madonna doesn't know how to bring her ideas and observations together in a way that makes enough sense. This lack if comprehension for the story she is trying to tell coupled with her inexperience as a director leads to on screen confusion and annoyance.

If you're a Madonna fan, you'll probably be disappointed with this one. And i guess there are a lot of non-fans out there who can hardly wait to disparage the movie. Nevertheless, Ms Ciccone did a good job in her directorial debut.

Filth and Wisdom is clearly not a masterpiece, yet there is nothing wrong with this movie. It is the matter of personal preferences whether you like it or not. Besides, it features Eugene Hutz, whose role confirms everything you thought about him while listening to his band Gogol Bordello.

I assume the story is partially based on Madonna's experience as a struggling artist after her arrival to New York. More than that, i see it as a subtle competition with her then-husband Guy Richie, since some aesthetic similarities with RocknRolla (2008) are visible, apart from the setting. She proved him she can direct a movie, divorced him and moved on with her life...

I saw this movie yesterday at the Berlinale.

Going into the theater I thought it might be a dreadful film (after all there were some terrible comments running the net...) I must say though after just a ten minutes the film had gotten to me. It is funny and has quite a pace to it. Getting to know the different characters did not seem to be "set up" as it happens to be in quite a few movies.

Despite the obvious humor the movie contains a lot to think about and even more to remember.

I really would advice anyone to go and watch the movie as it is one of a kind. Just go in expecting nothing and you will receive everything...

A profound idea and Madonna put together sounds like a futile attempt to mix water and oil, but, being a guy who likes both Hutz as an actor and indie film alone should all by itself be testament to my willingness to be open-minded about unusual forms of art and interpretation. So, I watched Filth And Wisdom with no preconceived notions even after reading so many bad reviews.

Now that I've seen it, I'll just say that this film makes no effort to force you to think and ask questions, but simply lays out the overall message up front then just goes through the motions of showing it. There were moments of potential, but at no point did I even remotely wonder how things might turn out for each character in the end. It just didn't occur to me to care enough.

In short, if you're a fan of Hutz's former roles in acting, no less Gogol Bordello, you'll probably enjoy seeing Hutz play himself in this role at most, which features a scene of Gogol Bordello performing at the end. Filth and Wisdom, however, doesn't even come close to what you might have walked away with in Everything Is Illuminated. This film is just Madonna's effort to cash in on a new spotlight that no longer shines on her, in my opinion.

If you have no clue who Eugine Hutz or Gogol Bordello is and can care less, on the other hand, I advise you avoid this movie all together..... unless you're on a drug that can make almost anything interesting.

Either way, don't expect much and you won't be disappointed.