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Enquête sur la politique de la conception des plans cinématographiques et sur la manière dont ce méta-niveau de la réalisation s'entrecroise avec les épidémies d'abus sexuels et de discrimin... Tout lireEnquête sur la politique de la conception des plans cinématographiques et sur la manière dont ce méta-niveau de la réalisation s'entrecroise avec les épidémies d'abus sexuels et de discrimination dans l'emploi à l'encontre des femmes.Enquête sur la politique de la conception des plans cinématographiques et sur la manière dont ce méta-niveau de la réalisation s'entrecroise avec les épidémies d'abus sexuels et de discrimination dans l'emploi à l'encontre des femmes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 5 nominations au total
Raja Bhattar
- Self
- (as Dr. Raja Bhattar)
May Hong HaDuong
- Self
- (as May Hong Haduong)
Avis à la une
9OJT
Brainwashed: Sex-Camera-Power i s documentary that focuses on the male perspective to which becomes the narrative on 95-98 % of all films made. By men, seen by men and women seen as a object.
As a male I must say I am kinda baffled that I haven't seen that in all these movies. I have of course seen the obvious, but there's so many that I didn't see go into that narrative.
The fact that the male body is taboo in most movies, that you never see close up s of it i quite baffling.
A film to learn from, and be ashamed of, as a male? Yes, I'm sorry to say.
That is in fact the case. And it's really too much to handle.
We are almost always asked to see the male perspective, even in films made by women, because we are learned that's the way to do it.
Important stuff for any film school, and for any film buff.
As a male I must say I am kinda baffled that I haven't seen that in all these movies. I have of course seen the obvious, but there's so many that I didn't see go into that narrative.
The fact that the male body is taboo in most movies, that you never see close up s of it i quite baffling.
A film to learn from, and be ashamed of, as a male? Yes, I'm sorry to say.
That is in fact the case. And it's really too much to handle.
We are almost always asked to see the male perspective, even in films made by women, because we are learned that's the way to do it.
Important stuff for any film school, and for any film buff.
Authors and guests dive deep into every aspect of film making and history, to find "patriarchal" elements. There are a lot of axioms, which are not defined, but can be perceived through their comments. For example, predatory behaviour comes from men and patriarchy. They set very clear divide between two sexes with many generalisations, which might be true(statistically speaking), but same people would never accept the same treatment if real statistics were used as counter arguments. It's the cat and mouse game between generalisation and specialisation. They usually take whatever suits them best, for a particular situation. Authors don't want to discover, research, learn. They want to impose, in a very "patriarchal" way. Here lies the ultimate truth. Within is the answer they refuse to accept. Every person is a microcosmos. A combination of the worst and the best humanity offers and everything in between. We are biologically separated by combination of X and Y chromosomes, that govern our physical traits but all other characteristics fall into a spectrum. Some are very common and some fall generally more on one side. None of them is inherently good or bad. It's all about the context. Even when we use archetypes from psychology, like "tyrannical father" and "devouring mother", gender is used just as a description, not a permanent label. A man can behave as a "devouring mother". It's sad to see all these accomplished and grown people not being able to behave as adults.
In her documentary, Nina Menkes explores how the movie industry, through filmmaking techniques and male-centric visions and decisions, has been encouraging and approving the very toxic behaviors that same industry is shyly starting to condemn today.
Not only does Menkes describes how systematically the "male gaze" treatment is applied to female protagonists even and especially in award-winning movie, but also allows her audience to identify the tropes that are being used by filmmakers to construct this sexualised and objectified imagery of women.
Hopefully her matter-of-factly approach will help give her work credibility, given how tricky it is for women to be taken seriously on such controversial subjects.
Not only does Menkes describes how systematically the "male gaze" treatment is applied to female protagonists even and especially in award-winning movie, but also allows her audience to identify the tropes that are being used by filmmakers to construct this sexualised and objectified imagery of women.
Hopefully her matter-of-factly approach will help give her work credibility, given how tricky it is for women to be taken seriously on such controversial subjects.
10shash
This is a must watch film. It is raw, honest and critically important. BRAINwASHED creates a much needed awareness in the film industry and describes how camera angle and other filmmaking elements contributes to issues that effect women: sexualization, employment discrimination and even the rape culture that sadly exists in our society. A must watch!
This is especially important for the younger generation of film makers, as they are the ones who can truly make a difference and show that it is possible to choose differently when filming the female body in a way that is engaging but not sexualizing.
This is especially important for the younger generation of film makers, as they are the ones who can truly make a difference and show that it is possible to choose differently when filming the female body in a way that is engaging but not sexualizing.
Once you see this movie, you can't unsee what it clearly demonstrates.
Brainwashed is a giant step in bringing awareness to the subtle and not-so-subtle ways women are treated as second class citizens through cinematic process and technique. Brainwashed shows how consistent camera angles, lighting, and other shot design elements are applied exclusively to women, such that women are almost exclusively presented as objects of other's (men's mostly) desires rather than as their own subjects in the characters they portray.
This below awareness process inculcates patriarchal codes! "If the camera is predatory, then the culture is predatory."
This is a meta-level awareness game changer of a film! Must see!
Brainwashed is a giant step in bringing awareness to the subtle and not-so-subtle ways women are treated as second class citizens through cinematic process and technique. Brainwashed shows how consistent camera angles, lighting, and other shot design elements are applied exclusively to women, such that women are almost exclusively presented as objects of other's (men's mostly) desires rather than as their own subjects in the characters they portray.
This below awareness process inculcates patriarchal codes! "If the camera is predatory, then the culture is predatory."
This is a meta-level awareness game changer of a film! Must see!
Le saviez-vous
- ConnexionsFeatures La fée aux choux (1896)
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- How long is Brainwashed: Sex-Camera-Power?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Brainwashed: Sex-Camera-Power
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 550 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 28 826 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 409 $US
- 23 oct. 2022
- Montant brut mondial
- 46 077 $US
- Durée1 heure 47 minutes
- Couleur
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What is the Brazilian Portuguese language plot outline for Brainwashed: Le sexisme au cinéma (2022)?
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