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Ajouter une intrigue dans votre langueAn energy business exec is assisted by a private investigator in his effort to expose his corporation's corrupt practices.An energy business exec is assisted by a private investigator in his effort to expose his corporation's corrupt practices.An energy business exec is assisted by a private investigator in his effort to expose his corporation's corrupt practices.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Grégory Ravary Ellis
- Lulu
- (as Grégory Ellis)
Edward James Hyland
- John Pierce
- (as Edward Hyland)
Avis à la une
I saw this at Cinequest in San Jose, in the gorgeous California Theater, but this movie would look good in the homeliest cineplex. This is the rarest of thrillers: one that makes its impact through careful character studies and a refusal to give up its secrets. Frank Langella gives a sterling performance as the corporate whistle-blower marked for death, subtle and surprising in its emotional power. Elliott Gould isn't quite as effective as a private detective/birder, but he is very watchable as he watches his subjects, both human and avian. "The Caller" actually looks more like a fine French drama, in its attention to detail and the deft use of its child actors. Definitely worth watching!
An ostensibly successful man receives a mysterious business call. Lured by the money offered, he accepts the short-term temporary job. He determines it is necessary to disguise his true identity to perform his mission, but in doing so he loses the faith of the caller. The caller cannot clearly explain what it is he hopes for from the arrangement, which jeopardizes the partnership. Apparently, he expects people to read his mind. The audience is tasked with explaining with rationalizing why that is so.
This is one of those films that never gets off the mark. It has an interesting premise, but then it's characters stop communicating. Everything they say has a constipated double intent. Some of them don't know what is going on and, unfortunately, neither do we. So we get all this talk, passing by the receptors. I really don't understand all the motivations. Do we choose to die because we are tired of the game? Perhaps. I'm kind of an embrace life guy and if we are going to go out, do it in a blaze of glory. Not lying on the edge of the bay. Who are these guys and why do they invest so much effort to complete their job. Espionage and all its implications are fine when we are seeking information steeped in layers of cover up. Here we have a man resolved to die. Is there more to this. The past is revealed but is that a reason for the motivations here? I just didn't fined myself compelled to go ahead.
I always think to myself , 'if I can bear to watch a movie 5 times or more then it's not so bad', and this movie was for me extremely watchable but mainly because of the great actors involved, Frank Langella and Elliott Gould. I suppose if it had been made with lesser talent, a contrived story like this would have been hard to take, but it is interesting how the two men come together after 60 plus years, in order for both to seek closure from a destroyed childhood in Nazi occupied France.
It's as mysterious and compelling as any other drama I've seen of this sort. Laura Harring, who plays Langella's lover, is one of the most sensuous actresses around, she's perfect in the part, as enigmatic and subtle as Elliott Gould and Frank Langella.
It's as mysterious and compelling as any other drama I've seen of this sort. Laura Harring, who plays Langella's lover, is one of the most sensuous actresses around, she's perfect in the part, as enigmatic and subtle as Elliott Gould and Frank Langella.
Don't walk in to "The Caller" expecting any explosions or nudity, because you won't get it. (In fact I believe only one gunshot is used in the film).
Frank Langella and Elliot Gould, arguably two of Hollywood's most underrated, star in this sleeper thriller that follows Jimmy Stevens (Langella), an energy analyst who had recently sent out damaging information to his company via e-mail. He realizes that he will most likely be executed because of it and he has a Private Detective (Gould) follow him on what will most likely be his last days, the Detective unaware that the man who hired him and the man who he's tailing are the same.
I liked "The Caller", but it ran a bit slow. Langella and Gould have two of the most relaxing voices and demeanors on the planet (at least to me) so their many scenes of dialog were almost fascinating. But the lack of almost any action will probably ward off any Die Hard or Rambo fan. Use "Public Enemies" for an example; a fine film that may talk too much and not thrill enough.
The central theme of the film seems to be death, and it is represented very well in the flashbacks of Langella's character. He is a haunted man who is ready to meet his maker, and ready to end it by outing the company he works for. Langella and Gould are perfect for their roles.
"The Caller" is a very good film if you are in a thinking mood, but not if you are ready for any amount of action. Kudos to all involved!
Frank Langella and Elliot Gould, arguably two of Hollywood's most underrated, star in this sleeper thriller that follows Jimmy Stevens (Langella), an energy analyst who had recently sent out damaging information to his company via e-mail. He realizes that he will most likely be executed because of it and he has a Private Detective (Gould) follow him on what will most likely be his last days, the Detective unaware that the man who hired him and the man who he's tailing are the same.
I liked "The Caller", but it ran a bit slow. Langella and Gould have two of the most relaxing voices and demeanors on the planet (at least to me) so their many scenes of dialog were almost fascinating. But the lack of almost any action will probably ward off any Die Hard or Rambo fan. Use "Public Enemies" for an example; a fine film that may talk too much and not thrill enough.
The central theme of the film seems to be death, and it is represented very well in the flashbacks of Langella's character. He is a haunted man who is ready to meet his maker, and ready to end it by outing the company he works for. Langella and Gould are perfect for their roles.
"The Caller" is a very good film if you are in a thinking mood, but not if you are ready for any amount of action. Kudos to all involved!
Le saviez-vous
- AnecdotesThe silent movie playing on the TV is Nosferatu le vampire (1922).
- GaffesThe device Mr. Stevens plugs into his phone to morph his voice when talking to Frank is actually a power adapter for the iGo charger.
- ConnexionsFeatures Nosferatu le vampire (1922)
- Bandes originalesChevaux de Bois
Music by Paul Bonneau
Lyrics by Paul Verlaine
Performed by Michel Sénéchal
Courtesy of 5 Alarm Music
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- How long is The Caller?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- On the Hook
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 32 minutes
- Couleur
- Mixage
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By what name was The Caller (2008) officially released in India in English?
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