Une assistante solitaire trouve enfin l'amour et doit échapper à son monstre de patron avant qu'elle et son nouvel amour ne deviennent son prochain repas.Une assistante solitaire trouve enfin l'amour et doit échapper à son monstre de patron avant qu'elle et son nouvel amour ne deviennent son prochain repas.Une assistante solitaire trouve enfin l'amour et doit échapper à son monstre de patron avant qu'elle et son nouvel amour ne deviennent son prochain repas.
- Réalisation
- Scénario
- Casting principal
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Haven't we all had a monster for a boss? Violet deals with hers decisively!
The concept has promise. The horror element is fairly strong. The acting is suitable, and star Alyssa Limperis is charming. Plot development is thin, however, and the narrative at large is hardly better.
The makeup, blood and gore, and otherwise effects in the last length of the film are fine. The climax generally is done well, where we also get dialogue that contains minor thematic content. But by that point I was hardly in the state of mind to care - it was (pardon me) too little, too late.
Passing moments are sufficiently amusing to provide levity. Call me a cynic, though - I don't think a Venn diagram comparing "levity" and "comedy" is a circle. Which leads me to necessarily ask: Was 'Too late' supposed to be funny?
Those elements that are done well are unremarkable, and meager, and far outweighed by so much more that makes no impression at all. This isn't bad. Just dull. So very, very dull. So dull that it may as well be a total clunker for the near total lack of entertainment.
Watching 'Too late' is like suffering through an unfunny open mic night - I just feel bad for everyone on the stage. And for the audience. And for the producers. And...
The makeup, blood and gore, and otherwise effects in the last length of the film are fine. The climax generally is done well, where we also get dialogue that contains minor thematic content. But by that point I was hardly in the state of mind to care - it was (pardon me) too little, too late.
Passing moments are sufficiently amusing to provide levity. Call me a cynic, though - I don't think a Venn diagram comparing "levity" and "comedy" is a circle. Which leads me to necessarily ask: Was 'Too late' supposed to be funny?
Those elements that are done well are unremarkable, and meager, and far outweighed by so much more that makes no impression at all. This isn't bad. Just dull. So very, very dull. So dull that it may as well be a total clunker for the near total lack of entertainment.
Watching 'Too late' is like suffering through an unfunny open mic night - I just feel bad for everyone on the stage. And for the audience. And for the producers. And...
Brilliant take on the entertainment industry. Loads of great performances.
Perhaps too scary, I was worried the whole time.
Perhaps too scary, I was worried the whole time.
Edge of seat storyline. Horror without graphic/gratuitous violence. Cute romantic side plot. This little gem is better than 90% of the mediocre junk on subscription services!!!
Who's giving this film low ratings? You gotta be from another planet.
Who's giving this film low ratings? You gotta be from another planet.
It's cute but for the most part, it is just okay. Might have worked better as tightened-up half-hour episode of a horror anthology series. The cast is good. The gore is silly.
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- Citations
Bob Devore: You and I both know comedians aren't really people.
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Détails
- Durée1 heure 20 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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